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Part of the book series: Stichting Foundation Rembrandt Research Project ((RRSE,volume 1))

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Abstract

A well-preserved, characteristic work from 1626, with reliable signature and the date.

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References

  1. W. R. Valentiner, ‘Opmerkingen over enkele schilderijen van Rembrandt’, Onze Kunst 11 (1907), pp. 157–168, esp. p. 157–158.

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  2. HdG 26.

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  3. Bauch 1933, p. 15 and fig. 7.

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  4. Bauch i960, pp. 101–102.

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  5. B. P.J. Broos, ‘Rembrandt en zijn eeuwige leermeester Lastman’, De Kroniek van het Rembrandthuis 26 (1972), pp. 76–96.

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  6. K. Freise, Pieter Lastman, Leipzig 1911, pp. 261–263.

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  7. C. G. Campbell, Studies in the formal sources of Rembrandt’s figure compositions, typescript dissertation University of London 1971, p. 133.

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  8. W. Bode, ‘Neuentdeckte Rembrandtbilder’, Zeitschr. f.b.K. new series 17 (1905 1906), pp. 8 14, esp. p. 9; A. Bredius, ‘Rembrandt’s Balaam’, Burl. Mag. 23 (1913), p. 59; C. Hofstede de Groot, ‘Rembrandt’s Youthful Works’, Burl. Mag. 44 (1924), p. 126.

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© 1982 Stichting Foundation Rembrandt Research Project MCMLXXXII, Martinus Nijhoff Publishers

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Bruyn, J., Haak, B., Levie, S.H., Van Thiel, P.J.J., Van De Wetering, E. (1982). Balaam and the ass. In: A Corpus of Rembrandt Paintings. Stichting Foundation Rembrandt Research Project, vol 1. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-7517-0_7

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  • DOI: https://doi.org/10.1007/978-94-009-7517-0_7

  • Publisher Name: Springer, Dordrecht

  • Print ISBN: 978-94-009-7519-4

  • Online ISBN: 978-94-009-7517-0

  • eBook Packages: Springer Book Archive

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