Skip to main content
Log in

Modularity and Symmetry in Girih: A Case Study of the Blue Mosque in Tabriz-Iran

  • Research
  • Published:
Nexus Network Journal Aims and scope Submit manuscript

Abstract

The historical written sources introduced Vāgireh, a repeating unit, as the smallest constituent of Girih to make interlaced patterns. However, recent studies have shown that the smallest unit of Girih is a fundamental domain (fundamental domain which is the minimal repetitive design element that is needed to construct the whole pattern using one or combination of rotation, reflection or glide reflection). The Girih in the Blue Mosque of Tabriz in Iran are essential evidence of the relation between the fundamental domain and the Girih's formation. This study seeks to investigate the relationship between the formation of Girih with symmetries and awareness of the responsible artist in the Blue Mosque. This research shows that Girih have different levels of repetition, and the final product of the pattern does not only depend on the fundamental domain; it also relates to its applied symmetry. The responsible artist of the Girih on the Blue Mosque plinth had knowledge of the repetitive principles and could present different patterns from the same unit which is called a fundamental domain nowadays.

This is a preview of subscription content, log in via an institution to check access.

Access this article

Price excludes VAT (USA)
Tax calculation will be finalised during checkout.

Instant access to the full article PDF.

Fig. 1

Image: Schultz (2016: 10), Turner and Howard (1995: 55), Bukhari (2013: 168), al-Maraghi (1987: 98), Ibn Sina 10th c

Fig. 2

Image: authors

Fig. 3

Image: Bonner (2017: 126, 69, 37)

Fig. 4

Image: authors

Similar content being viewed by others

Data availability

The data used to support the finding of this study are included within the article.

Notes

  1. Persian sources introduce the motif as Alāt; Hence, in this article, the word motif refers to Alāt.

  2. Examples of these scrolls include Topkapi, Fī tadākhul al-ashkāl al-mutashābiha aw al-mutawāfiqa (ﻓﻲ ﺗﺪاﺧﻞ اﻷﺷﮑﺎل اﻟﻤﺘﺸﺎﺑﻬﺔ أو اﻟﻤﺘﻮاﻓﻘﺔ/A Persian Compendium on Similar and Complementary Interlocking Figures), and Mirza Ali-Akbar (میرزا علی اکبر).

  3. In Persian sources, the repeating unit is referred to as Vāgireh; throughout the article repeating units refers to Vāgireh.

  4. ‘The fundamental domain is the smallest component that is essential for design repetition (Bonner 2017: 156).

  5. Abu Nasr Muhammad Al-Farabi (Kitab al-musiqa al-kabir).

  6. Abū-ʿAlī al-Ḥusayn ibn-ʿAbdallāh Ibn-Sīnā (Book: Kitab al-Najah (Ghesm al-mosiqi)).

  7. Safi al-Din al-Urmawi al-Baghdadi (Book: Kitāb al-advār fi al-musiqā).

  8. Abd al- Qadir b. GHaybi al-Hafiz al-Maraghi (Book: Kitāb Jameh al-alhan).

  9. The Turkmen period included the Qaraqoyunlu and Aq Qoyunlu dynasties; the Blue Mosque was built during the Aq Quyunlu period.

  10. Hiyal (حیل/الحیل) is a subdivision of the science of construction during the Islamic period.

  11. In the Persian source, the star is introduced as Shāmseh (شمسه); throughout the article, the word star refers to Shāmseh.

References

  • Abas, Syed Jan, Amer Shaker, Salman. 1995. Symmetries of Islamic Geometrical Patterns. Singapore: World Scientific Publishing. https://doi.org/10.1142/2301

  • al-Maraghi, Abd al- Qadir b, GHaybi al-Hafiz. 1987. Jameh al-alhan [ جامع الالحان]. eds. Taghi Binesh. Tehran: Cultural Studies and Research Institute.

  • Anbari Yazdi, Faezeh. 2017. Geometry of Designs [هندسه نقوش]. Iran educational books Publishing Company.

  • Ansari, Mojtba, Ahad Nejad, Ebrahimi. 2010. Geometry and Proportions in the Architecture of the Quyunlu Turkman Period - Blue Mosque (Turquoise of the Islamic world) [هندسه و تناسبات در معماری دوره ی ترکمانان قویونلو]. The Month Book of Science and Technology, 2(129):35–45.

  • Aube, Sandra. 2011. Tabriz x. Monumentsx(1). The Blue Mosque. In Encyclopaedia Iranica. https://iranicaonline.org/articles/tabriz-x-monuments, accessed 21 June 2019.

  • Aube, Sandra. 2016. The Uzun Hasan Mosque in Tabriz: New Perspectives on a Tabrizi Ceramic Tile Workshop. In Muqarnas, 33 (1): 33-62. /https://doi.org/10.1163/22118993_03301P004

  • Barrios, Carlos, Mostafa, Alani. 2015. Parametric Analysis in Islamic Geometric Designs. Proceedings of the 16th International Conference CAAD Futures, 8-10 July: 304–322. http://papers.cumincad.org/data/works/att/cf2015_304.content.pdf

  • Bonner, Jay. 2017. Islamic Geometric Patterns. In Islamic Geometric Patterns. New York: Springer. https://doi.org/10.1007/978-1-4419-0217-7

  • Bukhari, Muhammad bin Mubarakshah Mirek. 2013. al-advār al-Urmawi in music [الادوار فی الموسیقی]. Translated by Abdullah Anwar. Tehran: Iranian Academy of the Arts.

  • Bulatov, Mitkhat Sagadatdinovich. 1978. Geometricheskaia garmonizatsiia v arkhitekture Srednei Asii, IX-XV vv., istoriko-teoreticheskoe issledovaniya (in Russian). Nauka.

  • Būzjānī, Abu al-Wafā'. 1997. Hindisah Irānī: Kārbud-e Hindisah dar ‘Amal (Applied Geometry) [هندسه ایرانی؛ کاربرد هندسه در عمل], ed. b seyed alireza jazbi.Tehran: Soroush.

  • Cromwell, Peter R. 2010. Islamic geometric designs from the Topkap Scroll II: A modular design system. Journal of Mathematics and the Arts, 4(3): 119-136. https://doi.org/10.1080/17513470903311685

  • Efendi, Ca'fer. 1987. Risale-i Mimariyye: An Early Seventeenth-Century Ottoman Treatise on Architecture (Studies in Islamic Art and Architecture: Supplements to Muqarna) (Howard Cra). E. J. Brill. https://www.goodreads.com/book/show/2258821.Risale_i_Mimariyye

  • Farabi, Abu Nasr Muhammad. (2002). iḥṣāʾ al-ʿulūm [احصاء العلوم], ed. Mohammad Khadiv Jam. Tehran: Elmi and Farhangi.

  • Grünbaum, Branko, and G. C. Shephard. 1987. Tilings and patterns. New York: W.H. Freeman. https://dx.doi.org/https://doi.org/10.2307/2323457

  • Hely, Seyed Ali-Akbar. 1986. Girih and Arch in islamic Architecture [گره و قوس در معماری اسلامی]. Kashan: Heli.

  • Jablan, Slavik V. 2002. Symmetry, Ornament and Modularity, In Series on Knot and Everything-vol 30. World Scientific.

  • Ibn-Sīnā, Abū-ʿAlī al-Ḥusayn ibn-ʿAbdallāh. 10th century. Kitab al-Najah (Ghesm al mosiqi) [کتاب النجاه (القسم الموسیقی)]. Tehran: Library, museum and document center of the Islamic Council. https://ia601001.us.archive.org/34/items/ktp2019-11-01573/ktp2019-11-01573.pdf

  • Kaplan, Craig. 2000. Computer generated Islamic star patterns. In Bridges: Mathematical Connections in Art, Music, and Science, July: 105–112.

  • Kaplan, Craig, Salesin, David H. 2004. Islamic star patterns in absolute geometry. ACM Transactions on Graphics, 23(2): 97–119. https://doi.org/10.1145/990002.990003

    Article  Google Scholar 

  • Kaplan, Craig. 2017. 4 Computer Algorithms for Star Pattern Construction. In Islamic Geometric Patterns, ed. Jay Bonner: 549–573. New York: Springer. https://doi.org/10.1007/978-1-4419-0217-7_4

  • Lawlor, Robert. 1982. Sacred Geometry: Philosophy and Practice. London: Thames & Hudson.

  • Lorzadeh, Huseyn. 2014. Ehya-ye Honar Ha-ye Az Yad Rafteh [احیا هنرهای از یاد رفته]. Tehran: Molavi.

  • Makovicky, Emil. 2016. Symmetry: Through the eyes of old masters. In Symmetry: Through the Eyes of Old Masters. de Gruyter GmbH. https://doi.org/10.1080/0889311x.2017.1286333

  • Makovicky, Emil, and Nicolette M. Makovicky. 2017. Nonperiodic Octagonal Patterns from a Jali Screen in the Mausoleum of Muhammad Ghaus in Gwalior and Their Periodic Relatives. Nexus Network Journal, 19(1): 101–120. https://doi.org/10.1007/s00004-016-0316-6

  • Nava’I, Kambiz, and Kambiz Haji Qassemi. 2011. Khesht-o Khial, An Interpretation of Iranian Islamic Architecture [خشت و خیال؛ شرح معماری اسلامی ایران]. Tehran: Soroush.

  • Necipoğlu, Gülru. 2017. The Arts of Ornamental Geometry. In The Arts of Ornamental Geometry, Series ed. Gülru Necipoğlu. Brill. https://doi.org/10.1163/9789004315204

  • Necipoğlu, Gülru, and Mohammad Al-Asad. 1995. The Topkapı Scroll: Geometry and Ornament in Islamic Architecture: Topkapı Palace Museum Library MSNo Title, ed. Julia Bloomfield, Thomas F. Reese, Salvatore Settis, Santa Monica: Getty Center for the History of Art and the Humanities. 9780892363353

  • Nejad Ebrahimi, Ahad, and Aref Azizpour Shoubi. 2020. The Projection Strategies of Gireh on the Iranian Historical Domes. Mathematics Interdisciplinary Research, 5(3):239–257. https://doi.org/10.22052/mir.2020.212903.1187

  • Ökten, ertuğrul. 2014. Imperial Aqquyunlu construction of religious establishments in the late fifteenth century Tabriz. In Politics, Patronage and the Transmission of Knowledge in 13th - 15th Century Tabriz. Iran Studies, Volume 8: 371–385, eds. Judith Pfeiffer. Brill. https://doi.org/10.1163/9789004262577_015

  • Özdural, Alpay. 2001. Omar Khayyam and Architecture. Culture, 39,40: 189–252. https://doi.org/10.2307/1215845

  • Pope, Upham Pope. 2010. Persian Architecture [معماری ایرانی]. Translated by Qulam Huseyn Afshari. Tehran Dat.

  • Pinder-Wilson, Ralph. 2000. Architecture in the Timurid period [معماری در دوره تیموری]. In History of Iran; Timurid period, eds. R. from the U. of Cambridge and translated by Y. Azhand: 316–380. Tehran: Diba.

  • Sarhangi, Reza. 2012. Persian Architecture and Mathematics: An Overview. Nexus Network Journal, 14(2):197–201. https://doi.org/10.1007/s00004-012-0116-6

  • Sautoy, Marcus Du. 2009. Symmetry: A Journey into the Patterns of Nature. Harper Perennial.

  • Séquin, C. H. 2008. Symmetry for Architectural Design. In Advances in Architectural Geometry, Conference Proceedings, eds. H. Pottmann, A. Kilian, & M. Hofer: 13–16. Vienna: AAG. ISBN 978–3–902233–03–5

  • Schultz, Daniel. 2016. Manipulating Subgroups of the Modular Group. The Mathematica Journal, 18. https://doi.org/10.3888/tmj.18-4

  • Shahbazi Shiran, Habib, Seyed Mehdi Hosaini Niya, and Mehdi Kazempour. 2017. The Analysis of the Effect of Mysticism and Sufi Beliefs on the Decorations and Textures of Kabud Masque in Tabriz [تحلیل تأثیر اعتقادات عرفان و تصوف بر مضامین و تزیینات کتیبه‌های مسجد کبود تبریز]. Culture of Islamic Architecture and Urbanism Journal, 3(1): 81–96. https://dx.doi.org/https://doi.org/10.29252/ciauj.3.1.81

  • Sharbaf, Asghar. 2006. Girih and Karbandi [گره و کاربندی]. Tehran: Cultural Heritage Organization.

  • Swoboda, Ewa, and Paola Vighi. 2016. Early Geometrical Thinking in the Environment of Patterns, Mosaics and Isometries. Springer. https://doi.org/10.1007/978-3-319-44272-3

  • Taganap, Eduard C, Ma. Louise Antonette N. De Las Peñas. 2018. Hyperbolic isocoronal tilings. Journal of Mathematics and the Arts, 12(2–3): 96–110. https://doi.org/10.1080/17513472.2018.1466432

  • Turner, Howard R. 1995. Science in Medieval Islam: An Illustrated Introduction. Austin: University of Texas Press.

  • Woepcke, Franz. 1855. Analyse et extrait d’un recueil de constructions géométriques par Aboûl Wafâ. Asiatique, 5th ser.:309–359.

  • Zumarshidi, Husseyn. 1986. Girih work in in Islamic architecture and handicrafts (in Persian). Tehran: University Publication Center.

Download references

Acknowledgements

The authors composed all figures in this paper unless stated otherwise. In addition, the authors would like to thank Dr. Siflo, professor of Tabriz University, and Mr.Sheikhol Hokamaei, professor of Tehran University, for their guidance in using the historical manuscripts.

Author information

Authors and Affiliations

Authors

Corresponding author

Correspondence to Ahad Nejad Ebrahimi.

Additional information

Publisher's Note

Springer Nature remains neutral with regard to jurisdictional claims in published maps and institutional affiliations.

Appendix

Appendix

Zero-dimensional expansion The expansive elements are organized around a rotational symmetry revolving around a point. The pattern can have n-fold symmetries according to the number of the axes of symmetry (Makovicky 2016).

Template tiling/ underlying generative tessellation In the polygonal technique, a polygonal tessellation is used for generating geometric patterns. Pattern lines are placed upon key points of the polygonal edges, and after completing the pattern, the underlying polygonal tessellation is discarded. This is sometimes referred to as a sub-grid (Bonner 2017: 577).

About this article

Check for updates. Verify currency and authenticity via CrossMark

Cite this article

Shoubi, A.A., Ebrahimi, A.N. & Shahbazi, Y. Modularity and Symmetry in Girih: A Case Study of the Blue Mosque in Tabriz-Iran. Nexus Netw J (2023). https://doi.org/10.1007/s00004-023-00656-w

Download citation

  • Accepted:

  • Published:

  • DOI: https://doi.org/10.1007/s00004-023-00656-w

Keywords

Navigation