Abstract
This paper begins with Nietzsche’s claim that all understanding is anthropomorphic in origin, and attempts to show how the poets Saint-John Perse and Yves Bonnefoy have essentially inverted human belief systems. Systems of thought once founded on an understanding of the skies as the seat of powers greater than human powers and beyond our human capacity for understanding have been replaced in the works of these poets by human experience that relates our physical presence in the world. As Nietzsche also claims, however, our language is only a metaphor for the objects it names, implying that language does not reveal objects of the real world but only incorporates them, as it were, into our conceptual apparatus. Now Perse and Bonnefoy both make a conscious effort to renew our relation to the world we live in and to transpose, one could say, our desire for knowledge of the unknown onto the objects of the physical world constituted in our experience of place.
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Notes
- 1.
“Alle Naturwissenschaft ist nur ein Versuch, den Menschen, das Anthropologische zu verstehen […]”; “All scientific knowledge is only an attempt to understand human beings, the anthropological […]” (Nietzsche, Nachlaß 1869–1874, Kritische Studienausgabe, herausgegebn von Giorgio Colli and Mazzino Montinari, (München: Deutschen Taschenbuch Verlag, 1999), vol. 7, § 19[91].
- 2.
Nietzsche, ibid., § 19[115].
- 3.
Nietzsche, Nachlaß 1875–1879, Kritische Studienausgabe, op. cit., vol. 8, § 9[1], p. 171.
- 4.
Nietzsche’s word for this is “Umwerthung”.
- 5.
Nietzsche develops this argument in his work, Zur Genealogie der Moral.
- 6.
Nietzsche, Jenseits von Gut und Böse, Kritische Studienausgabe, op. cit., vol. 5, § 204.
- 7.
Nietzsche, Die fröliche Wissenschaft, Kritische Studienausgabe, op. cit., vol. 3, § 355. Cf. Angèle Kremer-Marietti, Nietzsche et la rhétorique (Paris: PUF; L’Harmattan, 1992, 2007), notably the section entitled “la ‘metaphora’ originaire”, pp. 218–229.
- 8.
Saint-John Perse, Œuvres complètes (Paris : Éditions Gallimard, 1972, 1982). All references to Perse are to this edition.
- 9.
Nietzsche, Jenseits von Gut un Böse. Op. Cit., § 21. In an earlier poem, “Pour fêter une enfance”, Perse recounts scenes of his childhood in Guadeloupe. He uses the word “songe” to refer to his memories and he says: “J’ai fait ce songe, dans l’estime: un sûr séjour entre les toiles enthousiastes” (Œuvres complètes, op. cit., p. 23); “I had this recollection, with great esteem: a secure sojourn between enthusiastic images” (my translation).
- 10.
“Une même vague par le monde, une même vague depuis Troie roule sa hanche jusqu’à nous” (Perse, Œuvres complètes, op. cit., p. 326).
- 11.
Yves Bonnefoy, “Les Tombeaux de Ravenne”, in L’Improbabale (Mercure de France; Gallimard, 1980, 1982, pp. 13–30), p. 23.
- 12.
Yves Bonnefoy, “L’Horizon – The Horizon”, translated by Michael Bishop (Halifax: Éditions VVV Editions, 2003).
- 13.
Yves Bonnefoy, Traité du pianiste et autres écrits anciens, Mercure de France, 2008, p. 14.
- 14.
Yves Bonnefoy, “L’Acte et le lieu de la poésie”, in L’Improbable (op. cit., pp. 107–133), p. 110.
- 15.
Yves Bonnefoy, Traité du pianiste […], op. cit., p. 184.
- 16.
Yves Bonnefoy, “Une Vigne qui bouge dans ses ombres”, in L’Improbable (op. cit., pp. 293–295), p. 295.
- 17.
Yves Bonnefoy, “L’Acte et le lieu de la poésie” (op. cit.), p. 132.
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Kocay, V. (2015). Drama Between Earth and Skies: Nietzsche, Saint-John Perse, Yves Bonnefoy. In: Tymieniecka, AT. (eds) From Sky and Earth to Metaphysics. Analecta Husserliana, vol 115. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-9063-5_16
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