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From Rescuing Frozen Embryos to Respecting the Limits of Nature: Reframing the Embryo Adoption Debate

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The Ethics of Embryo Adoption and the Catholic Tradition

Part of the book series: Philosophy and Medicine ((CSBE,volume 95))

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In 1985, Gary Trudeau and the Universal Press Syndicate agreed not to run six installments of the comic strip “Doonesbury” which parodied “The Silent Scream,” an anti-abortion film that showed ultrasound images of an abortion of a 12-weekold fetus taking place. The ultrasound images of the abortion depicted in “The Silent Scream” were accompanied by commentary from a physician–narrator, Bernard Nathanson, who had once performed abortions but had become a staunch opponent of abortion. In fact, the film takes its name from a series of images which Nathanson describes as follows:

We can see the tip [of the abortion instrument] move back and forth as the abortionist seeks the child’s body. Once again we can see the child’s mouth wide open in a silent scream in this particular freeze frame. This is the silent scream of a child threatened imminently with extinction.

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Lauritzen, P. (2007). From Rescuing Frozen Embryos to Respecting the Limits of Nature: Reframing the Embryo Adoption Debate. In: Brakman, SV., Weaver, D.F. (eds) The Ethics of Embryo Adoption and the Catholic Tradition. Philosophy and Medicine, vol 95. Springer, Dordrecht. https://doi.org/10.1007/978-1-4020-6211-7_9

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  • DOI: https://doi.org/10.1007/978-1-4020-6211-7_9

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-1-4020-6210-0

  • Online ISBN: 978-1-4020-6211-7

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