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Mortars and plasters—How mortars were made. The literary sources

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Abstract

This article examines the ancient literary evidence for information regarding the ingredients and processes employed to make mortar, plaster, and sealants. The information from the authors is examined chronologically and within the genre and literary context in which it occurs to evaluate better the intention of the author. The challenges presented by the transmission of the manuscripts to the modern day and by the ambiguous and technical language sometimes employed are presented. Terms and expressions are compared between authors to determine how and to what degree such ambiguities can be resolved. The goal is to present a methodology for approaching ancient texts rather than to provide a definitive interpretation of their meaning, a task which is sometimes not possible given the nature of the evidence. Finally, a series of best practices is suggested for those approaching the texts without the benefits of philological training.

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Notes

  1. For the use of pitch in Greek construction, see references in Martin 1965: 20, 66, 422–3.

  2. Vitruvius (De arch. 2.1), in his explanation of the origins of architecture, equates earthen-based mortars with more primitive stages of development and barbarian building methods, but the Latin agricultural writers make clear that they were commonly used in farm buildings.

  3. For example, Pliny (HN 36.135) refers to silex from Luna, which should indicate Luna marble.

  4. Vitruvius (De arch. 2.6.2–3) uses “spongia” to refer to a type of volcanic scoria.

  5. Procopius (Aed. 1.1.53) (sixth century CE), when describing mortar, equates άσβεστος (ásbestos) with τίτανος (títanos), when he actually seems to be referring to mortar rather than lime. Elsewhere (Aed. 2.1.10, 3.3.12) he refers simply to τίτανος (títanos) again in a context that seems to refer to mortar. His use of both terms to signify mortar rather than lime could reflect a change in usage over time.

  6. Theophrastus, On Stones 9, 68; For discussion of Greek terms for lime, see Orlandos 1966–68, vol 1: 136–8.

  7. Pliny (HN 33.94) also mentions a type of stone with similar properties from Thrace (Thracius lapis). This comment is probably taken from Theophrastus (On Stones 13). See commentary in Caley and Richards 1956: 80–3.

  8. Macerata: Vitr., De arch. 7.2.1, 7.2.2; Plin., HN 36.177; Faventinus 20; Palladius 1.14. Restincta: Lex parieti faciendo Puteolana 2.16–21. Extincta: Vitr., De arch. 2.5.1; Faventinus 20; Augustine, City of God 21. Temperata: Palladius 1.9.4.

  9. Intrita is only used by Pliny (HN 36.176). The meaning can be inferred from the context and from his other uses of the adjective.

  10. For κονιάμα (koniáma) as plaster: Demosthenes, Orations 13. On Organization 30; Aristotle, Problems 11.7; Diodorus Siculus 5.12.2, 20.8.3; Philo of Alexandria, De agricultura 37.160, De Cherubim 29.104.

  11. Quicklime can be slaked so that it becomes a putty or a powder. To create a putty, more water than lime is used, whereas if less water is used, the quicklime is hydrated to a powder with the excess water being removed as steam, as is common nowadays. Hydrated lime powder can then be combined with water later to create a lime putty for mortar. The implication of the ancient writers is that slaked lime was used in putty form.

  12. Wiss et al. 1930; Eckel 1907: 14–15, 31–2. Strength: Merriman 1920: 433.

  13. For discussion, see Caley and Richards 1956: 214–15, 220–1.

  14. Bartoldus 2012: pp. 15–35 argues that Palladius was from Gaul based on a prosopographical analysis, but there is no internal evidence from the manuscript to prove it.

  15. Orlandos (1966–68: 139–40) cites volcanic ash in some examples of Classical and Hellenistic mortars at Thera, Delos, and the port at Zea, so there may have been localized knowledge of the benefits of volcanic ash in lime mortars before the practice developed more fully in Italy.

  16. Cos: Livadiotti 2006: 183; Germany: Lamprecht 1984: 46–9; Massazza and Costa 1977.

  17. Seneca (Q Nat. 3.2.3) also notes that similar phenomena occur in some places in Italy, and he cites the waters of Albula, which is at Tivoli and is what created the travertine deposits there. So, this phenomenon is apparently the result of precipitation of calcium carbonate from the water.

  18. Chiotis et al. 2001: 330 found crushed terracotta in the paving plaster of the Mycenaean palace at Tiryns.

  19. The use of “cretae”, a word implying chalk, suggests that the testae were chalk-like or finely crushed.

  20. Cocciopesto: Giuliani 1992: 92; Tiles: Ash 1941: 71.

  21. Vitruvius (De arch. 7.4.5) refers to a “testaceum pavimentum,” which has been translated as “a pavement …of pounded brick” (Granger 1935: 101), as “a terracotta pavement” (Rowland and Howe 1999: 91), and as “un pavimento di mattoni” (Corso and Romano 1997: 1043). In Pliny (HN 36.188), it is translated as “a layer of pounded potsherds” (Eichholz 1962: 149). In Faventinus (26) as “a pavement of earthenware” (Plommer 1973: 75) and “a pavement du tuileau” (Cam 2001: 33). In Palladius (1.9), as “a testaceous coat” (Owen 1807: 20) and as “un carrelage de briques” (Martin and Guiraud 1976: 17).

  22. I owe thanks to Eric Kondratieff and Bill Owens for their advice in helping me to interpret and translate this passage.

  23. The practice of compacting earth floors is mentioned much earlier by Cato (Agr. 129) where he recommends using a rammer (pavicula) or a roller (cylindro) for a grain threshing floor.

  24. The early manuscripts have two variations of the phrase, but all read “testis.” H (Harley 2767, ninth century) reads: signis operibus ex testis aut. Three others, E (Wolfenbüttel, Bibl. 132, tenth century), S (Selestad. Bibl 1153, tenth century), and G (Wolfenbüttel, Bibl. 69, eleventh century) read: signinis operibus ex testis a (Rose 1899: 208). For a listing of the various manuscripts of Vitruvius and their designations, see Granger 1933: xxxii–xiii.

  25. For the effects of polishing mortar, see Goodman 1989. For the hydraulic effects of organic ashes, see Lancaster 2019.

  26. For the use of marble dust in Greek wall plasters, see Martin 1965: 422–5; Orlandos 1966–68: 139.

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Lancaster, L.C. Mortars and plasters—How mortars were made. The literary sources. Archaeol Anthropol Sci 13, 192 (2021). https://doi.org/10.1007/s12520-021-01395-0

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