Abstract
In chapter two, I explored the dichotomy between Sparrow/Jones and how the pirate films distinguish the two via the corruption Jones experiences. This corruption is utilized to garner consent from the audience for Sparrow’s plight for freedom and also how that freedom is being defined in terms of neoliberal ideology.
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© 2014 Sense Publishers
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Pollock, E.A. (2014). Pirate Captains, East India Companies and Questions of Representations. In: Popular Culture, Piracy, and Outlaw Pedagogy. Youth, Media, & Culture Series. SensePublishers, Rotterdam. https://doi.org/10.1007/978-94-6209-613-4_4
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DOI: https://doi.org/10.1007/978-94-6209-613-4_4
Publisher Name: SensePublishers, Rotterdam
Online ISBN: 978-94-6209-613-4
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