Skip to main content
SpringerLink
Log in
Palgrave Macmillan

The Palgrave Handbook of Comparative New Cinema Histories

  • Book
  • © 2024

Overview

Editors:
  1. Daniela Treveri Gennari

    1. School of Arts, Oxford Brookes University, Oxford, UK

    View editor publications

    You can also search for this editor in PubMed   Google Scholar

  2. Lies Van de Vijver

    1. LUCA School of Arts, Ghent University, Ghent, Belgium

    View editor publications

    You can also search for this editor in PubMed   Google Scholar

  3. Pierluigi Ercole

    1. Leicester Media School, De Montfort University, Leicester, UK

    View editor publications

    You can also search for this editor in PubMed   Google Scholar

  • Advances new cinema history research by focusing on comparative analysis across global geographies and cultures
  • Includes a mix of methodologies, and the use of a wide variety of primary & secondary sources and archival research
  • Offers historical and contemporary research with wide international coverage

This is a preview of subscription content, log in via an institution to check access.

Access this book

Log in via an institution
eBook USD 169.00
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book USD 219.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Other ways to access

Licence this eBook for your library

Institutional subscriptions

Table of contents (22 chapters)

  1. Front Matter

    Pages i-xxviii
    Download chapter PDF

  2. Comparing New Cinema Histories: An Introduction

    • Daniela Treveri Gennari, Lies Van de Vijver, Pierluigi Ercole
    Pages 1-9

  3. Part I

    1. Front Matter

      Pages 11-13
      Download chapter PDF

    2. Comparing Localised Film Culture in English Cities: The Diversity of Film Exhibition in Bristol and Liverpool

      • Peter Merrington, Matthew Hanchard, Bridgette Wessels
      Pages 15-34

    3. Cinema-Going in Turkey between 1960 and 1980: Cinema Memories, Film Culture, and Modernity

      • Hasan Akbulut
      Pages 35-52

    4. “A United Stand and a Concerted Effort”: Black Cinema-going in Harlem and Jacksonville During the Silent Era

      • David Morton, Agata Frymus
      Pages 53-71

    5. Exhibition of National and Foreign Films in Six Mexican Cities During the Golden Age of Mexican Cinema: The Year of 1952

      • José Carlos Lozano, Blanca Chong, Efraín Delgado, Jaime Miguel González, Jorge Nieto Malpica, Brenda Muñoz
      Pages 73-99

    6. Comparing Aspects of Regional and Local Cinema Differentiation through Perceptions of Cinema-going in Post-socialist Bulgaria

      • Maya Nedyalkova
      Pages 101-123

    7. A Comparative Analysis of the Polish Film Market from the First Years of Independence to 1930

      • Karina Pryt
      Pages 125-145

    8. Managing Constraints and Stories of Freedom: Comparing Cinema Memories from the 1950s and 1960s in Sweden

      • Åsa Jernudd, Jono Van Belle
      Pages 147-172Open Access

    9. Film Consumption and Censorship Pre- and Post-COVID-19 Global Pandemic: A Comparison on Undergraduate Perspective in The Bahamas

      • Monique Toppin
      Pages 173-189

  4. Part II

    1. Front Matter

      Pages 191-193
      Download chapter PDF

    2. “Our job is to pull audience to Soviet films with all means necessary”. State-Monopolised Film Distribution and Patterns of Film Exhibition in Two Eastern Bloc Cities in the Stalinist Period: A Comparative Case Study of Cracow (Poland) and Magdeburg (East Germany)

      • Kathleen Lotze, Konrad Klejsa
      Pages 195-220

    3. Cinephiles without Films: Culture, Censorship and Alternative Forms of Film Consumption in Spain and the GDR around 1960

      • Fernando Ramos Arenas
      Pages 221-237

    4. Discovering Cinema Typologies in Urban Cinema Cultures: Comparing Programming Strategies in Antwerp and Amsterdam, 1952–1972

      • Julia Noordegraaf, Thunnis van Oort, Kathleen Lotze, Daniel Biltereyst, Philippe Meers, Ivan Kisjes
      Pages 239-262

    5. Ticket Whistles and Football Scores: Auditory Ecology, Memory and the Cinema Experience in 1950s Gothenburg and Bari

      • Kim Khavar Fahlstedt, Daniela Treveri Gennari
      Pages 263-279

    6. Measuring and Interpreting Film Preferences in Autocratic States

      • Joseph Garncarz
      Pages 281-306

    7. Cinema-going in German-occupied Territory in the Second World War. The Impact of Film Market Regulations on Supply and Demand in Brno, Brussels, Krakow and The Hague

      • Clara Pafort-Overduin, Andrzej Dębski, Terézia Porubčanská, Karina Pryt, Pavel Skopal, Thunnis van Oort et al.
      Pages 307-331
Back to top

Keywords

About this book

This Handbook offers new and previously unexplored  comparative approaches to the field of New Cinema History. The volume brings together contributions focussing on historical and contemporary comparative case studies of cinema-going practices, cinema distribution, exhibition and reception from a global perspective. Engaging with a wealth of empirical and archive-based sources the volume explores a wide range of methodological and theoretical approaches. This Handbook is a key addition to debates on the relationship between film industry and cinema-going practices across different political and cultural geographical dimensions.

Chapter(s) “Chapter 8.” is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.

Editors and Affiliations

  • School of Arts, Oxford Brookes University, Oxford, UK

    Daniela Treveri Gennari

  • LUCA School of Arts, Ghent University, Ghent, Belgium

    Lies Van de Vijver

  • Leicester Media School, De Montfort University, Leicester, UK

    Pierluigi Ercole

About the editors

Daniela Treveri Gennari is Professor of Cinema Studies at Oxford Brookes University, UK. She is the Principal Investigator of the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories. Her publications include, among others, the edited volume Rural Cinema Exhibition and Audiences in a Global Context (Palgrave, 2018).

Lies Van de Vijver is Co-Investigator and project manager of European Cinema Audiences. She edited Mapping Movie Magazines: Digitization, Periodicals and Cinema History (Palgrave, 2020) with Daniel Biltereyst, runner-up for BAFTSS Best Edited Collection 2021.

Pierluigi Ercole is Associate Professor of Film Studies at De Montfort University, UK. He is Co-Investigator for the AHRC-funded project European Cinema Audiences. Entangled Histories, Shared Memories.

Bibliographic Information

  • Book Title: The Palgrave Handbook of Comparative New Cinema Histories

  • Editors: Daniela Treveri Gennari, Lies Van de Vijver, Pierluigi Ercole

  • DOI: https://doi.org/10.1007/978-3-031-38789-0

  • Publisher: Palgrave Macmillan Cham

  • eBook Packages: Literature, Cultural and Media Studies, Literature, Cultural and Media Studies (R0)

  • Copyright Information: The Editor(s) (if applicable) and The Author(s), under exclusive license to Springer Nature Switzerland AG 2024

  • Hardcover ISBN: 978-3-031-38788-3Published: 23 January 2024

  • Softcover ISBN: 978-3-031-38791-3Due: 19 April 2024

  • eBook ISBN: 978-3-031-38789-0Published: 22 January 2024

  • Edition Number: 1

  • Number of Pages: XXVIII, 482

  • Number of Illustrations: 39 b/w illustrations, 7 illustrations in colour

  • Topics: Global Cinema and TV, Film History, Film/TV Industry

Publish with us

Policies and ethics

Back to top

Search

Navigation