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Trauma in Shakespeare and His Contemporaries

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The Poetics of Otherness
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Abstract

This chapter will discuss violence in Shakespeare, especially in the connection to war and expansion, in the context of works like The Spanish Colonie (1583), the first English translation of Bartolomé de Las Casas’s Short Account of the Destruction of the Indies. Some of the ethnographical and travel writing that Richard Hakluyt the Younger collects also helps to provide a context for Shakespeare’s representations of the conflict between cultures and nations and the violence that entails, whether in Shakespeare’s Roman plays, English histories, or the romances. The halting expansion of England was partly defined through this conflict in antiquity and in the meeting of cultures that had been isolated or relatively isolated from each other, including the relation between Europe and the New World.

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Notes

  1. Loren E. Pennington, “The Amerindian in Promotional Literature, 1575–1625,” in The Western Enterprise, ed. K. R. Andrews, N. P. Canny, and P. E. H. Hair (Liverpool, Liverpool University Press, 1978), 179.

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  2. Nicolas Le Challeux, Discours de l’histoire de la Floride, … (Dieppe, 1566), 25.

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  5. Robert Johnson, Nova Britannia, Offring Most Excellent Fruites by Planting in Virginia (London, 1609), B4 verso-C recto, D4 verso.

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  6. William Strachey, The Historie of Travell into Virginia Britania (1612).

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  7. Leslie Hotson, I, William Shakespeare (New York 1938), 225–26.

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  8. Frantz Fanon, Peau noire, masques blancs (Paris: Seuil, 1952).

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  9. George Lamming, The Pleasures of Exile (London: M. Joseph, 1960)

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© 2015 Jonathan Locke Hart

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Hart, J. (2015). Trauma in Shakespeare and His Contemporaries. In: The Poetics of Otherness. Palgrave Macmillan, New York. https://doi.org/10.1057/9781137477453_4

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