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Socinians and Queens: Samuel Clarke and ‘Directions for a Birthday Song’

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Swift and Science
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Abstract

While Swift was always open to the figurative potency of philosophical notions, he made it plain he was no fan of metaphysics. He received male in the third-year examination on Aristotelian physics, and whilst writing to his cousin Thomas about their studies at Trinity College, declared: ‘to enter upon causes of Philosophy is what I protest I will rather dy in a ditch than go about’.2 This attitude did not alter with age. In ‘The Dean’s Reasons for Not Building at Drapier’s Hill’ (1730?), Swift maintains his anti-metaphysical pose. The poem appears to be Swift’s last from the twenty-eight month period in which he stayed at the Gosford Estate with Sir Arthur and Lady Anne Acheson.3 As the title implies, Swift had purchased land there with a view to erecting a house, but his relations with Sir Arthur had apparently become increasingly frosty, although he claimed to Pope that his change of mind was the result of having ‘neither years, nor spirits, nor money, nor patience for such amusements’.4 The speaker associates Acheson’s aloofness with his philosophical interests, which are characterized as an unhealthy obsession:

Still rapt in speculations deep,

His outward senses fast asleep;

[…]

Beyond the skies transports his mind,

And leaves a lifeless corpse behind. (ll. 45–46, 49–50, in Poems, III, 900)

The world is wider to a Poet than to any other Man, and new follyes and Vices will never be wanting any more than new fashions. Je donne au diable the wrong Notion [tha]t Matter is exhausted. For as Poets in their Greek Name are called Creators, so in one circumstance they resemble the great Creator by having an infinity of Space to work in.1

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Notes

  1. See Peter J. Schakel, ‘Swift’s Voices: Innovation and Complication in the Poems Written at Market Hill’, in Reading Swift: Papers from the Fourth Münster Symposium on Jonathan Swift, eds Hermann J. Real and Helgard Stöver-Leidig (München: Fink, 2003), pp. 311–25.

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  3. See J. P. Ferguson, Dr. Samuel Clarke: An Eighteenth-Century Heretic (Kineton: Roundwood Press, 1976), pp. 24–25.

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© 2012 Gregory Lynall

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Lynall, G. (2012). Socinians and Queens: Samuel Clarke and ‘Directions for a Birthday Song’. In: Swift and Science. Palgrave Macmillan, London. https://doi.org/10.1057/9781137016966_6

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