Abstract
If the ‘long sixties’ were the decade when the British had discovered the consumer society, the 1970s were when they discovered it had to be paid for. It would prove a fragmented, fractious decade, a time of ignominious economic decline. Following a 70 per cent hike in the price of oil, a country that had once ruled an empire faced the reality that it was a small link in a vast economic chain. People’s expectations had run ahead of their incomes, credit cards were becoming a way of life, and as inflation spiralled out of control, mass strikes led to a three-day week.
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Notes
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© 2013 Stephen Glynn
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Glynn, S. (2013). Afterlife: The Historical Pop Music Film. In: The British Pop Music Film. Palgrave Macmillan, London. https://doi.org/10.1057/9780230392236_5
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