Abstract
The author spoke with renowned Swedish geographer Gunnar Olsson about maps, GIS and the power of imagination in both history and geography.
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Notes
- 1.
The interview was held in English and edited for publication.
- 2.
“Ready-Mades” refers to an art form where everyday objects are presented as objects of art. Sometimes the objects are artistically enhanced, either by painting on them or by unusual combinations of objects, for example, but by and large they remain untouched. The point being that the observer is made to think about everyday items—and therefore everyday life. Probably the best known Ready-Made artist was Frenchman Marcel Duchamp (1887–1968). Gunnar Olsson refers to Ready-Mades to point out that we never start from scratch in our imagination but rely on established signs (Olsson, 2007, 158).
- 3.
Cf. Ginzburg (1999).
- 4.
“Abstract ideas are therefore in themselves individual, however they may become general in their representation. The image in the mind is only that of a particular object, tho’ the application of it in our reasoning be the same, as if it were universal” (Hume, 1964, 327–328).
- 5.
Cf. Lünen (2006).
- 6.
See Berry and Fristedt (1985) for a discussion of the “multi-armed bandit problem”.
- 7.
Cf. Southall et al. (2011).
- 8.
See Lünen and Moschek (2011) and the chapter by Detlev Mares and Wolfgang Moschek in this book. Also von Lünen’s chapter.
- 9.
Probably the first one to use this metaphor—technology as extension of human organs—was German philosopher of technology and geographer Ernst Kapp (1808–1898); cf. Kapp (1877).
- 10.
“This operation reminds us of the monkey seated on the hearth before a copper kettle cooking its own tail; for it is of opinion that the true art of cookery consists not merely in the objective act of cooking, but also in the subjective consciousness of the process of cooking.” (Heine, 1986, 124)
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von Lünen, A., Olsson, G. (2013). “Thou Shalt Make No Graven Maps!”: An Interview with Gunnar Olsson. In: von Lünen, A., Travis, C. (eds) History and GIS. Springer, Dordrecht. https://doi.org/10.1007/978-94-007-5009-8_6
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