Abstract
The Introduction lays out the conceptual goals of this monograph, as well as clarifying the way the terms “modern” and “supernatural” are to be used.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Works Cited
Allen, Milton. “Electrical Exhibition at Philadelphia.” Light 4.205 (1884): 512.
Anderson, Robert. “Defining the Supernatural in Iceland.” Anthropological Forum 13.2 (2003): 125–30.
Bell, Karl. The Magical Imagination: Magic and Modernity in Urban England 1780–1914. Cambridge: Cambridge University Press, 2012.
Berman, Marshall. All That Is Solid Melts into Air: The Experience of Modernity. London: Verso, 1983.
Blum, Deborah. Ghost Hunters: William James and the Search for Scientific Proof of Life After Death. New York: Penguin, 2006.
Blümlinger, Christa. “Lumière, the Train and the Avant-garde.” The Cinema of Attractions Reloaded. Ed. Wanda Stauven. Amsterdam: University of Amsterdam Press, 2006. 245–64.
Bordwell, David. On the History of Film Style. Cambridge: Harvard University Press, 1997.
Bottomore, Stephen. “The Panicking Audience? Early Cinema and the ‘Train Effect’.” Historical Journal of Film, Radio and Television 19.2 (1999): 177–216.
Briggs, Julia. Night Visitors: The Rise and Fall of the English Ghost Story. London: Faber, 1977.
Brower, M. Brady. Unruly Spirits: The Science of Psychic Phenomena in Modern France. Urbana: University of Chicago Press, 2010.
Burch, Noël. Life to Those Shadows. Berkeley: University of California Press, 1990.
Butler, Alison. Victorian Occultism and the Making of Magic. Houndmills, Basingstoke, Hants: Palgrave Macmillan, 2011.
Calinescu, Matei. Five Faces of Modernity: Modernism, Avant-Garde, Decadence, Kitsch, Postmodernism. Durham, NC: Duke University Press, 1987.
Cameron, James. “Effects Scene: Technology and Magic.” Cinefex 51 (1992): 5–7.
Carroll, Noël. “Modernity and the Plasticity of Perception.” The Journal of Aesthetics and Art Criticism 59.1 (2001): 11–7.
Castle, Terry. The Female Thermometer: 18th Century and the Invention of the Uncanny. New York: Oxford University Press, 1995.
Charney, Leo and Vanessa R. Schwartz, eds. Cinema and the Invention of Modern Life. Berkeley: University of California Press, 1995.
Christie, Ian. The Last Machine: Early Cinema and the Birth of the Modern World. London: British Film Institute/BBC Educational Developments, 1994.
Christie, Ian. “Moving-Picture Media and Modernity: Taking Intermediate and Ephemeral Forms Seriously.” Comparative Critic Studies 6.3 (2009): 299–318.
Clark, T.J. The Painting of Modern Life: Paris in the Art of Manet and His Followers. Princeton: Princeton University Press, 1984.
Clarke, Arthur C. Profiles of Magic: An Inquiry into the Limits of the Possible. London: Orion, 1962.
Connor, Steven. “The Machine in the Ghost: Spiritualism, Technology and the ‘Direct Voice.’” Ghosts: Deconstruction, Psychoanalysis, History. Eds. Peter Buse and Andrew Stott. New York: St. Martin’s Press, 1999. 203–25.
Crary, Jonathan. Techniques of the Observer: On Vision and Modernity in the 19th Century. Cambridge, MA: The MIT Press, 1992.
Daly, Nicholas. Modernism, Romance and the Fin de Siècle: Popular Fiction and British Culture. Cambridge: Cambridge University Press, 1999.
Davis, Erik. Techgnosis: Myth, Magic and Mysticism in the Age of Information. New York: Harmony, 1998.
Dickson, W.K.L. and Antonia Dickson. History of the Kinematograph, Kinetoscope and Kinetophonograph. New York: Arno, 1895.
Doane, Mary Ann. The Emergence of Cinematic Time: Modernity, Contingency, the Archive. Cambridge, MA: Harvard University Press, 2002.
Doane, Mary Ann. “Information, Crisis, Catastrophe.” Logic of Television: Essays in Cultural Criticism. Ed. Patricia Mellencamp. Bloomington: Indiana University Press, 1990. 222–39.
Dolar, Mladen. “‘I Shall Be with You on Your Wedding-Night’: Lacan and the Uncanny.” October 58 (1991): 5–23.
Drury, Nevill. Stealing Fire from Heaven: The Rise of Modern Western Magic. Oxford: Oxford University Press, 2011.
During, Simon. Modern Enchantments: The Cultural Power of Secular Magic. Cambridge: Harvard University Press, 2002.
Eggleston, Thomas. “Is He Not a Medium?” Banner of Light (May 2, 1896): 1.
Elsaesser, Thomas. “Archaeologies of Interactivity: Early Cinema, Narrative and Spectatorship.” Film 1900: Technology, Perception, Culture. Eds. Annemone Ligensa and Klaus Kreimeier. New Barnet, Herts: John Libbey Publishing, 2009. 9–22.
Evans, Nicola Jean. “Undoing the Magic? DVD Extras and the Pleasure Behind the Scenes.” Continuum: Journal of Media & Cultural Studies 24.4 (August 2010): 587–600.
Finucane, R.C. Appearances of the Dead: A Cultural History of Ghosts. London: Junction Books, 1982.
Foster, Paul. “Kingdom of Shadows: Fin-de-siècle Gothic and Early Cinema.” Monstrous Media/Spectral Subjects: Imaging Gothic from the Nineteenth Century to the Present. Eds. Fred Botting and Catherine Spooner. Manchester: Manchester University Press, 2015. 29–41.
Friedberg, Anne. Window Shopping: Cinema and the Postmodern. Berkeley: University of California Press, 1993.
Furstenau, Marc and Kerstin Hasslöcher. “Cinema/Modernism/Modernity: Towards an Archaeology of the Cinema.” European Journal for Semiotic Studies 6.1–2 (1994): 253–305.
Gorky, Maxim. “A review of the Lumière programme at the Nizhni-Novgorod Fair,” as printed in the Nizhegorodski listok, newspaper, July 4, 1896, and signed “I.M. Pacatus.” Appendix 3 to Jay Leyda, A History of the Russian and Soviet Film. London: Unwin House, 1960. 407–9.
Grove, Allen W. “Röntgen’s Ghosts: Photography, X-rays and the Victorian Imagination.” Literature and Medicine 16.2 (Fall 1997): 141–73.
Gunn, Joshua. Modern Occult Rhetoric: Mass Media and the Drama of Secrecy in the Twentieth Century. Tuscaloosa: University of Alabama Press, 2011.
Gunning, Tom. “An Aesthetic of Astonishment: Early Film and the (In)Credulous Spectator.” Viewing Positions: Ways of Seeing Film. Ed. Linda Williams. New Brunswick, NJ: Rutgers University Press, 1995b. 114–33.
Gunning, Tom. “The Cinema of Attractions: Early Film, Its Spectator and the Avant-Garde.” Early Cinema: Space, Frame, Narrative. Eds. Thomas Elsaesser and Adam Barker. London: British Film Institute, 1990. 56–62.
Gunning, Tom. “Modernity and Cinema: A Culture of Shocks and Flows.” Cinema and Modernity. Ed. Murray Pomerance. New Brunswick, NJ: Rutgers University Press, 2006. 297–315.
Gunning, Tom. “Phantom Images and Modern Manifestations: Spirit Photography, Magic Theatre, Trick Films and Photography’s Uncanny.” Fugitive Images: From Photography to Video. Ed. Patrice Petro. Bloomington: Indiana University Press, 1995a. 42–71.
Hansen, Miriam. Babel and Babylon: Spectatorship in American Silent Film. Cambridge, MA: Harvard University Press, 1991.
Hansen, Miriam. “The Mass Production of the Senses: Classical Cinema as Vernacular Modernism.” Modernism/Modernity 6.2 (1999): 59–77.
Hurley, Kelly. The Gothic Body: Sexuality, Materialism, and Degeneration at the Fin de Siecle. Cambridge: Cambridge University Press, 1996.
Johnson, V.E. “The Kinematograph from a Scientific Point of View.” In the Kingdom of Shadows: A Companion to Early Cinema. Eds. Colin Harding and Simon Popple. London: Cygnus Press, 1996. 25.
Jolly, Martyn. Faces of the Dead: The Belief in Spirit Photography. London: British Library, 2006.
Keil, Charlie. “‘To Here from Modernity’: Style, Historiography, and Transitional Cinema.” American Cinema’s Transitional Era: Audiences, Institutions, Practices. Ed. Charlie Keil and Shelley Stamp. Berkeley: University of California Press, 2004. 51–75.
Kern, Stephen. The Culture of Time and Space 1880–1918. Cambridge, MA: Harvard University Press, 1983.
Kirby, Lynne. Parallel Tracks: The Railroad and Silent Cinema. Durham: Duke University Press, 1997.
Klass, Morton. Ordered Universes: Approaches to the Anthropology of Religion. Boulder: Westview Press, 1995.
Knight, David. The Age of Science: The Scientific World-view in the Nineteenth Century. Oxford: Blackwell, 1986.
Lachapelle, Sofie. Conjuring Science: A History of Scientific Entertainment and Stage Magic in Modern France. Houndmills, Basingstoke, Hants: Palgrave Macmillan, 2015.
Lachapelle, Sofie. Investigating the Supernatural: From Spiritism and Occultism to Psychical Research and Metaphysics in France, 1853–1931. Baltimore: The Johns Hopkins University Press, 2011.
Latour, Bruno. We Have Never Been Modern. Cambridge, MA: Harvard University Press, 1993.
Limon, John. The Place of Fiction in the Time of Science: A Disciplinary History of American Writing. New York: Cambridge University Press, 1990.
Loiperdinger, Martin. “Lumière’s Arrival of a Train: Cinema’s Founding Myth.” The Moving Image 4.1 (Spring 2004): 89–118.
Luckhurst, Roger. “Introduction.” Late Victorian Gothic Tales. Ed. Roger Luckhurst. Oxford: Oxford University Press, 2005. ix–xxxi.
Luckhurst, Roger. “W.T. Stead’s Occult Economies.” Culture and Science in the Nineteenth-century Media. Eds. Louise Henson, Geoffrey Cantor, Goean Dawson, Richard Noakes, Sally Shuttleworth and Jonathan R. Topham. Aldershot, Hants: Ashgate, 2004. 125–35.
Marvin, Carolyn. When Old Technologies Were New: Thinking about Electric Communication in the Late Nineteenth Century. New York: University of Oxford Press, 1988.
McEwan, Cheryl. “A Very Modern Ghost: Postcolonialism and the Politics of Enchantment.” Environment and Planning D: Society and Space 26 (2008): 29–46.
Morrisson, Mark S. Modern Alchemy: Occultism and the Emergence of Atomic Theory. Oxford: Oxford University Press, 2007.
Murphet, Julian. “Film and (as) Modernity.” The SAGE Handbook of Film Studies. Eds. James Donald and Michael Renov. Los Angeles: Sage, 2008. 343–60.
Noakes, Richard. “Spiritualism, Science and the Supernatural in Mid-Victorian Britain.” The Victorian Supernatural. Eds. Nicola Brown, Carolyn Burdett and Pamela Thurschwell. Cambridge: Cambridge University Press, 2004. 23–43.
Owen, Alex. The Place of Enchantment: British Occultism and the Culture of the Modern. Chicago: University of Chicago Press, 2004.
Pels, Peter. “Introduction: Magic and Modernity.” Magic and Modernity: Interfaces of Revelation and Concealment. Eds. Birgit Meyer and Peter Pels. Stanford: Stanford University Press, 2003. 1–38.
Peters, John Durham. Speaking into the Air: A History of the Idea of Communication. Chicago: University of Chicago Press, 1999.
Rossell, Deac. Living Pictures: The Origins of the Movies. Albany: SUNY Press, 1998.
Sausman, Justin. “The Democratisation of the Spook: W.T. Stead and the Invention of Public Occultism.” W.T. Stead: Newspaper Revolutionary. Eds. Laurel Brake, Ed King, Roger Luckhurst and James Mussell. London: The British Library, 2012. 149–165.
Schivelbusch, Wolfgang. The Railway Journey: The Industrialization of Time and Space in the 19th Century. Berkeley: University of California Press, 1986.
Schwartz, Vanessa. Spectacular Realities: Early Mass Culture in Fin-de-siècle Paris. Berkeley: University of California Press, 1998.
Sconce, Jeffrey. Haunted Media: Electronic Presence from Telegraphy to Television. Durham: Duke University Press, 2000.
Sered, Susan. “Afterword: Lexicons of the Supernatural.” Anthropological Forum 13.2 (2003): 213–8.
Singer, Ben. “The Ambimodernity of Early Cinema: Problems and Paradoxes in the Film-and-Modernity Discourse.” Film 1900: Technology, Perception, Culture. Eds. Annemone Ligensa and Klaus Kreimeier. New Barnet, Herts: John Libbey, 2009. 37–52.
Singer, Ben. Melodrama and Modernity: Early Sensational Cinema and Its Contexts. New York: Columbia University Press, 2001.
Solomon, Matthew. Disappearing Tricks: Silent Film, Houdini, and the New Magic of the Twentieth Century. Iowa City: University of Iowa Press, 2010.
Stead, W.T. “Suggestions from Science for Psychic Students: Useful Analogies from Recent Discoveries and Inventions.” Borderland 3.4 (October 1896): 400–11.
Swatos, William H. “Spiritualism as a Religion of Science.” Social Compass 37.4 (1990): 471–82.
Swingewood, Alan. Cultural Theory and the Problem of Modernity. New York: St. Martin’s Press, 1998.
Sword, Helen. Ghostwriting Modernism. Ithaca: Cornell University Press, 2002.
Thurschwell, Pamela. “Refusing to Give Up the Ghost: Some Thoughts on the Afterlife from Spirit Photography to Phantom Films.” The Disembodied Spirit. Brunswick, Maine: The Bowdon College Museum of Art, 2003. 20–31.
Turvey, Malcolm. Doubting Vision: Film and the Revelationist Tradition. Oxford: Oxford University Press, 2008.
Vanderbeke, Dirk. “‘Science Is Magic That Works’: The Return of Magic in Literature on Science.” Magic, Science, Technology and Literature. Eds. Jarmila Mildorf, Hans Ulrich Seeber and Martin Windisch. Berlin: LIT Verlag, 2006. 209–24.
Warner, Marina. Phantasmagoria: Spirit Visions, Metaphors and Media into the Twenty-first Century. Oxford: Oxford University Press, 2006.
Washington, Peter. Madame Blavatsky’s Baboon: A History of the Mystics, Mediums and Misfits Who Brought Spiritualism to America. New York: Schocken Books, 1995.
Williams, Keith. H.G. Wells, Modernity and the Movies. Liverpool: Liverpool University Press, 2007.
Williamson, Colin. Hidden in Plain Sight: An Archaeology of Magic and the Cinema. New Brunswick, NJ: Rutgers University Press, 2015.
Wilson, Leigh. Modernism and Magic: Experiments with Spiritualism, Theosophy and the Occult. Edinburgh: Edinburgh University Press, 2013.
Author information
Authors and Affiliations
Copyright information
© 2017 The Author(s)
About this chapter
Cite this chapter
Leeder, M. (2017). Introduction. In: The Modern Supernatural and the Beginnings of Cinema. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-58371-0_1
Download citation
DOI: https://doi.org/10.1057/978-1-137-58371-0_1
Published:
Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-58370-3
Online ISBN: 978-1-137-58371-0
eBook Packages: Literature, Cultural and Media StudiesLiterature, Cultural and Media Studies (R0)