Rethinking modern Chinese fiction in a global context Ning Wang OriginalPaper 25 November 2009 Pages: 319 - 327
Reinventing the “Red Classics” in the age of globalization Kang Liu OriginalPaper 28 November 2009 Pages: 329 - 347
Tropes of solitude and Lu Xun’s tragic characters Alexander C. Y. Huang OriginalPaper 28 November 2009 Pages: 349 - 357
Critiquing the city, envisioning the country: Shen Congwen’s urban fiction Jie Lu OriginalPaper 25 November 2009 Pages: 359 - 372
A cultural critique in the age of darkness: reinterpreting Lao She’s allegorical novel Cat Country Anfeng Sheng OriginalPaper 25 November 2009 Pages: 373 - 390
Self-translation/rewriting: the female body in Eileen Chang’s “Jinsuo ji”, the Rouge of the North, Yuannü and “the Golden Cangue” Jessica Tsui Yan Li OriginalPaper 06 November 2009 Pages: 391 - 403
The writer as a historical figure of modern China: Ye Zhaoyan’s passionate memory and fictional history Gary G. Xu OriginalPaper 25 November 2009 Pages: 405 - 418
Ambiguity: transfiguring the ambivalence of the sacred Ulrike Kistner OriginalPaper 13 October 2010 Pages: 421 - 431
Could you be more specific, please? Dominique Vaugeois OriginalPaper 22 October 2010 Pages: 441 - 448
Espionage as a strategy of literary and cultural politics Takayuki Yokota-Murakami OriginalPaper 22 October 2010 Pages: 449 - 455
Signifiers under control: quotations in literary history Péter Hajdu OriginalPaper 13 October 2010 Pages: 457 - 462
Why we need binarism to go beyond it Elrud Ibsch OriginalPaper Open access 13 October 2010 Pages: 463 - 468
RETRACTED ARTICLE: Autopsies du centre R.-L. Etienne Barnett OriginalPaper 22 October 2010 Pages: 479 - 487
Realitätssystemisch einfache und komplexe Varianten der Spiel-im-Spiel-Struktur Uwe Durst OriginalPaper 28 November 2009 Pages: 489 - 507
Faust made in China: Meng Jinghui and Shen Lin’s irreverent socio-cultural deconstruction of Goethe’s iconic masterpiece Xia Li OriginalPaper 25 November 2009 Pages: 509 - 535
The palimpsest of ruins: cultural memory, European literary intertext, and post-romanticism in Simon Jenko’s “Picture VII” Marko Juvan OriginalPaper 25 November 2009 Pages: 537 - 543
