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The efficiency of German public theaters: a stochastic frontier analysis approach

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Abstract

In recent years the economic performance of public non-profit sectors such as cultural services has become an interesting economic issue. This is due to the high dependence of cultural institutions on public funding on the one hand and the increasing cost-pressure on public budgets on the other hand. In order to achieve an efficient, cost-minimizing resource allocation public authorities who decide on the distribution of public budgets need reliable performance indicators. Against this background, this paper analyzes the efficiency of German public theaters for the seasons 1991/1992–2005/2006. Using a stochastic frontier analysis approach, we test whether the assumption of cost-minimizing behavior is reliable in this sector. Moreover, several panel data models that differ in their ability to account for unobserved heterogeneity are applied to evaluate the impact of unobserved heterogeneity on the efficiency estimates. The results indicate that the cost-minimizing assumption cannot be maintained. Consequently, an efficiency analysis based on a cost function approach seems inappropriate in the case of German public theaters. Further, we find a considerable unobserved heterogeneity across the theaters, which causes a significant variation in the models’ efficiency estimates. This implies that failing to account for unobserved heterogeneity leads to biased efficiency values. Overall, our results suggest that there is still space for improvement in the employment of resources in the sector.

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Notes

  1. For a detailed overview, see Marco-Serrano (2006).

  2. The symmetry restrictions in Eq. 4 are imposed during estimation.

  3. Alternative model specifications for the input distance and the cost function, such as a Cobb–Douglas functional form, a translog functional form with no technical change and a translog functional form with Hicks neutral technical change, have been tested and rejected by likelihood-ratio tests.

  4. For a method to impose regularity conditions ex ante on the estimated function, see O’Donnell and Coelli (2005).

  5. Most theaters run several stages so, the number of supplied tickets is calculated for every stage and then summed.

  6. All monetary measures are adjusted for inflation using the consumer price index for Germany (Statistisches Bundesamt (Federal Statistical Office) 2009). Values are stated in year-2005 Euros.

  7. The largest theater in terms of tickets supplied is Niedersaechsisches Staatstheater Hannover, which includes the state opera house and the Schauspielhaus, resulting overall in about 2,360 seats. The smallest theater is the Schlosstheater Moers, which has about 300 seats.

  8. In short panels the so called ‘íncidental parameter’ problem arises, yielding inconsistent parameter estimates.

  9. The Mundlak terms of Model IV are not reported to conserve space. For both functions 17 out of the 20 Mundlak coefficients are statistically different from zero at the 5% level.

  10. Other possible reasons noted by Rungsuriyawiboon and Coelli (2006) are measurement errors in either the input quantities or prices or an endogenous regressor problem in the distance function model. See Rungsuriyawiboon and Coelli (2006) for a further discussion.

  11. The violation rate of the curvature condition in the distance (cost) function is 20 (94) percent in Model I, 18 (67)% in Model II, 19 (26)% in Model III, and 20 (25)% in Model IV.

  12. Since the cost function estimates are considered less reliable the estimated cost efficiency scores are not reported to conserve space. The results are available on request from the authors.

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Correspondence to Anne-Kathrin Last.

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Last, AK., Wetzel, H. The efficiency of German public theaters: a stochastic frontier analysis approach. J Cult Econ 34, 89–110 (2010). https://doi.org/10.1007/s10824-009-9111-5

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