Abstract
Sense takes many guises in Nabokov’s work, whether this be “common,” “moral,” “bodily,” or “aesthetic.” The idea of “cerebral” sense and (non)sense, however, are also integral features, especially when considering Nabokov’s wordplay. Looking predominantly at excerpts from Despair and Invitation to a Beheading, Rodgers argues that the apparent nonsense presented to us is offset by both visceral sense (in the form of pattern detection) and cerebral sense (in the form of cognitive challenge). This interplay between the visceral and cerebral senses, it is argued, engenders aesthetic sense, with the universal desire to puzzle-solve situated at the heart of our reading experience. The essay suggests that specific interpretative impasses in Nabokov’s work can be traversed by acknowledging the help provided from the corporeal senses of sight and sound.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Bibliography
Baldick, Chris. 2004. The Concise Oxford Dictionary of Literary Terms. Oxford: Oxford University Press.
Bergson, Henri. 1901. On Laughter. In Reader in Comedy: An Anthology of Theory and Criticism, ed. Magda Romanska and Alan Ackerman, 221–227. Reprint, New York: Bloomsbury, 2017.
Blackwell, Stephen. 2009. Nabokov’s Fugitive Sense. In Transitional Nabokov, ed. Will Norman and Duncan White, 15–29. London: Peter Lang.
Bodenstein, Jürgen. 1977. The Excitement of Verbal Adventure: A Study of Vladimir Nabokov’s English Prose. PhD diss., University of Heidelberg.
Boyd, Brian. 2004. Laughter and Literature: A Play Theory of Humor. Philosophy and Literature 28 (1) (April): 1–22.
Connolly, Julian. 2005. The Cambridge Companion to Vladimir Nabokov. Cambridge: Cambridge University Press.
Critchley, Simon. 2002. On Humour. London: Routledge.
Danesi, Marcel. 2002. The Puzzle Instinct: The Meaning of Puzzles in Human Life. Bloomington, IN: Indiana University Press.
Davydov, Sergei. 1995. Despair. In The Garland Companion to Vladimir Nabokov, ed. Vladimir E. Alexandrov, 88–100. New York: Garland.
De la Durantaye, Leland. 2007. Style Is Matter: The Moral Art of Vladimir Nabokov. Ithaca, NY: Cornell University Press.
Dolinin, Alexander. n.d. Pushkinian Subtexts in Nabokov’s Invitation to a Beheading, trans. Jeff Edmunds. https://www.libraries.psu.edu/nabokov/dolininpush.htm.
Friedenthal, Richard. 1963. Letters of the Great Artists: From Blake to Pollock. New York: Random House.
Joyce, James. 1922. Ulysses. Reprint, New York: Vintage, 1961.
Kuzmanovich, Zoran. 2006. From the Editor. Nabokov Studies 10: viii.
Nabokov, Vladimir. 1932. Glory. London: Weidenfeld and Nicolson, 1972
———. 1936. Otchaianie. Reprint, Ann Arbor, MI: Ardis, 1978.
———. 1944. Nikolai Gogol. Reprint, London: Penguin Classics, 2011.
———. 1955. Lolita. Reprint, London: Penguin Books, 2000.
———. 1959. Invitation to a Beheading, trans. Dmitri Nabokov with the author. Reprint, London: Penguin Books, 2001.
———. 1965. Despair. Revised and translated by the author. Reprint, London: Penguin Books, 2000.
———. 1973. Strong Opinions. Reprint, New York: Vintage, 1990.
———. 1980. Lectures on Literature, ed. Fredson Bowers. New York: Harcourt.
———. 1989. Vladimir Nabokov: Selected Letters, 1940–77, ed. Dmitri Nabokov and Matthew J. Bruccoli. London: Vintage.
———. 1995. Collected Short Stories. Reprint, London: Penguin Books, 2001.
Piaget, Jean. 1951. Play, Dreams, and Imitation in Childhood. New York: W.W. Norton & Company.
Proffer, Carl R. 1968. From Otchaianie to Despair. Slavic Review 27 (2): 258–267.
Rodgers, Michael. 2018. Nabokov and Nietzsche: Problems and Perspectives. New York: Bloomsbury.
Schultz, Thomas R. 2017. A Cognitive-Developmental Analysis of Humour. In Humor and Laughter: Theory, Research and Applications, ed. Antony Chapman and Hugh Foot, 11–36. New York: Routledge.
Toker, Leona. 1989. Nabokov: The Mystery of Literary Structures. Ithaca: Cornell University Press.
Wood, Michael. 1994. The Magician’s Doubts: Nabokov and the Risks of Fiction. London: Chatto & Windus.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2020 The Author(s)
About this chapter
Cite this chapter
Rodgers, M. (2020). Nabokov’s Visceral, Cerebral, and Aesthetic Senses. In: Bouchet, M., Loison-Charles, J., Poulin, I. (eds) The Five Senses in Nabokov's Works. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-030-45406-7_4
Download citation
DOI: https://doi.org/10.1007/978-3-030-45406-7_4
Published:
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-030-45405-0
Online ISBN: 978-3-030-45406-7
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)