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Two aspects of technique inEl coronel no tiene quien le escriba

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Notes

  1. See, for example, Doris Rolfe, “El arte de la concentración expresiva enEl coronel no tiene quien le escriba”,Cuadernos hispanoamericanos, 277–78 (1973), pp. 337–50, and James Higgins, “The Political Symbolism of the Letter and the Cock inEl coronel no tiene quien le escriba”,Vida Hispánica, XXXI, 3 (Autumn 1982), 19–24.

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  2. References are to the edition ofEl coronel no tiene quien le escriba prepared by Giovanni Pontiero and published by Manchester University Press, 1981.

  3. In his introduction to the edition, p. xxxvii.

  4. This statement by García Márquez is cited by Pontiero in his introductory essay, p. xli.

  5. Claves simbólicas de García Márquez (Buenos Aires, 1972), p. 111.

  6. “Gabriel García MárquezEl coronel no tiene quien le escriba Realidad, elegía y esperanza en las telarañas del tiempo”,Vida Hispánica, XXXII, 2 (Autumn 1983), 25–32.

  7. Claves simbólicas de Carcía Márquez, p. 114.

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  1. Dept. of Spanish & Latin American Studies, The University, NE1 7RU, Newcastle upon Tyne, England

    Robin W. Fiddian

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  1. Robin W. Fiddian
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Fiddian, R.W. Two aspects of technique inEl coronel no tiene quien le escriba . Neophilologus 69, 386–393 (1985). https://doi.org/10.1007/BF02001051

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