Abstract
This paper empirically examines how household cultural expenditures correspond to business cycles in Japan. Since income level is among the most important determinants of cultural demand, and income fluctuates with business cycles, examining the relationship between cultural expenditures and business cycles is useful, particularly in discussing income elasticity of cultural demand. The data used are monthly household expenditures for movies, live performances, and cultural establishments in the Family Income and Expenditure Survey. Turning points for cultural expenditures and related indicators are determined by estimating the regime-switching model. The lead–lag relationship between these series and the reference dates of Japanese business cycles are analyzed. The result indicates that cultural expenditures fluctuate cyclically with unstable leads and lags corresponding to business cycles. In addition, cultural expenditures adhere to smaller specific cycles within officially designated expansions, which imply that income elasticity has not been constant during past business cycles.
Similar content being viewed by others
Notes
See Seaman (2006) for a comprehensive survey of factors of cultural demand.
See Corning and Levy (2002) for seasonality in cultural variables.
See Gray (2003) for a summary of the determinants of cultural demand.
Another example of using time-series data in cultural economics is empirical analysis for arts market. See Frey (1997), Ashenfelter and Graddy (2006) and Ginsburgh et al. (2006) for general survey of art markets and see Ginsburgh (1995) and Singer and Lynch (1997) for examples of application of time-series data.
Expenditures on cultural goods, such as musical instruments, cultural appliances (e.g. cameras, audio sets), books and CDs, are excluded.
See Katsuura (2009) for a similar analysis using a moving average series.
See Layton and Katsuura (2001) for the cases of the U.S., Japan and Australia.
Other than \( P(s_{t} = i|\Upphi_{t} ),P(s_{t} = i|\Upphi_{t - 1} ) \) and \( {\text{P}}(s_{t} = i|\Upphi_{T} ) \) can be used as filtered probability (T denotes sample size). See Kim (1994) for full sample smoothing to derive \( P(s_{t} = i|\Upphi_{T} ) \).
References
Abbé-Decarroux, F., & Grin, F. (1992). Risk aversion and the demand for performing arts. In R. Towse & A. Khakee (Eds.), Cultural economics (pp. 121–140). Heidelberg: Springer.
Ashenfelter, O., & Graddy, K. (2006). Art Auctions. In V. Ginsburgh & D. Throsby (Eds.), Handbook of the economics of art and culture (pp. 909–945). Amsterdam: North Holland.
Ateca-Amestoy, V. (2007). Cultural capital and demand. Economics Bulletin, 26(1), 1–9.
Ateca-Amestoy, V. (2008). Determining heterogeneous behavior for theatre attendance. Journal of Cultural Economics, 32(2), 127–151.
Baumol, W., & Bowen, W. (1966). Performing arts—the economic dilemma. Massachusetts: The MIT Press.
Becker, G. S., & Murphy, K. M. (1988). A theory of rational addiction. Journal of Political Economy, 96(4), 675–700.
Borgonovi, F. (2004). Performing arts attendance: An economic approach. Applied Economics, 36(17), 1871–1885.
Bry, G., & Boschan, C. (1971). Cyclical analysis of time series. Technical paper 20. New York: Columbia University Press.
Corning, J., & Levy, A. (2002). Demand for live theatre with market segmentation and seasonality. Journal of Cultural Economics, 26(3), 217–235.
Fery, B. S. (1997). Art markets and economics: Introduction. Journal of Cultural Economics, 21(3), 165–173.
Ford Foundation. (1974). The finances of the performing arts, a survey of the characteristics and attitudes of audiences for theatre, opera, symphony and ballet in 12 US Cities, (Vol. 2). A Report to the Ford Foundation.
Ginsburgh, V., & Jeanfils, P. (1995). Long-term co movements in international markets for paintings. European Economic Review, 39, 538–548.
Ginsburgh, V., Mei, J., & Moses, M. (2006). The computation of price indices. In V. Ginsburgh & D. Throsby (Eds.), Handbook of the economics of art and culture (pp. 947–979). Amsterdam: North Holland.
Gray, C. M. (1998). Hope for the future? Early exposure to the arts and adult visits to art museums. Journal of Cultural Economics, 22(2), 87–98.
Gray, C. M. (2003). Participation. In R. Towse (Ed.), A handbook of cultural economics (pp. 356–365). Cheltenham: Edward Elgar.
Hamilton, J. D. (1989). A new approach to the economic analysis of nonstationary time series and the business cycle. Econometrica, 57, 357–384.
Hamilton, J. D. (1990). Analysis of time series subject to changes in regime. Journal of Econometrics, 45, 39–70.
Houthakker, H. S., & Tayloer, L. D. (1970). Consumer demand in the United States. Cambridge: Harvard University Press.
Katsuura, M. (2008). Examining arts participation in Japan using the survey on time use and leisure activities. Asia Pacific Journal of Arts and Cultural Management, 5(1), 343–361.
Katsuura, M. (2009). Leisure and business cycle. Toukei, 2009, 16–23 (in Japanese).
Kim, C. (1994). Dynamic linear models with markov-switching. Journal of Econometrics, 60(1–2), 1–22.
Kim, C., & Nelson, C. R. (1999). State-space models with regime-switching: Classical and gbbs-sampling approaches with applications. Cambridge: MIT Press.
Koopmans, T. C. (1947). Measurement without theory. Review of Economics and Statistics, 29(3), 161–172.
Layton, A. P., & Katsuura, K. (2001). A new turning point signalling system using the markov switching model with application to Japan, the US and Australia. Applied Economics, 33(1), 59–70.
Lévy-Garboua, L., & Montmarquette, C. (1996). A microeconometric study of theater demand. Journal of Cultural Economics, 20(1), 25–50.
Lévy-Garboua, L., & Montmarquette, C. (2003). Demand. In R. Towse (Ed.), A handbook of cultural economics (pp. 201–213). Cheltenham: Edward Elgar.
Moore, T. G. (1966). The demand for Broadway theatre tickets. Review of Economics and Statistics, 48(1), 79–87.
Pommerehne, W., & Kirchgassner, G. (1987). The impact of television on the demand for cinema and theatre performances. In Grant N. K. et al. (Eds.), Economic efficiency and the performing arts (pp. 44–61). Akron: Association for Cultural Economics.
Prieto-Rodríguez, J., & Fernández-Blanco, V. (2000). Are popular and classical music listeners the same people? Journal of Cultural Economics, 24(2), 147–164.
Seaman, B. (2006). Empirical studies of demand for the performing arts. In V. Ginsburgh & D. Throsby (Eds.), Handbook of the economics of art and culture (pp. 415–472). Amsterdam: North Holland.
Singer, L. P., & Lynch G. A. (1997). Are multiple art markets rational? Journal of Cultural Economics, 21(3), 197–218.
Stigler, G., & Becker, G. S. (1977). De Gustibus Non est Disputandum. Journal of Political Economy, 67(1), 76–90.
Throsby, D. (1994). The production and consumption of the arts: A view of cultural economics. Journal of Economic Literature, 32(1), 1–29.
Withers, G. A. (1980). Unbalanced growth and the demand for performing arts: An econometric analysis. Southern Economic Journal, 46(3), 735–742.
Author information
Authors and Affiliations
Corresponding author
Additional information
This paper is based on a presentation at the ACEI 16th International Conference on Cultural Economics, Copenhagen, 2010. The author is grateful to the discussant and attendants of the session, and two anonymous referees of the journal, for their helpful comments. This research was partially supported by the Telecommunications Advancement Foundation grant-aid, 2011.
Appendix
Appendix
See Table 5.
Rights and permissions
About this article
Cite this article
Katsuura, M. Lead–lag relationship between household cultural expenditures and business cycles. J Cult Econ 36, 49–65 (2012). https://doi.org/10.1007/s10824-011-9155-1
Received:
Accepted:
Published:
Issue Date:
DOI: https://doi.org/10.1007/s10824-011-9155-1