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‘The Most Intimate Familiarity and the Most Extreme Existential Alienation’: Ilse Aichinger’s Memories of Nazi-Era Vienna

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Places of Traumatic Memory

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Abstract

The author Ilse Aichinger was ‘half-Jewish’ (her word), and lived in Nazi-ruled Vienna in 1938–1945. She left the city in 1950, but returned in 1988. This chapter analyses Aichinger’s memories of Nazi-era Vienna in two collections of short pieces, Film and Fate: Camera Flashes Illuminating A Life (2001) and Improbable Journeys (2005), and in interviews given after 1988. The chapter discusses Aichinger’s ambivalent feelings towards Vienna, and her sense that the Nazi past remains present in the city, that the post-war Austrian state does not remember this past in appropriate ways, and that Austrian society remains marked by anti-Semitism. The chapter also examines Aichinger’s view of the fluidity of individual memory and the significance which she accords to the cinema in her own remembering.

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Notes

  1. 1.

    With the exception of Caruth’s book, Friedlander’s chapter and Uhl’s article (which are cited once each), all primary and secondary sources cited in this chapter are in German. All translations from German are my own. Although I have published translations of all the texts by Aichinger which are cited here, in the interests of consistency, all page references to those sources are to the original German texts.

  2. 2.

    For similar references to the Sweden Bridge, see Aichinger 2003, pp. 59–60; Aichinger 2007, p. 67; Fässler 2011a, pp. 108 & 113.

  3. 3.

    For similar references to the Central Cemetery, see Fässler 2011a, pp. 46, 63 & 163. A cemetery also plays a major role in the third chapter of The Greater Hope, ʻThe Holy Landʼ (pp. 52–80).

  4. 4.

    Vienna’s Burg Cinema (Burg Kino 2018) has held regular screenings of The Third Man since 1980, and at the time of writing is showing the film every Tuesday, Friday and Sunday: see Fässler 2011b, p. 238; and https://www.burgkino.at/movie/third-man viewed 29 August 2018.

  5. 5.

    For similar references to existence as an imposition, see Fässler 2011a, pp. 111, 202 & 220; for references to the urge to disappear see Fässler 2011a, pp. 109, 140 & 154; and for references to film and ‘disappearing’ see Fässler 2011a, pp. 156 & 179.

References

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Wilkes, G. (2020). ‘The Most Intimate Familiarity and the Most Extreme Existential Alienation’: Ilse Aichinger’s Memories of Nazi-Era Vienna. In: Hubbell, A.L., Akagawa, N., Rojas-Lizana, S., Pohlman, A. (eds) Places of Traumatic Memory. Palgrave Macmillan Memory Studies. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-52056-4_8

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