Abstract
Speaking can be very challenging for Japanese university students. This is partially because the high school curriculum in Japan is not generally focused on providing opportunities for students to speak their ideas. The requirement to speak in English, as an additional language, adds to the challenge for students. When university students are asked to speak spontaneously about issues and ideas, it appears they are often ‘frozen’ by an unfamiliar requirement of ‘speaking their mind’. This chapter reports on research undertaken during a winter intensive course in which drama was used as a pedagogical approach designed to overcome students’ mental obstacles to speaking as well as to teach them to be more global minded.
Implementing drama pedagogy for additional language teaching and learning has been researched amongst drama educators and language teachers. Educators in Asian regions such as Taiwan and Hong Kong are also actively utilizing the pedagogy as it has been proven to be an effective pedagogy for motivating students’ learning. However, very limited research is seen in Japan, in particular focusing on students who have reached a high level of language proficiency.
This research provides an example of drama used as the primary pedagogical approach in an EAP course in a Japanese international university context. Students’ English language levels tend to be relatively high, even though these students are still in the middle of their undergraduate studies. Nevertheless, students still feel hesitant to speak freely in English. Broadly, this research asked the question: ‘How can drama be applied as pedagogy to increase students’ motivation for speaking about complex ideas in EAP?’ At the same time, this research aimed to examine how drama pedagogy assists students’ conceptual understanding of some of the global issues raised. The educator/researchers describe their collaboration in designing and teaching this course and present findings from analysis of data including reflection on teaching, observation notes and student responses to pre- and post-course questionnaires.
The high level of engagement students demonstrated in class became evidence of the students’ increased sense of motivation to speak their minds and communicate complex ideas in English. Students reported that playing roles and exploring ideas together through the imaginative world of the process drama helped to melt anxieties and warmed them up for speaking more freely. Students also reported their surprise in finding that the relatively enjoyable approach of learning through drama expanded their minds, by demanding that they apply themselves critically and analytically to the content including complex global issues being introduced in class.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Similar content being viewed by others
References
Bowell, P., & Heap, B. (2001). Planning Process Drama. London: David Fulton.
Chang, L. Y. S. (2012). Dramatic’ language learning in the Classroom’. In J. Winston (Ed.), Second language learning through drama (pp. 8–14). Oxon: Routledge.
DeCoursey, M., & Trent, J. (2016). Stultification and the negotiation of meaning: Drama for second language education in Hong Kong schools. Research in Drama Education, 21(4), 524–534.
Ellwood, C., & Nakane, I. (2009). Privileging of speech in EAP and mainstream university classrooms: A critical evaluation of participation. Teachers of English to Speakers of Other Languages., 43(2), 203–230.
Greder, A. (2007). The island. Crow’s Nest: Allen & Unwin.
Heathcote, D., & Bolton, G. (1995). Drama for learning: Dorothy Heathcote’s mantle of the expert approach to education. Portsmouth: Heinemann.
Kao, S., & O’Neill, C. (1998). Words into worlds: Learning a second language through process drama. London: Ablex Publishing.
Kempston, T. (2012). Using drama to enrich school-based assessment in the Hong Kong Secondary School English Language classroom. In J. Winston (Ed.), Second language learning through drama (pp. 92–103). Oxon: Routledge.
Matsuda, A. (2011). ‘Not everyone can be a star’: Students’ and teachers’ beliefs about English teaching in Japan. In P. Seargeant (Ed.), English in Japan in the era of globalization. London: Palgrave Macmillan.
Nakane, I. (2007). Silence in Intercultural Communication: Perceptions and performance. Amsterdam: John Benjamins.
O’Toole, J. (1991). Process in drama: An investigation of processuality in the art form, with particular reference to the genre known as drama in education. University of Queensland.
O’Toole, J., & Dunne, J. (2002). Pretending to learn: Helping children learn through drama. French’s Forest: Longman.
O’Neill, C. (1995). Drama worlds: A framework for process drama. Portsmouth: Heinemann.
Piazzoli, E. (2011). Process drama: The use of affective space to reduce language anxiety in the additional language learning classroom. Research in Drama Education: The Journal of Applied Theatre and Performance, 16(4), 557–573.
Piazzoli, E. (2012). Film and drama aesthetics for additional language teaching. In J. Winston (Ed.), Second language learning through drama (pp. 134–148). Oxon: Routledge.
Rothwell, J. (2011). Bodies and language: process drama and intercultural language learning in a beginner language classroom. Research in Drama Education: The Journal of Applied Theatre and Performance, 16(4), 575–594.
Rothwell, J. (2012). Drama and languages education: Authentic assessment through process drama. In J. Winston (Ed.), Second language learning through drama (pp. 54–68). Oxon: Routledge.
Stinson, M. (2012). Accessing traditional tales: The legend of Bukit Merah. In J. Winston (Ed.), Second language learning through drama (pp. 69–80). Oxon: Routledge.
Stroupe, R., Fenton, A. L., MacDonald, L., & Riley, M. (2016). Japanese learner beliefs and communicative language teaching: A comparison of expectations and practices. Language & Cross-Cultural Communication, 1(1).
Wagner, B. J. (1979). Dorothy Heathcote: drama as a learning medium. London: Hutchinson.
Winston, J. (Ed.). (2012). Second language learning through drama: Practical techniques and applications. Oxon: Routledge.
Yamagami, M., & Tollefson, W. J. (2011). Elite discourses of globalization in Japan: Role of English. In P. Seargeant (Ed.), English in Japan in the era of globalization. London: Palgrave Macmillan.
Yashima, T. (2009). International posture and the Ideal L2 Self in the Japanese EFL context. In Z. Dornyei & E. Ushioda (Eds.), Motivation, language identity and the L2 self. Bristol: Multilingual Matters.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2018 Springer Nature Singapore Pte Ltd.
About this chapter
Cite this chapter
Araki, N., Raphael, J. (2018). Firing the Imagination: Process Drama as Pedagogy for ‘Melting’ EAP Speaking Anxiety and Increasing Japanese University Students’ Confidence in Speaking. In: Ruegg, R., Williams, C. (eds) Teaching English for Academic Purposes (EAP) in Japan. English Language Education, vol 14. Springer, Singapore. https://doi.org/10.1007/978-981-10-8264-1_3
Download citation
DOI: https://doi.org/10.1007/978-981-10-8264-1_3
Published:
Publisher Name: Springer, Singapore
Print ISBN: 978-981-10-8263-4
Online ISBN: 978-981-10-8264-1
eBook Packages: EducationEducation (R0)