Abstract
The Introduction thinks about Haranczak/Navarre’s Control Signal and the kind of experience this creates, and links it to repetition’s invisible forces. It draws on Gilles Deleuze’s writing on Francis Bacon’s work to consider how the latter may offer a way into understanding the experience of repetition on the spectator’s body.
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Kartsaki, E. (2017). Introduction: Invisible Forces. In: Repetition in Performance. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-43054-0_1
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DOI: https://doi.org/10.1057/978-1-137-43054-0_1
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Publisher Name: Palgrave Macmillan, London
Print ISBN: 978-1-137-43053-3
Online ISBN: 978-1-137-43054-0
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