The plastic surgeon Johannes Fredericus Samuel Esser (1877 to 1946), M.D., D.M.D. and his unknown period during 1917 and 1925 in Berlin, Germany
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KeywordsJohannes F. Esser Plastic surgery Berlin period
Esser the physician
Esser’s curative work in Germany began with his acquisition of a German medical license. He had finished his medical studies with the final exam in 1903  in Leiden, The Netherlands and not at one of the Prussian universities as was usually prerequisite for receiving a medical license. In November 1918, Esser was awarded a medical license by the Ministry of the Interior or, more precisely, the Ministry of Science, Art and National Education. This was just 1 year after he began his work on Oct. 1, 1917 in Berlin and was based on his outstanding achievements in the area of plastic surgery. Bier, a famous general surgeon and Chief of the Department at Friedrich Wilhelm University Hospital, known today as Humboldt University Hospital, recommended him emphatically. Such honors had, up to that point, only been bestowed on three other persons .
As early as April 10, 1918—before acquiring his medical license—Esser was appointed “specialist for plastic surgery” by the Prussian Ministry of War .
He worked at university clinics in the departments of surgery (headed by Bier), ophthalmology (Krückmann) and prosthodontics (Schröder). Esser was not employed as a resident in Bier’s clinic. His status was comparable to that of the head of an independent department. This led to resentment on the part of Bier’s residents, particularly Wilhelm Baetzner , but this was unintentional on Esser’s part. On the contrary, Esser tried to smooth it over .
In department IIIb for “structive surgery” at the Technical University of Berlin, Germany in the Charlottenburg district, which had been converted to a battlefield hospital, Esser had charge over another 150 beds [13, 14]. In addition, he worked in private practice in Berlin’s Tempelhof district and as a consultant at 19 other Berlin hospitals and practices. Esser operated on request as a consultant for Berlin’s best-known surgeons, with special focus on plastic reconstructive surgery of the face.
These include the treatment of frostbite , the improvement of pre-prosthetic–kineplastic amputation–stump formation [16, 17], various arterial lobes  and cheek rotation flaps to cover facial defects. Esser also performed facelifts and breast reconstruction as well as hand and foot operations, including transplantation of toes.
Most notable are 68 multilingual articles published within 8 years in specialist journals, the monograph “The Cheek Rotation and General Comments on Plastic Surgery of the Face” in 1918 (see ) as well as “Artery Flaps” (1929) which was written in Berlin but published later. The “Esser Inlay” was first published as a compendium in 1940. The findings of this monograph had already been made available in various individual articles.
Esser trained only a few assistants. Almost all of them came from other European countries and immigrated in the early 1920s to the USA. Esser’s training was fundamentally different from training offered by Jacques Joseph (1865–1934) and Hugo Ganzer (1979–1960) who also worked in the field of reconstruction of facial defects. If Esser was convinced that an assistant was competent, that assistant received specific practical training in addition to observing operations. Among his most well-known assistants were Gustave Aufricht (1894–1980) [19, 20, 21], Jacques W. Maliniac (1889–1976), who founded the ASPRS in 1931, and Joseph Safian (1886–1983) .
The list of physicians who profited from Esser’s knowledge, whether through assisting him or  receiving his help as a consultant, was long. These were not counted among his “assistants”. Esser was also constantly bombarded with requests for collaboration. He was never able to establish a “school” of his own that could have continued his work.
Advanced training for physicians
On request of the Central Committee for Advanced Training for Physicians, Esser designed an eight-part lecture series on the different areas of plastic surgery [24, 25, 26, 27, 28, 29, 30]. Even back then, the lectures were made up of a theoretical and a practical part. They began on Wednesday, January 10, 1922 at 6:45 p.m. The theoretical part was held at the Kaiserin Friedrich House, located in the centre of Berlin at Luisenplatz (now called Robert Koch Plaza), the top location at the time for advanced training for physicians.
There were three scientific forums of particular note: the Berlin Medical Society (Berlin Medizinische Gesellschaft—BMG), the Berlin Oto-Laryngological Society and the War Physician Dinners. The discussions were heated. In particular, J. Joseph repeatedly criticised Esser [31, 32]. In Esser’s memoirs, which were never completed or published, he mentions that J. Joseph heard about Esser’s operating methods from the dentist Brill. At a later case presentation, however, J. Joseph failed to mention that he used Esser’s surgical techniques and developments . Other participants, such as ear, nose and throat specialist Max Halle (1873–1939), sided with Esser .
Esser himself received lively applause for his contribution to war (surgery) at the 12th meeting of the Berlin Medical Society (BMG) on May 10, 1922.
The missed professorship
Esser never received the professorship of plastic surgery which was offered to him at the end of 1919. Despite extensive correspondence between Esser and Krückmann from November 1919 to November 1921 [34, 35, 36, 37], Esser’s application was never granted and Esser left Berlin in 1925 without ever acquiring this title.
Esser the merchant
An article in the Berlin Steglitz Anzeiger from March 13, 1926 reports that tenants of Esser’s properties were enraged at the sums they had to pay in compensation when they cancelled a lease.
Furthermore, the tax authorities made additional claims on Esser on the basis of false declaration of his assets [for 1924, the difference amounted to 11,887,700 reichsmarks (today about US $53,280,671.40]. He also was fined by the Berlin district attorney for 1,200,006.60 reichsmarks (today about US $5,378,429.60).
The art dealer
Dealing in art made Esser a wealthy man and made him solvent to deal in different branches, e.g. real estate. In the field of modern art collection, Esser had also been one of the pioneers. He mainly amassed paintings of the early Dutch modernist art called “Amsterdam Luminist art”. In the end, there was a collection of more than 800 paintings. The list of artists shows many names (e.g. painters) such as Jan Sluijters, Leo Gestel, Piet Mondrian and Piet van der Hem. In many cases, Esser supported them in different ways .
Subsequent to the Berlin period, Esser’s main interest was to establish an independent state of plastic and reconstructive surgery where all wounded and deformed could be treated regardless of their financial situation or citizenship.
Johannes Fredericus Samuel Esser, Dutch physician and man of many talents, was one of the most influential and outstanding plastic surgeons of the early twentieth century. It was through his efforts that this specialty area was acknowledged scientifically and became well known to experts in the field. His Berlin years, from 1917 to 1925, saw his greatest contribution to the proliferation and establishment of plastic surgery, thanks to his assistants, his innovative surgical techniques, the 23 hospitals in which he operated, his publishing activities and discourse with colleagues at meetings of specialist societies. Berlin’s international reputation in the field of surgery and the infrastructure available at that time supported Esser’s goals. Just as his interests varied widely, so too did his actions as a humane physician on the one hand differ from his role as a hardened businessman on the other.
Esser must not be forgotten when commemorating outstanding Berlin surgeons, particularly those who were active at the Friedrich Wilhelm University clinics (Ziegelstrasse 5/9): Carl F. Graefe (1787–1840), Johann F. Dieffenbach (1792–1847), Bernhard v. Langenbeck (1810–1887), Ernst v. Bergmann (1836–1907), Erich Lexer (1867–1937), Karl August Gustav Bier (1861–1949) and Fritz König (1866–1952).
This article is distributed under the terms of the Creative Commons Attribution Noncommercial License which permits any noncommercial use, distribution, and reproduction in any medium, provided the original author(s) and source are credited.
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