The Operational Architectonics of the Surging Creative Function in the Initial Creative Constructivism

Abstract

The major problems which we face in the attempt to pass from the creative vision to the idea of a work as a project, are first to fixate intuition in its inspiring significance in terms of a qualitative/meaningful complex; second, to simultaneously devise its appropriate form; and, last, to select a possible objective structure for it. It is interesting to note how intimately the “meaning” of a poem, that is its “poetic message” — its life-significant factor — is related to its artistic form. We do not seek, in reading a poem, an intellectual argument or statement about what a poem “talks about”: love, nature, life. Instead, each time we read it anew we distill from the analysis of its aesthetico-poetic texture a sentient/ emotive/spiritual meaning which brings into our entire experiential schema a novel explosive significance.