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New Music and Institutional Critique

  • Book
  • Open Access
  • © 2024

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Overview

  • First overview that systematically deals with institutional critique in New Music
  • Linking of theoretical debates with specific case studies
  • Involvement of scientists, musicians and curators
  • This book is open access, which means that you have free and unlimited access
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About this book

While institutional critique has long been an important part of artistic practice and theoretical debate in the visual arts, it has long escaped attention in the field of music. This open access volume assembles for the first time an array of theoretical approaches and practical examples dealing with New Music’s institutions, their critique, and their transformations. For scholars, leaders, and practitioners alike, it offers an important overview of current developments as well as theoretical reflections about New Music and its institutions today. In this way, it provides a major contribution to the debate about the present and future of contemporary music.

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Keywords

Table of contents (16 chapters)

Editors and Affiliations

  • Hochschule für Musik und Darstellende Kunst, Stuttgart, Germany

    Christian Grüny

  • Division of Musicology, Lund University, Lund, Sweden

    Brandon Farnsworth

About the editors

Christian Grüny is professor of contemporary aesthetics at the University of Music and Performing Arts in Stuttgart.Brandon Farnsworth is a Swiss National Science Foundation postdoctoral fellow at the Division of Musicology, Lund University, Sweden.

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