Abstract
Previous works on Asian organized crime groups have examined the history, structure, function, extent, as well as descriptive accounts of the typical illegal enterprises of such criminal organizations. In addition to the historical and sociological accounts of Asian crime groups, most of the existing works have had a practical, operational, and policy-oriented aim; that is, they have been geared toward uncovering the structure, function, and methods of Asian crime groups as a way of combating what is perceived as a law enforcement and national security problem (e.g., human smuggling, narcotics trafficking). While valid, such a line of inquiry neglects to treat Asian gangsters themselves as warrantable objects of analysis. While it is true that little is known about the activities and public perceptions of Asian gangsters, aside from what is reported on the news and newspapers, due to the secretive nature of these organizations, such an omission leaves a major gap in our understanding of Asian gangsters and their activities. This paper examines the portrayals of Asian gangsters in Asian (Chinese, Japanese, Korean) cinema. Results indicate that Asian films sensationalize the use of violence while providing a fairly accurate depiction of the gangsters’ involvement in illegal enterprises.
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Lankin, P.T., Shon, P.C. (2013). Triad, Yakuza, and Jok-Pok: Asian Gangsters in Cinema. In: Liu, J., Hebenton, B., Jou, S. (eds) Handbook of Asian Criminology. Springer, New York, NY. https://doi.org/10.1007/978-1-4614-5218-8_5
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