Abstract
In the case of Antonio Machado, Art precedes Esthetics, not only in a methodological, but also in a biographical, sense because in effect his reflections on the poetic act arose in the years of his maturity. Fundamentally this was during the period 1934–1936, when his best known apocryphal work “Juan de Mairena” was published. Extracts from it had appeared previously in El Diario de Madrid and El Sol. This reflective work was preceded by “Los Complementarios” written during his stay in Baeza.1
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Notes
Antonio Machado, “Juan de Mairena” in Obras. Poesia y prosa ( Buenos Aires: Losada. 1964 ), p. 464.
Wilhelm Dilthey, Poetica ( Buenos Aires: Losada, 1945 ), p. 46.
Pedro Cerezo. Palabra en el tiempo ( Madrid: Gredos. 1975 ). p. 19.
Martin Heidegger, “Hölderlin y la esencia de la poesía.” in Arte y poesía ( Mexico City: FCE, 1958 ), p. 137.
Martin Heidegger, “Hölderlin y la esencia de la poesía (México City:FCE, 1958), p.137.
M. Heidegger, Introducción a la Metafìsica, (Buenos Aires: Nova, 4th ed., 1977), p. 52
Michel Dufrenne. Le poetique ( Paris: PUF. 1973 ), p. 228.
Eduardo Nicol, Los principios de la ciencia ( Mexico City: FCE, 1974 ), p. 504.
A. Machado. “Poesías y prosas sueltas (anteriores a 1936)” (“Reflexiones sobre la lírica”), in op. cit., p. 823.
Emilio Lledó, Filosofìa y lenguaje, (Esplugues de Llobregat: Ariel, 2nd. ed., 1974), p. 106.
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© 1990 Kluwer Academic Publishers
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Ramirez Luque, I. (1990). Creation and the Meaning of Life in the Thinking of Antonio Machado. In: Tymieniecka, AT. (eds) Man’s Self-Interpretation-in-Existence. Analecta Husserliana, vol 29. Springer, Dordrecht. https://doi.org/10.1007/978-94-009-1864-1_14
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DOI: https://doi.org/10.1007/978-94-009-1864-1_14
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