In all three articulations of the invisible hand, Smith appears to make observations rather than offer prescriptions of the sort found in Friedman (1970). As Bevan and Werhane (2015, p. 330) observe, the “managerial prescriptivism” advocated by Friedman is far removed from Smith’s philosophy, in which the moral self, agency, and conscience are all dependent on the relationships with others. We care about how others see us, and we try to imagine what we look like to them. This can help motivate us to exercise self-control and adopt virtues for which we can (rightly) expect to be praised, but our preoccupation with our reputation, image, or status can also make us believe that wealth is the surest (and most commonly accepted) way to get the acknowledgment we crave.
Since Smith spends much of the Theory trying to convince his readers that a good character is to be preferred over status and monetary wealth, there is reason to wonder whether this is another instance of Smithian irony. It is after all a deception that drives us to accumulate wealth—Smith holds that the “toil and anxiety” never ends, and that virtue, not wealth, is what is truly praiseworthy. Even when we are praised for our wealth or status, we sense that this does not necessarily mean that we are praiseworthy—somewhere deep down we realize that we have taken a shortcut and that our wealth is not necessarily a reflection or the result of our good character. As Macleod (2007) observes, it may be the case that “it is the desire for wealth and not self-interest which motivates economic agents,” because our (true) long-term interest is to be not merely the recipient of praise but a praiseworthy person. We desire to be acknowledged by others, to be liked and sympathized with, and when we see rich people and feel ourselves admiring and envying them, we cannot help but feel that it would be good to be them. We also admire the wise and virtuous, but they simply lack the grandeur and splendor of the wealthy and so we are less motivated to imitate them.
The way others see us shapes how we look at ourselves, and to help us focus on our moral qualities. Smith encourages us to look at ourselves the way a stranger would. “Live with strangers, with those who know nothing, or care nothing about your misfortune,” Smith (2009, p. 177) recommends; when we look at ourselves from their point of view, we get an impartial perspective on our actions and this helps us tone down our self-interested desires. This thought experiment is open to all of us even if few of us may choose to perform it, instead focusing on the accumulation of “frivolous trinkets” (Smith’s dismissive description in the Theory of the wealth to which we aspire) to gain the (cheap) esteem of others.
Though Smith does not appear to be very hopeful about our ability to consistently prefer praiseworthiness to (mere) praise, he firmly believes that we have a deep-seated desire to be in harmony with others through sympathy. This harmony, however, is of a different sort than optimistic readings of the invisible hand metaphor suggest and can be reached if we take seriously “the great precept of nature,” namely “to love ourselves only as we love our neighbour, or what comes to the same thing, as our neighbour is capable of loving us” (Smith 2009, p. 31). To bring about what Smith calls the “harmony of sentiments” in the Theory, we need the guidance of the impartial spectator.
When we take the perspective of the impartial spectator (a theoretical entity at the heart of Smith’s moral theory), we look at ourselves and others as a sympathetic stranger would, i.e., someone who does not feel for us the way a friend would, but who can identify with our troubles nonetheless—to the reasonable extent that can be expected from strangers. The words “sympathetic” and “impartial” crop up throughout the Theory and both are potentially misleading. For Smith, sympathy is the capacity to understand the emotions (not just the painful ones) of others—but this does not mean that we therefore necessarily approve of those emotions or the actions that accompany them. In fact, sympathy is the capacity that allows us to judge others and ourselves appropriately. Without it, both approbation and disapprobation would be impossible. Smith opens the Theory with a description of various instances where we “sympathize” with others in the broadest sense of the word: watching a tight rope-dancer almost fall, seeing someone get hurt, etc. (Smith 2009, p. 14–15). We flinch even before we have fully understood what is going on. Smith uses these examples to show that we are always already connected to those around us and that sentiments often (if not always) precede reflection (Griswold 1999, p. 87; see also Klein 2003).
Sympathy not only connects us to others but also allows us to reflect on ourselves through others—especially (relative) strangers. We naturally tend to have too much sympathy for ourselves, and the people close to us only make things worse if they indulge us and allow us to wallow in our grief, resentment, anger, etc. Furthermore, we all have had the experience of looking upon someone else’s trouble with little sympathy, especially when we feel that they are indulging in self-pity. When we look at ourselves through the eyes of the impartial spectator, we look at ourselves the way we know others would look at us if they were not biased about us (not particularly biased, that is, Smith does not mean to say that anyone is completely free of bias). So the spectator is impartial not because he or she feels no emotion, but because he or she is not caught up in a personal drama. Ideally, Smith argues, we would all strengthen this impartial spectator (a kind of conscience in the modern sense (Raphael 2007)) by surrounding ourselves with many different people and adjusting the “pitch” of our emotions to accord with the sympathy we can reasonably expect from those around us—strangers, acquaintances, friends, etc. (Griswold 1999). This is where the language of “harmony” is most relevant—we wish for a harmony of sentiments, the sensation that others “hear” us the way we wish to be heard, just like we expect others to adjust their pitch so that we feel in harmony with them (rather than put off by, say, their exaggerated self-pity, anger, resentment, etc.).
Being “impartial” for Smith means feeling the appropriate emotions to the appropriate extent and at the appropriate time—just like we can appreciate a play only if we allow ourselves to identify with the characters (Griswold 1999, p. 113–146). In watching the play we never completely lose our awareness of our distance to the events on stage, but this distance does not prevent us from engaging with the play emotionally. Similarly, the impartial spectator sympathizes with us but only up to a point—forcing us to see where we overstep the boundaries and expect too much sympathy from others, and therefore from ourselves. When we feel that an impartial spectator (and not someone out to flatter us because we are a successful business person, say) would approve of our actions, we sense that we are deserving of praise, i.e., praiseworthy.
Contrary to some Enlightenment positions that would view impartiality as a rational distancing from others and from one’s emotions, it connects us to others and moderates between our own emotions and those of others. Society is indispensible in this process because it provides us with a mirror and encourages us to “examine our own conduct as we imagine any other fair and impartial spectator would examine it.” As Griswold puts it: “the spectator is a personification of the public, of a point of view that abstracts in a relevant way from that of the agent.” (135). Bragues (2009) describes the ideal manager as someone with a very active impartial spectator: “Smith’s ideal manager will endeavour to personally live up to the standards enforced by an impartial spectator of his conduct, a theoretical entity reflecting the ethical requirements posed by the manager’s social networks and stakeholder relationships” (Bragues 2009, p. 447). In this way, we become capable of moral imagination (Werhane 1999).
Where it comes to Smith’s view on the importance of moral education, his position is unequivocal. “The difference between the most dissimilar characters,” Smith writes in the Wealth of Nations, “between a philosopher and a common street porter, for example, seems to arise not so much from nature, as from habit, custom, and education” (Smith 2012a, b, p. 6). Smith was a strong proponent of universal education which he regarded as the remedy for religious superstition and (political) credulity. Smith did not want people to rely on an invisible hand but think for themselves, about their own interests and the interests of others, engaging their own impartial spectator when appropriate. Nor did he want them to be guided by the “visible hand” of a “man of system”—and a good education would ensure that people could think and act autonomously and see through political schemes.
We suggest that Smith’s impartial spectator offers a richer and more instructive metaphor than the invisible hand and that it can help counteract the undue importance assigned to invisible hand arguments and the socio-political fallacies that accompany them. “Impartial spectatorship” may allow students to better understand the “scripts” that shape their rationalizations of others’ behavior, and their own.
By means of a good education, every individual can think for himself or herself. The value of this intellectual autonomy is not merely instrumental in nature; developing the faculties of the understanding also enables the individual to “wonder” and pursue this wonder through philosophy (Smith 2013, Kindle Loc 492–494). If a boy grows up without a proper education, “he has no ideas with which he can amuse himself. When he is away from his work he must therefore betake himself to drunkenness and riot… These are the disadvantages of a commercial spirit. The minds of men are contracted, and rendered incapable of elevation” (Smith 2012a, b, Kindle Locations 4433–4434). It is this “contraction of the mind” that we believe both Nietzsche and Smith urge us to resist. In what follows, we draw on our analysis to make suggestions on how the Giving Voice to Values methodology may be supplemented to accomplish a critical interrogation of student’s values, and the strengthening of their capacity to act in the world.