Abstract
In an Applied theatre process there is a closure where there is an opportunity for actors to emerge from their roles, thus connecting the work to the world outside the performance. We have asked Tony Gee, a long time puppeteer, storyteller and arts facilitator to take this book from the page and to reflect on it in connection with the world of his work with story, puppets and people.
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References
Brook, P. (1993). There are no secrets. London, UK: Methuen.
Gee, T. (2001). The workshop interviews (Unpublished manuscript).
Merleau-Ponty, M. (2002). The phenomenology of perception (C. Smith, Trans.). New York, NY: Routledge. (Original work published 1945)
Proust, M. (1930). The sweet cheat gone (C. K. Scott Moncrieff, Trans.). Remembrance of things past (Vol. 6, pp. 675–868). New York, NY: Random House. (Original work published 1927)
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© 2015 Sense Publishers
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Gee, T. (2015). Afterword. In: Vettraino, E., Linds, W. (eds) Playing in a House of Mirrors. SensePublishers, Rotterdam. https://doi.org/10.1007/978-94-6300-118-2_19
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DOI: https://doi.org/10.1007/978-94-6300-118-2_19
Publisher Name: SensePublishers, Rotterdam
Online ISBN: 978-94-6300-118-2
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