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Tempi of Change: When Soloists don’t play Together. Arrhythmia in ‘Continuous’ Change

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Abstract

This contribution is centered on the question of tempi of change and the possibility of defining ternary scales of changes in a long archaeological sequence, which could match F. Braudel’s interpretative framework. Although I had recently considered a ternary scale of change to be a satisfactory framework even for a single category of artifacts, further analyses for this volume, on a longer time scale, revealed it as an intellectual construct that entirely depends on the choice of criteria. In addition, observed arrhythmia in change between two sets of data from the Franchthi Cave (Greece), chipped stone assemblages and ornaments, demonstrate the difficulty of defining global phases of change within a continuous sequence. In turn, this raises the fundamental problem of the choice of proxies used to define the prehistoric cultural entities whose transformations we seek to understand.

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Notes

  1. The Paralia refers to the open-air Neolithic settlement below the cave’s opening.

  2. CNRS UMR 5199 PACEA, Université de Bordeaux.

  3. CNRS UMR 6130, CEPAM, Université de Nice.

  4. CNRS, UMR 7055, Université Paris Ouest Nanterre la Défense.

  5. It is by pure chance that the two specialists happen to be the same person, but this at least should limit the risk of individual variations in the perception of timescales and importance of changes.

  6. I did not in fact interpret all discontinuities in terms of demic replacement in my initial work the Franchthi lithics, but also explored the potential factors in several instances of what I considered as continuous change (e.g., Perlès 1990, 1992). But a case by case discussion would be beyond the scope of the present contribution.

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Acknowledgments

I wish to thank the editors of this volume for their invitation, which gave me the opportunity to go back to one of my favorite themes, and to discover new ramifications to this fascinating problem. Work on the Franchthi ornaments was funded by grants from the Instap (2006–2010), which is sincerely thanked, and by a grant from the Agence Nationale de la Recherche (ANR-06-Blan-0273). My thanks also to two anonymous reviewers who helped me clarify some difficult points and made very valuable suggestions.

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Perlès, C. Tempi of Change: When Soloists don’t play Together. Arrhythmia in ‘Continuous’ Change. J Archaeol Method Theory 20, 281–299 (2013). https://doi.org/10.1007/s10816-012-9164-1

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