According to the teacher’s reports in the logbooks, we concluded that the lessons were implemented according to our intentions. The video recordings confirmed that the teacher provided opportunities for the students to work in pairs or groups of three on the tasks (about 50% of the lesson time). The teacher reported high student participation and that different solutions were discussed in student groups and the classroom (about 25% of the lesson time). We observed much more discussion among students in the second half of the intervention. The different phases of the intervention will be described in detail below according to the sequential structure of the intervention, as shown in Fig. 5.
From Enactive to Iconic Modes of Representation
Below, we describe two activities that aimed at establishing the link between the enactive and iconic modes of representation (see arrow 1 in Fig. 5).
Letter Symbols
After some explorations of the meaning of logical reasoning, students were introduced to syllogisms and explored the truth and validity of these short arguments. A typical example of these syllogism tasks was the following:
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Premise 1: All humans are mortal.
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Premise 2: Socrates is human.
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Conclusion: Socrates is mortal.
In an open task, students were asked to find “a structure” for this syllogism individually and to compare their “structure” with others. However, Julia and Riley immediately started discussing this and introduced the symbols P and Q at the beginning of their conversation to abbreviate the premises, later using A and B as well.
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[1] Julia: oh, do we have to do something with P, Q, at least that is all I can think of now
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[2] Riley: yes, then it is P, Q
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[3] Julia: Q, P
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[4] Riley: P, so Q
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[5] Julia: huh? Wait, why P, Q?
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[6] Riley: because, those are just the things they always use
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[7] Julia: no, there are several forms, right?
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[8] Riley: I can do that P and Q ...[inaudible]…, it doesn’t matter what you use
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[9] Julia: no, I mean the form
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[10] Riley: yes, but you might say A, P. A, so P. It doesn’t matter what you say, right? Or am I saying something stupid now?
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[11] Julia: P, Q, P are humans then?
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[12] Riley: yes, P is humans, and Q is mortal. He is human so he is mortal.
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[13] Julia: ah, wow
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[14] Riley: right? Or A, B, A, B, you know, you have to decide yourself.
From this transcript, we observe that Julia introduced the letter symbols P and Q (line [1]) and Riley agreed with this (line [2]), linking the concrete situation in the task to iconic representations. In the conversation, Riley made new reasoning steps (even numbered lines), while Julia asked questions or confirmed Riley’s reasoning (odd numbered lines). Riley understood that the letter symbols chosen were arbitrary (lines [8] and [14]) and that concrete meaning (here: humans for P and mortal for Q) could be assigned to them (line [12]), which shows an initial understanding of the general form of a syllogism with letter symbols as an abstract model. Julia confirmed that she understood the link between the syllogism with letter symbols and the concrete example (line [13]).
Visual Representations
After further practice with letter symbols, students were asked to individually come up with their own visual representations of the syllogism about Socrates and then compare their ideas with their peers (see Fig. 3). The goal was that students would not only be able to generalise these syllogisms into a form with letter symbols, as in the previous task, but would also be able to use other forms of iconic representation such as Venn diagrams.Footnote 1
Nora and Daniel completed the first part of the task individually. Figures 6 and 7 show their answers. In the transcript below, Nora’s work is discussed (see Fig. 6). She literally tried to visualise the situation presented in the syllogism.
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[1] Teacher: you have very different things, did you have a look at each other’s work?
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[2] Nora: yes, then it is, I drew some dummies
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[3] Daniel: also nice
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[4] Nora: also nice. I drew both premises separately, so that those are very clear and I have derived the conclusion from there. So I quite literally translated the premises with the symbols into pictures.
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[5] Teacher: yes, okay, […] but then you stay really close to the example, right?
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[6] Nora: yes, true, shouldn’t I have done that?
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[7] Teacher: the aim was actually, the way of reasoning, so, this is in general, such a syllogism, in fact for A you can take humans, but also other things, how would you visualise that?
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[8] Nora: oh
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[9] Daniel: yes, you can just do the same thing, but leave out the dummies, you can put
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[10] Nora: A’s there
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[11] Daniel: just one A
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[12] Nora: that’s basically what I
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[13] Daniel: you just do the same instead of drawings
Here, we observe that Nora made a drawing to represent the syllogism about Socrates. She visualised the meaning of the words literally in a pictorial drawing (see Fig. 6) and used arrows to schematise the implications, as she explained in line [4]. Apart from the arrows, the rest of her drawing was limited to the real situation described in the task and thus an enactive representation. The teacher tried to convince her to link her concrete model to more abstract referents (lines [5] and [7]). Nora thought that she could just replace the dummies by A's (line [10]), but Daniel stated that one letter A for the whole set was enough (lines [9] and [11]). This suggests that Daniel tried to discover a more general structural pattern.
After this conversation, Nora made a second visualisation (see Fig. 8) and the teacher asked her to explain it, but Nora was not able to.
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[14] Teacher: please explain it to me, A arrow B
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[15] Nora: yes, that is let’s say, a fixed reasoning pattern with all A are B or A is B, C is A, so C is B
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[16] Teacher: okay, but the information all or one, is that still important? Or can you just leave it out?
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[17] Nora: I don’t really get it right now anymore, so I try something new, these are just variables that you can add or not
The teacher wanted Nora to explain the meaning of the arrows (line [14]) and the difference between “all A” and a single C (line [16]), because in her structure, both premises look the same. Nora only translated the conjugations of the verb “to be” into an implication arrow (line [15]), and she seemed confused by the meaning of the letter symbols as variables (line [17]). Although she said she was giving it another try (line [17]), she only wrote a question mark behind the 3 (Fig. 8).
Nora’s transformations from the concrete situation in this task to a visual representation started with an enactive representation (pictorial drawing), before she tried to link her drawing to an iconic representation. The following transcript shows how Daniel progressed from the use of letter symbols to the use of circles as a visualisation in another iconic representation (see Fig. 7).
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[18] Daniel: well, I think mine is the most suitable, because it’s just really cool.
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[19] Nora: but is it clear? If I have a look at it
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[20] Daniel: isn’t it clear to you?
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[21] Nora: no
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[22] Daniel: why? you clearly see that all A are B, and all C are A, so all C are also B.
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[23] Nora: mmm, okay, I understand where you are going to, but if I see all those circles, I wouldn’t say that
We observe that Daniel tried to convince Nora (lines [20] and [22]), but she did not accept Daniel’s visualisation (line [23]). Later, the teacher asked Daniel to further explain his diagram. Daniel: “Well, okay, you do have B, so you have, okay, all A are B, so everything from A is part of B, then you also have C, which is part of A and then, so C is always part of B.” Notable is the use of the phrase “is part of” instead of using “are” as in his earlier explanation (line [22]). This shows that he understood his Venn diagram in a general way, which might help him to make the link to symbolic representations.
Summary: from Enactive to Iconic Modes of Representation
These transcripts show that the tasks stimulated students to link concrete situations with iconic representations. We found that the students linked a concrete representation of a logical reasoning problem to a situation with letter symbols, but when asked for a visualisation, they had different interpretations. It was apparent that Nora knew that formal letter symbols could be used to represent a concrete model, but that she could not yet establish the exact links between the concrete and abstract referents. Daniel’s visualisation showed that students may come up with a Venn diagram as a representation for a concrete situation. Daniel easily changed his vocabulary to words that connected the Venn diagram to an abstract referent, while Nora only acknowledged his use of circles and, at that moment, clearly needed more guidance and practice to link concrete situations to an abstract pictorial model.
Towards Symbolic Modes of Representation
Below, we describe two tasks in which students were encouraged to take steps towards symbolic modes of representation. The first task concerned the relation between if–then statements and Venn diagrams, and aimed at linking iconic and symbolic modes of representation (arrow 2 in Fig. 5). The second task concerned similarities between if–then statements, and it intended to link enactive with symbolic representations (arrow 3 in Fig. 5).
Linking Iconic and Symbolic Modes of Representation
To explore the relation between if–then statements and a corresponding Venn diagram, students were provided with the following situation taken from a newspaper article about a court case.
Students were asked to generalise the concretely formulated if–then statement and to provide a Venn diagram. Liam and Owen translated the statement into “If A, then B” and discussed this expression with the teacher.
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[1] Liam: I have a question, how do you put if-then in a Venn diagram?
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[2] Teacher: yes, that’s a tricky one, isn’t it? Owen has something, what did you do?
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[3] Owen: I put the B in A
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[4] Teacher: the B in A
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[5] Owen: if A then certainly B
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[6] Teacher: ok, we will have a look at it if we are all done, but are you convinced?
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[7] Liam: no, not yet
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[8] Owen: me neither, but this seems the most logical to me
Owen put B in A (line [3] and Fig. 9), which is incorrect, and expressed that “if A, then certainly B” (line [5]). The teacher did not agree or disagree but asked Liam if he was convinced by Owen’s explanation (line [6]). Both students expressed their doubts (lines [7] and [8]).
They did not discuss this further in this setting; however, the teacher started a classroom discussion about the connection between if–then statements and Owen’s Venn diagram (see Fig. 9), because he saw that other students had drawn similar diagrams.
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[13] Teacher: yes, okay, but if A is true then B, so if you are in set A [points to A] then you are also in this set [points to B]
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[14] Nora: we should have switched the order
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[15] Adam: no, wait a minute, because if the baby is poisoned, then it will turn blue, or should I have done it the other way around, indeed?
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[16] Teacher: if he is poisoned, then he will turn blue
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[17] Nora: I think we should switch B and A
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[18] Adam: no, we must change the order, indeed, ah, rubbish
Here, we observe that when the teacher pointed to the different areas of the Venn diagram (line [13]), this triggered Nora to exclaim that A and B should be switched (line [14]). This was not immediately clear to Adam, so he needed it translated back to the concrete example of the baby before he was convinced (lines [15] and [18]) about the correct positioning of the circles in the Venn diagram.
Linking Enactive and Symbolic Modes of Representation
The students were already introduced to valid and invalid conclusions in if–then statements before they were asked about the similarities in if–then statements. They were provided with the following two statements:
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Statement 1 for a set of stones with pictures of animals on one side and astronomical objects on the other side: “If there is a moon on one side, then there is a fish on the other side.”
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Statement 2: “If I rob the Dutch national bank, I will be rich.”
Both statements represent concrete scenarios. To make a judgement about their similarities, it would be useful to translate them into a symbolic expression, which Nora did quickly, clearly showing the structural pattern: “If you just translate this to regular symbols, then they both are if A then B.”
Adam and Liam experienced more difficulties understanding why these two if–then statements were similar and mainly reasoned with the concrete information, although Liam shortened the first statement to “Moon = Fish” in his notebook, not visualising the direction of the statement. Adam and Liam had the following conversation, which demonstrates that Adam did not agree with the equals sign.
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[1] Liam: is it true, that the moon cannot be combined with another animal?
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[2] Adam: I think so, if you say that if there is a moon on one side, then you have fish on the other side, and you say there is a butterfly, then there may still be a moon
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[3] Liam: it is still possible, then any astronomical object is possible
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[4] Adam: because moon means fish, but fish does not automatically mean moon
Line [4] shows that Adam did not accept the reversibility of the given statement, and thus that Fish on one side does not necessarily imply Moon on the other side. Near the end of their discussion, Liam concluded: “If this statement is true [refers to moon-fish statement], then this [Statement 2] is just like this one.” Later, during the classroom discussion, the teacher wrote the correct expression on the board using an implication arrow “Moon ⇒ Fish”, and he only indicated that the two statements were similar because they both were “just if–then statements” without elaborating on this or verifying the students’ understanding.
Summary: Towards Symbolic Modes of Representation
These transcripts show that the tasks stimulated the students to link referents from the iconic mode with abstract rules from the symbolic mode, but the link between if–then statements and a correct iconic visualisation was not made automatically. We saw that students put the consequent in the antecedent in their Venn diagrams. Only during the classroom discussion and after some guidance by the teacher did one of the students (Nora) recognise the invalid conditions in the diagram. Another student, Adam, needed a translation back to the concrete situation to verify the correctness of the diagram. Moreover, in the second task, Nora quickly used general rules to conclude that the concrete statements were similar, but not all students accepted this and did not use the general form A ⇒ B to derive conclusions for the concrete situations.
Linking Enactive, Iconic, and Symbolic Modes of Representation
In the last phase of the intervention, students were challenged to use their acquired knowledge and establish links between enactive, iconic, and symbolic modes of representation to verify their reasoning both in closed tasks and everyday reasoning tasks about newspaper articles (see number 4 in Fig. 5). In this section, we describe the students’ reasoning in a closed if–then task and a task presenting an argument from a newspaper article.
In the closed task, the following arguments were provided (based on: College voor Toetsen en Examens, 2017):
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(I): “If you are strong, then you go to bed late. You are not strong, so you do not go to bed late.”
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We can represent the statement in the first sentence with symbols as follows: S ⇒ L.
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(II): (1) “If you are strong, then you go to bed late.”
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(2) “If you are weak, then you do not go to bed late.”
First, students were asked to show that the second statement in argument (I) does not follow from the first statement and is in fact an incorrect conclusion. Riley and Nora discussed this and quickly switched to terminology connected to the symbolic mode.
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[1] Riley: well, that is not S is not L, isn’t it?
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[2] Nora: here it says if A then B, or if S then L
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[…]
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[3] Nora: but, look, you have, let’s say, two of those, this is not modus ponens, but modus tollens, so it should be not B, so not A
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[4] Riley: yes indeed
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[5] Nora: so it is a fallacy
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[6] Riley: yes
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[7] Nora: that’s like
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[8] Riley: yes exactly
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[9] Nora: even if you are not strong, you can still go to bed late
Here, we observe that Riley translated the second proposition and used the letter symbols S and L as provided in the task (line [1]). Nora showed that she could switch easily from Riley’s letter symbols to a general form with A and B (line [2]). Subsequently, Nora applied general rules to support her argument (line [3]) with modus tollens and thus showed why the order was wrong. With that information Nora easily translated that part to the concrete context again (line [9]) and Riley confirmed all her steps.
For the second subtask (II), students were asked if the conclusion, “If you are weak, then you are not strong,” is allowed on the basis of statements (1) and (2). Nora and Riley discussed this first in the concrete context and were not sure how to approach this argument, but then Nora heard another group using a Venn diagram and convinced Riley to use a Venn diagram as well.
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[10] Nora: no wait, I want to draw a Venn diagram, I heard those guys doing that, I think that’s quite a good idea!
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[11] Riley: oh yes
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[12] Nora: look, it would be right! Because then you have if you are strong [A], you go to bed late [B]. If you are weak (so C), you do not go to bed late. Is now actually separate. Conclusion: so if you are weak, you are not strong. If you see it like this, it is possible. [see Fig. 10]
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[13] Riley: wait a moment, B, A and then
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[14] Nora: just say C is separated from that
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[15] Riley: C is not B. If C is separated from it, yes then C is also not A. Yes it is.
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[16] Nora: yes
Here, we observe that Nora quickly came to the right conclusion (line [12]) by using a Venn diagram, which is an iconic representation, and translated the conclusion back to the concrete context. She considered the space outside B as ¬B, which is correct, and concluded that C lays in that area. Noteworthy is her use of general letter symbols A, B, and C, which could be used in an abstract model, although Nora and Riley did not reason with logical rules in an abstract model.Footnote 2
We do not have discussion data about the reasoning on the newspaper article tasks. However, five worksheets for one of the subtasks were available, where students had been asked to visualise, schematise, or create a diagram for a paragraph of a newspaper article. The full task is shown in Fig. 4. Four of the five students used a Venn diagram, but none used letter symbols or logical symbols. One student tried to make a Venn diagram, but crossed it out and made an argument in ordinary language. From these answers, we conclude that they were able to use iconic representations for an everyday reasoning task but did not demonstrate any symbolic representations.
Summary: Linking Enactive, Iconic, and Symbolic Modes of Representation
Based on the closed subtasks, we found that Nora and Riley used abstract rules (symbolic mode) for statements with one step (argument (I) in the first task), but if they had to take two steps (argument (II) in the first task), they used alternatives, such as a Venn diagram (iconic representation), which was sufficient help in many of the tasks. During the classroom discussion, the teacher showed the solution using symbolic expressions, but did not verify whether the students had understood the steps. In the newspaper article task, the students did not use abstract models, but almost all of them used Venn diagrams, perhaps because of the implicit nature of the task, as we will discuss in the next section.