Abstract
Museological dissertations often try to define the function of museum exhibitions. Museum exhibitions are conceived of there as 1) those which present objects of artistic or scientific documentary value, or 2) those which transmit knowledge (mostly fundamental, elementary and, in every case “ready” knowledge) to various categories of visitors (mostly unprofessional ones).
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Notes
See Roman Ingarden, Studia z Estetyki (Studies on Aesthetics), (Warsaw: 1958).
J. Swiecimski, “Scientific Information Function and Ingarden’s Theory of Forms,” Analecta Husserliana Vol. IV (Dordrecht/Boston: 1974).
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© 1991 Springer Science+Business Media Dordrecht
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Swiecimski, J. (1991). Truth and Untruth in the Museum Exhibition. In: Tymieniecka, AT. (eds) New Queries in Aesthetics and Metaphysics. Analecta Husserliana, vol 37. Springer, Dordrecht. https://doi.org/10.1007/978-94-011-3394-4_25
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DOI: https://doi.org/10.1007/978-94-011-3394-4_25
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