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Literatur

  1. Franz H. Bäuml und Donald J. Ward: Zur mündlichen Überlieferung des Nibelungenliedes. DVjs. 41. 1967. S. 351–390. Zum einschlägigen Schrifttum siehe ebd. bes. S. 352–353. Anm. 3, S. 356–357. Anm. 20, sowie Franz H.Bäuml: Der Übergang mündlicher zur Artes-bestimmten Literatur des Mittelalters. Gedanken und Bedenken. In: Fachliteratur des Mittelalters. Festschrift für Gerhard Eis. 1969. S. 1–10. Bes. S. 1–2. Anm. 1. S. auch folgende seitdem erschienenen Arbeiten: Donald K.Fry: Old English Formulaic Themes and Type-Scenes. Neophil. 52. 1968. S. 48–54. — George E.Evans: Aspects of Oral Tradition. Folk Life 7. 1969. S. 5–14. — Francis L.Utley: Oral Genres as Bridge to Written Literature. Genre 2. 1969. S. 91–103. — Orest R. Ochrymowycz: Aspects of Oral Style in the Romances juglarescos of the Carolingian Cycle. Diss. University of Iowa. 1969. — Laila Gross: The Meaning and Oral-Formulaic Use of Riot in the Alliterative Morte Arthure. Annuale Mediaevale 9. 1968. S. 98–102. — Michael D. Cherniss: Beowulf: Oral Presentation and the Criterion of Immediate Oral Effect. Genre 3.1970. S. 214–228. Edmund de Chasca: Toward a Redefinition of Epic Formula in the Light of the Cantar de Mio Cid. Hispanic Review 38. 1970. S. 251–263.

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  4. Zu Nachfolgendem siehe Agnes M. Bruno: Compositional Heterogeneity in the Nibelungenlied: Toward a Quantitative Methodology for Stylistic Analysis. Diss. Masch. University of California (Los Angeles). 1971.

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Bäuml, F.H., Bruno, A.M. Weiteres zur mündlichen Überlieferung des Nibelungenliedes. Dtsch Vierteljahrsschr Literaturwiss Geistesgesch 46, 479–493 (1972). https://doi.org/10.1007/BF03376240

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