Abstract
Before the theme of life become a central object of interest to the philosophy of science which aspired to assert itself as the science of life, it had constantly been central to the philosophy of art which, after Kant, developed into the romantic theory of the genius and “Erlebniskunst”.
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Cfr. Hans Gegor Gadamer, Wahrheit und Methode-Hermeneutik I, Gesammelte Werke, 1 (Tübingen: 1986), pp. 48–106: Anna-Teresa Tymieniecka, “Phenomenology of Life and the New Critique Life and of the Human Condition”, Analecta Husserliana, Vol. XXXIV, pp. 3–15.
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© 1999 Springer Science+Business Media Dordrecht
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Rossi, O. (1999). Life, Genius and the Work of Art. In: Tymieniecka, AT. (eds) Life Scientific Philosophy, Phenomenology of Life and the Sciences of Life. Analecta Husserliana, vol 59. Springer, Dordrecht. https://doi.org/10.1007/978-94-017-2079-3_8
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DOI: https://doi.org/10.1007/978-94-017-2079-3_8
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