Abstract
Jones et al. in Journal of Experimental Psychology Human Perception and Performance 21:293–307, 1995, showed that a temporal perturbation is easier to detect in a 3:2 polyrhythm than in a single-stream isochronous baseline condition if the two isochronous pulse streams forming the polyrhythm are perceptually integrated: integration creates shorter inter-onset interval (IOI) durations that facilitate perturbation detection. The present study examined whether this benefit of integration outweighs the potential costs imposed by the greater IOI heterogeneity and memory demands of more complex polyrhythms. In "Experiment 1", musically trained participants tried to detect perturbations in 3:5, 4:5, 6:5, and 7:5 polyrhythms having one of two different pitch separations between pulse streams, as well as in an isochronous baseline condition. "Experiment 2" included an additional 2:5 polyrhythm, additional pitch separations, and instructions to integrate or segregate the two pulse streams. In both experiments, perturbation detection scores for polyrhythms were below baseline, decreased as polyrhythm complexity increased, and tended to be lower at a smaller pitch separation, with little effect of instructions. Clearly, polyrhythm complexity was the main determinant of detection performance, which is attributed to the interval heterogeneity and/or memory demands of the pattern formed by the integrated pulse streams. In this task, perceptual integration was disadvantageous, but apparently could not be avoided.
Similar content being viewed by others
Notes
As it is generally believed that attentional strategies affect the subjective perception of multi-stream stimuli between the fission and temporal coherence boundaries (Bregman, 1990; Van Noorden, 1975), it is likely that the participants would have judged the stimuli to be more integrated (segregated) when they had been instructed to integrate (segregate) them. Therefore, the results suggest that detection performance depended more on objective stimulus properties than on subjective impressions of integration/segregation (which were not assessed).
It might seem that this statement should be qualified by adding “unless the first tone in the polyrhythm cycle is perturbed” because that tone is surrounded by 450-ms IOIs, like the tones in the four-pulse stream. In fact, however, perturbation of the first tone in either stream should be easy to detect because it changes the synchrony of the two cycle-initial tones into an asynchrony. Thus, this perturbation would not be detected on the basis of a change in the adjacent IOIs, but on the basis of asynchrony.
Occasionally, a true false alarm may have been scored as a hit, or a very slow response to a perturbation may have been considered a false alarm. The wide window was justified by the fact that participants were likely to respond to the change in the shorter of the two consecutive IOIs that were affected by a shifted tone. If the shorter IOI was the second one, the response was actually triggered by the next tone, resulting in a longer RT.
The response window for hits was 1200 − 150 = 1,050-ms long. The response windows of the eight perturbations thus occupied 8 × 1,050 = 8,400 ms in 17 cycles of 2504 ms duration each, or 19.7% of the total time of 17 × 2,504 = 42,568 ms. (Participants did not know that perturbations occurred only in even-numbered cycles, only that they could not occur in the first three cycles.)
Individual differences were very large, with average hit percentages ranging from 14.2% (the omitted participant) to 87.9%. BHR achieved 55.3%.
References
Beauvillain, C. (1983). Auditory perception of dissonant polyrhythms. Attention, Perception and Psychophysics, 34(6), 585–592.
Bogacz, S. (2005). Understanding how speed affects performance of polyrhythms: transferring control as speed increases. Journal of Motor Behavior, 37, 21–34.
Bregman, A. S. (1990). Auditory scene analysis: the perceptual organization of sound. Cambridge: MIT Press.
Bregman, A. S., & Campbell, J. (1971). Primary auditory stream segregation and perception of order in rapid sequence of tones. Journal of Experimental Psychology, 89, 24–244.
Deutsch, D. (1983). The generation of two isochronous sequences in parallel. Perception & Psychophysics, 34, 331–337.
Friberg, A., & Sundberg, J. (1995). Time discrimination in a monotonic, isochronous sequence. Journal of the Acoustical Society of America, 98, 2524–2531.
Grondin, S. (2001). From physical time to the first and second moments of psychological time. Psychological Bulletin, 127, 22–44.
Handel, S. (1984). Using polyrhythms to study rhythm. Music Perception, 1, 465–484.
Handel, S. (1989). Listening: an introduction to the perception of auditory events. Cambridge: MIT Press.
Handel, S., & Oshinsky, J. (1981). The meter of syncopated auditory polyrhythms. Perception & Psychophysics, 30, 1–9.
Hirsh, I. J., Monahan, C. B., Grant, K. W., & Singh, P. G. (1990). Studies in auditory timing: 1. Simple patterns. Perception & Psychophysics, 47, 215–226.
Jagacinsky, R. J., Marshburn, E., Klapp, S. T., & Jones, M. R. (1988). Tests of parallel versus integrated structure in polyrhythmic tapping. Journal of Motor Behavior, 20, 416–442.
Jones, M. R. (1976). Time, our lost dimension: toward a new theory of perception, attention, and memory. Psychological Review, 83, 323–355.
Jones, M. R., Jagacinski, R. J., Yee, W., Floyd, R. L., & Klapp, S. T. (1995). Tests of attentional flexibility in listening to polyrhythmic patterns. Journal of Experimental Psychology Human Perception and Performance, 21, 293–307.
Klapp, S. T. (1979). Doing two things at once: the role of temporal compatibility. Memory & Cognition, 7, 375–381.
Klapp, S. T., & Jagacinsky, R. J. (2011). Gestalt principles in the control of motor action. Psychological Bulletin, 137, 443–462.
Klapp, S. T., Hill, M. D., Tyler, J. G., Martin, Z. E., Jagacinsky, R. J., & Jones, M. R. (1985). On marching to two different drummers: perceptual aspects of the difficulties. Journal of Experimental Psychology Human Perception and Performance, 11, 814–827.
Klapp, S. T., Nelson, J. M., & Jagacinsky, R. J. (1998). Can people tap concurrent bimanual rhythms independently? Journal of Motor Behavior, 30, 301–322.
Krampe, R. T., Kliegl, R., Mayr, U., Engbert, R., & Vorberg, D. (2000). The fast and slow of skilled bimanual rhythm production: parallel versus integrated timing. Journal of Experimental Psychology Human Perception and Performance, 26, 206–233.
Kurtz, S., & Lee, T. D. (2003). Part and whole perceptual-motor practice of a polyrhythm. Neuroscience Letters, 338, 205–208.
Micheyl, C., & Oxenham, A. J. (2010). Objective and subjective psychophysical measures of auditory stream integration and segregation. Journal of the Association for Research in Otolaryngology, 11, 709–724.
Moelants, D., & Van Noorden, L. (2005). The influence of pitch interval on the perception of polyrhythms. Music Perception, 22, 425–440.
Monahan, C. B., & Hirsh, I. J. (1990). Studies in auditory timing: 2. Rhythmic patterns. Perception & Psychophysics, 47, 227–242.
Oshinsky, J., & Handel, S. (1978). Syncopated auditory polyrhythms: discontinuous reversals in meter interpretation. The Journal of the Acoustical Society of America, 63, 936–939.
Peper, C. E., Beek, P. J., & van Wieringen, P. C. W. (1995). Frequency-induced phase transitions in bimanual tapping. Biological Cybernetics, 73, 301–309.
Pressing, J., Summers, J., & Magill, J. (1996). Cognitive multiplicity in polyrhythmic pattern performance. Journal of Experimental Psychology Human Perception and Performance, 22, 1127–1148.
Pressnitzer, D., Sayles, M., Micheyl, C., & Winter, I. M. (2008). Perceptual organization of sound begins in the auditory periphery. Current Biology, 18, 1124–1128.
Repp, B. H. (2002). Perception of timing is more context sensitive than sensorimotor synchronization. Perception & Psychophysics, 64, 703–716.
Repp, B. H. (2009a). Segregated in perception, integrated for action: immunity of rhythmic sensorimotor coordination to auditory stream segregation. Quarterly Journal of Experimental Psychology, 62, 426–434.
Repp, B. H. (2009b). Rhythmic sensorimotor coordination is resistant but not immune to auditory stream segregation. Quarterly Journal of Experimental Psychology, 62, 2306–2312.
Shaffer, L. H. (1981). Performances of Chopin, Bach, and Bartók: studies in motor programming. Cognitive Psychology, 13, 326–376.
Summers, J. J. (2002). Practice and training in bimanual coordination tasks: strategies and constraints. Brain and Cognition, 48, 166–178.
Summers, J. J., & Kennedy, T. M. (1992). Strategies in the production of a 5:3 polyrhythm. Human Movement Science, 11, 101–112.
Summers, J. J., Ford, S. K., & Todd, J. A. (1993a). Practice effects on the coordination of the two hands in a bimanual tapping task. Human Movement Science, 12, 111–133.
Summers, J. J., Rosenbaum, D. A., Burns, B. D., & Ford, S. K. (1993b). Production of polyrhythms. Journal of Experimental Psychology Human Perception and Performance, 19, 416–428.
Summers, J. J., Todd, J. A., & Kim, Y. H. (1993c). The influence of perceptual and motor factors on bimanual coordination in a polyrhythmic tapping task. Psychological Research, 55, 107–115.
van Noorden, L.P.A.S. (1975). Temporal coherence in the perception of tone sequences. Unpublished doctoral dissertation, Eindhoven University of Technology, Eindhoven, The Netherlands.
Vliegen, J., Moore, B. C. J., & Oxenham, A. J. (1999). The role of spectral and periodicity cues in auditory stream segregation, measured using a temporal discrimination task. Journal of the Acoustical Society of America, 106, 938–945.
Winkler, I., Takegata, R., & Sussman, E. (2005). Event-related brain potentials reveal multiple stages in the perceptual organization of sound. Cognitive Brain Research, 25, 291–299.
Yee, W., Holleran, S., & Jones, M. R. (1994). Sensitivity to event timing in regular and irregular sequences: Influences of musical skill. Perception and Psychophysics, 56, 461–471.
Acknowledgments
This paper is based on a senior thesis submitted by BCF to the Department of Music at Yale University in May of 2011, supervised by EP. The research was supported by the National Science Foundation Grant BCS-0924206 to BHR. Address correspondence to Bruno H. Repp, Haskins Laboratories, 300 George Street, New Haven, CT 06511-6624, USA.
Author information
Authors and Affiliations
Corresponding author
Rights and permissions
About this article
Cite this article
Fidali, B.C., Poudrier, È. & Repp, B.H. Detecting perturbations in polyrhythms: effects of complexity and attentional strategies. Psychological Research 77, 183–195 (2013). https://doi.org/10.1007/s00426-011-0406-8
Received:
Accepted:
Published:
Issue Date:
DOI: https://doi.org/10.1007/s00426-011-0406-8