Abstract
This article explores how subjectivities are affectively tied to the histories of space, place and time through ethnographic research on young people’s everyday lives in a semi-rural post-industrial locale. Drawing on a longitudinal case study of one teenage girl’s inventive practices, we capture moments in time that we arrange as ‘enunciating assemblages’ (Guattari, 2006) to explore how conscious and unconscious affective relations repeat and rupture sedimented gendered histories of place. We experiment with Deleuze and Guattari’s concept of the full and empty Body without Organs to trace the ‘ontological intensities’ of how, when and where newness and change become possible. We argue that making visible young people’s nascent becomings by focusing on what young people already do and imagine, we can potentially support young people pursuing new horizons without losing the very sense of place that makes them feel both safe and alive.
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Notes
This publication is based on research supported by the Wales Institute of Social and Economic Research, Data and Methods (WISERD) funded by the UK Economic and Social Research Council (Grant number: RES-576-25-0021) and the Higher Education Funding Council for Wales.
While the case study in this article features data generated with Emma Renold, the full research team included Gabrielle Ivinson, Emma Renold, Kate Moles and Mariann Martsin.
The study has been informed by a number of historical and contextual sources specifically: Judith Marshall’s 2008 Doctoral thesis, supervised by author 1 and Mike Ward’s Doctoral thesis supervised by author 2; historical sources including; Bruley, 2007 and Penlington, 2010 and visits to various museums including the Welsh National Museum and the Big Pit, National Mining Museum.
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We would like to thank three anonymous reviewers for their encouragement, knowledge and insights. Without their support we could not have written this article.
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Ivinson, G., Renold, E. Subjectivity, affect and place: Thinking with Deleuze and Guattari’s Body without Organs to explore a young girl’s becomings in a post-industrial locale. Subjectivity 6, 369–390 (2013). https://doi.org/10.1057/sub.2013.15
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DOI: https://doi.org/10.1057/sub.2013.15