Abstract
The young adult novels of multi award-winning New Zealand writer, Jack Lasenby, are strongly influenced by his careers as a primary school teacher and deer-culler, and love of story. In his first novel, The Lake, Lasenby depicts Ruth, the protagonist, as a learner who seeks knowledge in much the same way that he, the author-teacher, crafts his work. Incorporating features of John Dewey’s Progressive Education system into the novel, Lasenby emphasises the interrelatedness of diverse characters, and of society, nature, and myth, the notion of a wholeness comprising integrated parts, and the possibility of a truth gained through experiential learning and the imagination. Alienated, oppressed, and lonely, Ruth has experienced parental neglect and abuse, and escapes from the social world to a recognisable fictional wilderness based on the New Zealand landscape of Lasenby’s deer-culling days. At the same time she sees in society and the landscape images that represent herself and her dysfunctional family, and comes painfully to terms with these. Lasenby’s allusions to Maori and Biblical myth add to the multiple perspectives that Ruth (and the implied reader) must resolve in order to arrive at some truth.
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Notes
All quotations of The Lake are taken from Lasenby, Jack. (1987). The Lake. Auckland: Oxford University Press.
During his career as a teacher educator, Lasenby frequently talked about his Progressive philosophy and teaching, as witnessed by the author who, as a teacher trainee, attended his lectures.
Lasenby has confirmed that it was his intention to allude to Heathcote’s work in this episode of the novel. Personal communication with the author, 3 August 2016.
Adventurer, sailor, and writer, Joseph Slocum, wrote the classic Sailing Around the World Alone in which he described the first solo circumnavigation of the world.
Zane Grey’s western, Riders on the Purple Sage, was popular reading in New Zealand during the 1940s and 1950s. Laing’s and Blackwell’s Plants of New Zealand is a classic botanical text that contextualised detailed descriptions of native flora by referring to Maori myth.
Māori are the indigenous people of New Zealand. Pākehā is the term for European New Zealanders.
References
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Education Theatre Faculty. “Dorothy Heathcote,” retrieved from http://steinhardt.nyu.edu/music/edtheatre/people/faculty/heathcote.
Jackson, Anna, Miles, Geoffrey, Ricketts, Harry, Schaefer, Tatjana and Walls, Kathryn. (2011). A Made-Up Place: New Zealand in Young Adult Fiction Wellington: Victoria University Press.
Lasenby, Jack. (1987). The Lake Auckland: Oxford University Press.
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“Progressive Education,” retrieved from http://en.wikipedia.org/wiki/Progressive_education.
Robinson, Roger and Wattie, Nelson (Eds.). (1998). The Oxford Companion to New Zealand Literature Auckland: Oxford University Press.
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Vivien van Rij teaches literacy and children’s literature in the School of Education, Victoria University of Wellington, New Zealand. Her doctoral thesis was on Maurice Gee’s novels for children, and she has published widely on these, and on New Zealand’s School Journal.
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van Rij, V. The Protagonist as a Learner, and the Author as a Teacher in Jack Lasenby’s Novel, The Lake . Child Lit Educ 49, 264–281 (2018). https://doi.org/10.1007/s10583-016-9298-y
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DOI: https://doi.org/10.1007/s10583-016-9298-y