Timing in perception and action: Introductory remarks Gisa AscherslebenWolfgang Prinz EDITORIAL Pages: 1 - 3
Sources of timing variations in music performance: A psychological segmentation model Amandine PenelCarolyn Drake ORIGINAL ARTICLE Pages: 12 - 32
Obligatory “expectations” of expressive timing induced by perception of musical structure Bruno H. Repp ORIGINAL ARTICLE Pages: 33 - 43
Getting synchronized with the metronome: Comparisons between phase and period correction Andras SemjenDirk VorbergHans-Henning Schulze ORIGINAL ARTICLE Pages: 44 - 55
Performance asymmetries and coupling dynamics in the acquisition of multifrequency bimanual coordination Winston D. ByblowDon Bysouth-YoungRichard G. Carson ORIGINAL ARTICLE Pages: 56 - 70
Automaticity versus timesharing in timing and tracking dual-task performance Scott W. Brown ORIGINAL ARTICLE Pages: 71 - 81