Abstract
A well preserved painting which though not signed fits in among Rembrandt’s work in most respects, and can probably be dated in 1629.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
C. H. Collins Baker, R. Fry, H. Baker, A. Ravesteyn in: Burl. Mag. 48 (1926), p. 42, pp. 111–112, p. 162.
Bauch 1933, p. 63, p. 188.
Bauch i960, pp. 140–141.
F. Erpel, Die Selbstbildnisse Rembrandts, Vienna 1967, p. 140, no. 5.
S. Slive, ‘Rembrandt’s “Self-portrait in a Studio”’, Burl. Mag. 106 (1964), pp. 483–486.
Van Gelder 1953, pp. 290–291 (pp. 18–19).
E. van de Wetering, ‘Leidse schilders achter de ezels’, in: exhibition cat. Geschildert tot Leyden Anno 1626, Leiden 1976/77, pp. 21–31, esp. 26–28; republ. as ‘Een schilderwedstrijd’, Bulletin Centraal laboratorium voor onderzoek van voorwerpen van kunst en wetenschafi, no. o (1977), pp. 71–91.
G. Hofstede de Groot, ‘Rembrandt’s Painter in his Studio’ Burl. Mag. 47 (1925), p. 265.
Rights and permissions
Copyright information
© 1982 Stichting Foundation Rembrandt Research Project MCMLXXXII, Martinus Nijhoff Publishers
About this chapter
Cite this chapter
Bruyn, J., Haak, B., Levie, S.H., Van Thiel, P.J.J., Van De Wetering, E. (1982). The artist in his studio. In: A Corpus of Rembrandt Paintings. Stichting Foundation Rembrandt Research Project, vol 1. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-7517-0_23
Download citation
DOI: https://doi.org/10.1007/978-94-009-7517-0_23
Publisher Name: Springer, Dordrecht
Print ISBN: 978-94-009-7519-4
Online ISBN: 978-94-009-7517-0
eBook Packages: Springer Book Archive