Abstract
The reflections that follow derive from a panel discussion, “Dramaturgical Reports from the Field,” at the 2011 SDHS conference on Dance Dramaturgy, which also included Talvin Wilks, dramaturg for Bebe Miller. That discussion grew into a written exchange that further developed some of its themes: the nature of dramaturgical labour, with its oscillation or split focus; the notion of a “simpatico moment” (Wilks’ term) when the dramaturgical relationship revealed its possibility; the intertwining of the dramaturgical/collaborative relationship with the interpersonal relationship; and the notion of a productive tension between the choreographic and dramaturgical voices in the process.
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Works Cited
Du Bois, W. E. B. The Souls of Black Folk. [ 1903 ] New York, Avenel, NJ: Gramercy Books, 1994.
Imschoot, Myriam van. “Anxious Dramaturgy.” Women & Performance: A Journal of Feminist Theory, special issue “On Dramaturgy.” 13. 2 (2003): 57–68.
Lemon, Ralph. Come Home Charley Patton. Middletown, CT: Wesleyan UP, 2013.
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© 2015 Katherine Profeta and Thomas F. DeFrantz
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Profeta, K., DeFrantz, T.F. (2015). Field Notes: In the Studio with Ralph Lemon and Donald Byrd. In: Hansen, P., Callison, D. (eds) Dance Dramaturgy. New World Choreographies. Palgrave Macmillan, London. https://doi.org/10.1057/9781137373229_8
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DOI: https://doi.org/10.1057/9781137373229_8
Publisher Name: Palgrave Macmillan, London
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