Abstract
To create is to produce or generate what did not exist before, and most importantly, it is to produce not only an individual which did not exist before but one of a new and hitherto unknown kind. In science the most obvious product of creativity is a sort of discourse, the flow of theory. But theory is itself a secondary product, a description of potent things and products which produce the phenomena we experience. And yet, at least initially, the potent things and processes described in theory are not part of that experience. It is in our conceiving of ideas about them, by imagining possible potent things in which and among which causal activity occurs, that creativity is exercised.
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Notes
Arthur Koestler, The Sleepwalkers ( London: Butterfield, 1963 ).
E. Goffman, Relations in Public ( New York: Harper and Row, 1972 ).
K.R. Popper, Conjectures and Refutations ( London: Routledge and Kegan Paul, 1963 ).
Rom Harré, “Surrogates for Necessity”, Mind 82 (1973): 358–80.
See W. Whewell, The Philosophy of the Inductive Sciences, new edition (London: Cass, 1967 ).
E. Goffman, Asylums ( London: Penguin, 1961 ).
C. Lévi-Strauss, Triste Tropiques, trans. J. and D. Weightman ( London: Cape, 1974 ).
See J.J. Gibson, The Senses Considered as Perceptual Systems ( London: George Allen and Unwin, 1968 ).
K.R. Popper, Objective Knowledge, an Evolutionary Approach ( Oxford: The Clarendon Press, 1972 ).
S.E. Toulmin, Human Understanding, vol. 1 ( Oxford: The Clarendon Press, 1972 ).
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© 1981 Martinus Nijhoff Publishers, The Hague/Boston/London
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Harré, R. (1981). Creativity in Science. In: Dutton, D., Krausz, M. (eds) The Concept of Creativity in Science and Art. Martinus Nijhoff Philosophy Library, vol 6. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-5083-2_2
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DOI: https://doi.org/10.1007/978-94-009-5083-2_2
Publisher Name: Springer, Dordrecht
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