Influence of the diatonic tonal hierarchy at microtonal intervals Daniel S. Jordan OriginalPaper Pages: 482 - 488
Tonal schemas: Evidence obtained by probing distorted musical scales Daniel S. JordanRoger N. Shepard OriginalPaper Pages: 489 - 504
Pitch and temporal contributions to musical phrase perception: Effects of harmony, performance timing, and familiarity Caroline PalmerCarol L. Krumhansl OriginalPaper Pages: 505 - 518
Priming of chords: Spreading activation or overlapping frequency spectra? Jamshed J. BharuchaKeiko Stoeckig OriginalPaper Pages: 519 - 524
The communication of dynamics between musicians and listeners through musical performance Toshie Nakamura OriginalPaper Pages: 525 - 533
The perceived similarity of auditory polyrhythms Mark A. PittCaroline B. Monahan OriginalPaper Pages: 534 - 546
Acomparison of the musical scales of the ancient Chinese bronze bell ensemble and the modern bamboo flute Rao Yu-AnEdward C. CarteretteWu Yu-Kui OriginalPaper Pages: 547 - 562
The effect of melodic and temporal contour on recognition memory for pitch change Caroline B. MonahanRoger A. KendallEdward C. Carterette OriginalPaper Pages: 576 - 600
The effects of familiarity and previous training on perception of an ambiguous musical figure Barbara DavidsonRoderick P. PowerPatricia T. Michie OriginalPaper Pages: 601 - 608
Recovery of the tonal hierarchy: Some comparisons across age and levels of musical experience Lola L. CuddyBetsy Badertscher OriginalPaper Pages: 609 - 620
Dynamic pattern structure in music: Recent theory and research Mari Riess Jones OriginalPaper Pages: 621 - 634
Aiming attention in pitch and time in the perception of interleaved melodies W. Jay DowlingKitty Mei-Tak LungSusan Herrbold OriginalPaper Pages: 642 - 656
