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Grand Passions of Humble Folk: Woyzeck and the Jews’ Beech

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Ingardeniana III

Part of the book series: Analecta Husserliana ((ANHU,volume 33))

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Abstract

With Franz Woyzeck and Friedrich Mergel members of the lowest social classes step into the forefront of German literature for the first time (1837 and 1842). However, the end of both heroes, or anti-heroes, has effects on the reader traditionally reserved for great tragedy. Or, to put it more precisely, the authors Georg Büchner and Annette von Droste-Hülshoff probably intended their works to have effects of this sort, but their intentions have gone unheeded and been misunderstood. For this was not what was conventionally expected of works written in prose about people of humble origin. Moreover, the traditional concept of tragedy is out of place in our modern age and has been long since discussed to death by literary scholars. In this context, both works have overtaxed the cultural, historical and particularly the religious knowledge of the academics and their feeling for art. This has led to their misinterpreting specifically the endings of both works.

“It will befall thee as thou didst unto me.”

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Notes

  1. Cf. Wittkowski “Katharsis. Goethe, Aristoteles und der Streit der Philologen,” in Goethe-Jahrbuch 104 (1987): pp. 113–127

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  2. Cf. Wittkowski “Values and German Tragedy 1770–1830,” in A.-T. Tymieniecka, Ed., Analecta Husserliana 18 (1984): pp. 319–332.

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  3. Franz Schnabel, Deutsche Geschichte im 19. Jahrhundert. 3 vs. (Freiburg, 1934). Friedrich Sengle, Biedermeierzeit, 3 vs. (Stuttgart, 1971–80).

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  4. Wolfgang Martens, “Zum Menschenbild Georg Büchners. “Woyzeck” und die Morionszene in “Dantons Tod”,” in Wirkendes Wort 8 (1957/58): 13–20

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  5. Wolfgang Martens, Uber Georg Büchners “Woyzeck”, in Jahrbuch des Wiener Goethe-Vereins 84/85 (1980/81): pp. 145–156.

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  6. Wittkowski, “Sein oder Nichtsein. Zum Streit um die religiöse Büchnerdeutung,” in W. Frühwald, A. Martino, Eds., Zwischen Aufklärung und Restauration (Tübingen, 1989): pp. 429–450.

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  7. Cf. also in Wittkowski, “Sein oder Nichtsein. Zum Streit um die religiöse Büchnerdeutung,” in W. Frühwald, A. Martino, Eds., Colloquia Germanica 22 (1989): 67–71, my review of Reinhold Grimm, Love, Lust, and Revolt. New Approaches to Georg Büchner (Madison, 1984).

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  8. Sengle, vol. 3: 328f. Gerhard P. Knapp, Georg Büchner. Sammlung Metzler no. 159 (Stuttgart, 2nd ed. 1984): p. 148.

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  9. Wittkowski, “Europäische Literaturrevolution ohne Büchner?” in Literaturwissen-schaftliches Jahrbuch N.F. 19 (1978): pp. 257–275.

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  10. Cf. note 4 and Wittkowski, Georg Büchner (Heidelberg, 1978).

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  11. Heinrich Henel, “Annette von Droste-Hülshoff. Erzählstil und Wirklichkeit,” in Festschrift Bernhard Blume, ed. E. Schwarz et al. (Göttingen, 1967): pp. 146–172.

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  12. Heinz Rölleke, “Literarische Anregungen zur Droste-Ballade “Die Vergeltung”,” in Wirkendes Wort 31 (1981): 6–10. Sengle agrees (note 4, 630), but cf. note 4!

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  13. Lawrence D. Wells, “Annette von Droste-Hülshoff’s Johannes Niemand. Much Ado About Nobody,” in Germanic Review 52 (1977): 109–121.

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  14. Rölleke, “Erzähltes Mysterium. Studie zur “Judenbuche” der Annette von Droste-Hülshoff,” in Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte 42 (1968): 399–426.

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  15. Wittkowski, “Das Rätsel der “Judenbuche” und seine Lösung,” in Sprachkunst 16 (1985): 175–192;

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  16. Wittkowski, “Stufenstruktur und Transzendenz in Büchners “Woyzeck” und Grillparzers Novelle “Der arme Spielmann”,” in Georg Büchner-Jahrbuch 3 (1983): pp. 147–165.

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  17. Blaise Pascal, Gedanken. Sammlung Dietrich 7 (Stuttgart n.d.) no. 226, 289, 465.

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© 1991 Springer Science+Business Media Dordrecht

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Wittkowski, W. (1991). Grand Passions of Humble Folk: Woyzeck and the Jews’ Beech. In: Tymieniecka, AT. (eds) Ingardeniana III. Analecta Husserliana, vol 33. Springer, Dordrecht. https://doi.org/10.1007/978-94-011-3762-1_7

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  • DOI: https://doi.org/10.1007/978-94-011-3762-1_7

  • Publisher Name: Springer, Dordrecht

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