Abstract
Although creativity had been a significant driver of human development for centuries, it crystallized as a practical and theoretical topic in the 1950s. Since that time, creativity has gone up and down until Murakami and Nishiwaki (1991) proclaimed the fourth revolution after agriculturalization, industrialization and computerization: the age of creativity.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
References
Amabile, T.M. (1996): Creativity in Context. Boulder: Westview.
Belmo (1996): The Making of The Beatles’ Sgt. Pepper’s Lonely Hearts Club Band. Burlington: Collector’s Guide.
Bennis, W.G./Biederman, P.W. (1997): Organizing Genius: The Secrets of Creative Collaboration. Cambridge: Perseus.
Bohm, D. (1998): On Creativity, Edited by Lee Nichol. London: Routledge.
Buijs J./Smulders F./van der Meer H. (2009): Towards a More Realistic Creative Problem Solving Approach, In: Creativity and Innovation Management 18 (4), pp. 286-298.
Chadwick, W./de Courtivron, I. (1996): Significant Others: Creativity and Intimate Partnership. London: Thames & Hudson.
Chevrier, J.-F. (2006): Ornament, Structure, Space: A Conversation with Jacques Herzog. In: El Croquis 129/130, pp. 22-40.
Clydesdale, G. (2006): Creativity and Competition: The Beatles. In: Creativity Research Journal 18 (2), pp. 129-139.
Cox, N. (2000): Cubism. London: Phaidon.
Csikszentmihalyi, M. (1990): The Domain of Creativity. In: Runco M.A./Albert
R.S. (eds.) (1990): Theories of Creativity. Newbury Park: Sage, pp. 190-212.
Csikszentmihalyi, M. (1996): Creativity: Flow and the Psychology of Discovery and Invention. New York: Harper Collins.
Davies, H. (1968): The Beatles: The Authorized Biography. New York: McGraw-Hill.
Davies, M.F. (1996): Social Interaction. In: Hare, A.P./Blumberg, H.H./Davies, M.F./Kent, M.V. (eds.) (1996): Small Groups: An Introduction. Westport: Praeger, pp. 115-134.
Florida, R. (2002): The Rise of the Creative Class: And How It’s Transforming Work, Leisure, Community and Everyday Life. New York, Basic Books.
Gassmann, O. (2001): Multicultural Teams: Increasing Creativity and Innovation by Diversity. In: Creativity and Innovation Management 10 (2), pp. 88-95.
Gilot, F./Lake, C. (1965): Life with Picasso. London: Thomas Nelson and Sons.
Grasskamp, W. (2004): Das Cover von Sgt. Pepper: Eine Momentaufnahme der Popkultur. Berlin: Wagenbach.
Gruber, H.E. (1988): The Evolving Systems Approach to Creative Work. In: Creativity Research Journal 1 (1), pp. 27-51.
Gruber, H.E./Wallace, D.B. (1999): The Case Study Method and Evolving Systems Approach for Understanding Unique Creative People at Work. In: Sternberg, R.J. (ed.) (1999): Handbook of Creativity. Cambridge: Cambridge University Press, pp. 93-115.
Harrington, D.M. (1990): The Ecology of Human Creativity: A Psychological Perspective. In: Runco, M.A./Albert, R.S. (eds.) (1990): Theories of Creativity. Newbury Park: Sage, pp. 143-169.
Henry, J. (2004): Creative Collaboration in Organizational Settings. In: Miell, D./Littleton, K (eds.) (2004): Collaborative Creativity: Contemporary Perspectives. London: Free Association Books, pp. 158-174.
Herzog/de Meuron (2003): Prada Aoyama Tokyo. Milan: Progetto Prada Arte.
Jehn, K.A. (1997): A Qualitative Analysis of Conflict Types and Dimensions in Organizational Groups. In: Administrative Science Quarterly 42 (3), pp. 530- 557.
John-Steiner, V. (2000): Creative Collaboration. New York: Oxford University Press.
Kelley, T. (2001): The Art of Innovation: Lessons in Creativity from IDEO, America’s Leading Design Firm. New York: Doubleday.
Kunstler, B. (2004): The Hothouse Effect: Intensify Creativity in Your Organization Using Secrets from History’s Most Innovative Communities. New York: Amacom.
Kurtzberg, T.R./Amabile, T.M. (2000/01): From Guilford to Creative Synergy: Opening the Black Box of Team - Level Creativity. Creativity Research Journal 13 (3/4), pp. 285-294.
Kylén, S.F./Shani, A.B. (Rami) (2002): Triggering Creativity in Teams: An Exploratory Investigation. In: Creativity and Innovation Management 11 (1), pp. 17-30.
Leadbeater, C. (2008): We-Think: Mass Innovation, not Mass Production. London: Profile Books.
Leonard, D./Swap, W. (1999): When Sparks Fly: Igniting Creativity in Groups. Boston: Harvard Business School Press.
Lewisohn, M. (1990): The Beatles Recording Sessions: The Official Abbey Road Studio Session Notes 1962-1970. New York: Harmony.
Magyari-Beck, I. (1990): An Introduction to the Framework of Creatology. In: Journal of Creative Behavior 24 (3), pp. 151-160.
Martin, G. (1994): Summer of Love: The Making of Sgt. Pepper. London: Macmillan.
Mayer, R.E. (1999): Fifty Years of Creativity Research. In Sternberg, R.J. (ed.) (1999): Handbook of Creativity. Cambridge: Cambridge University Press, pp. 449-460.
McCully, M. (1981): A Picasso Anthology: Documents, Criticism, Reminiscences. London: Thames & Hudson.
Milliken, F.J./Bartel, C.A./Kurtzberg, T.R. (2003): Diversity and Creativity in Work Groups: A Dynamic Perspective on the Affective and Cognitive Processes that Link Diversity and Performance. In: Paulus, P.B./Nijstad, B.A. (eds.) (2003): Group Creativity: Innovation through Collaboration. New York: Oxford University Press, pp. 32-62.
Moneo, R. (2004): Theoretical Anxiety and Design Strategies: In the Work of Eight Contemporary Architects. Cambridge: MIT Press.
Montuori, A./Purser, R.E. (1999): Social Creativity: Introduction. In: Montuori, A./Purser, R.E. (eds.) (1999): Social Creativity: Volume 1. Cresskill: Hampton Press, pp. 1-45.
Moore, A.F. (1997): The Beatles: Sgt. Pepper’s Lonely Hearts Club Band. Cambridge: Cambridge University Press.
Moran, S./John-Steiner, V. (2003): Creativity in the Making: Vygotsky’s Contemporary Contribution to the Dialectic of Development and Creativity. In Sawyer, R.K./John-Steiner, V./Moran, S./Sternberg, R.J./Feldman,
D.H./Nakamura, J./Csikszentmihalyi, M. (eds.) (2003): Creativity and Development. New York: Oxford University Press, pp. 61-90.
Murakami, T./Nishiwaki, T. (1991): Strategy for Creation. Cambridge: Woodhead.
Nemiro, J.E. (2004): Creativity in Virtual Teams: Key Components for Success. San Francisco: Pfeiffer.
Nijstad, B.A./Paulus, P.B. (2003): Group Creativity: Common Themes and Future Directions. In Paulus, P.B./Nijstad, B.A. (eds.) (2003): Group Creativity: Innovation through Collaboration. New York: Oxford University Press, pp. 326-339.
Osborn, A.F. (1963): Applied Imagination: Principles and Procedures of Creative Problem-Solving. New York: Scribner’s.
Paulus, P.B./Larey, T.S./Dzindolet, M.T. (2001): Creativity in Groups and Teams. In Turner, M.E. (ed.) (2001): Groups at Work: Theory and Research. Mahwah: Lawrence Erlbaum Associates, pp. 319-338.
Puccio, G.J. (1999): Teams. In Runco, M.A./Pritzker, S.R. (eds.) (1999): Encyclopedia of Creativity: Volume 2 I-Z, Indexes. San Diego: Academic Press, pp. 639-649.
Richardson, J. (1996): A Life of Picasso: Volume II 1907-1917. New York: Random House.
Rickards, T./Moger, S. (1999): Handbook for Creative Team Leaders. Aldershot: Gower.
Rubenson, D.L./Runco, M.A. (1995): The Psychoeconomic View of Creative Work in Groups and Organizations. In: Creativity and Innovation Management 4 (4), pp. 232-241.
Rubin, W. (1989): Picasso and Braque: Pioneering Cubism. New York: The Museum of Modern Art.
Sabbagh, K. (2000): Power into Art. London: Penguin Press.
Sawyer, R.K. (2007): Group Genius: The Creative Power of Collaboration. New York: Basic Books.
Sawyer, R.K. (2003): Group Creativity: Music, Theater, Collaboration. Mahwah: Lawrence Erlbaum Associates.
Schrage, M. (1995): No More Teams!: Mastering the Dynamics of Creative Collaboration. New York: Doubleday.
Sonnenburg, S. (2007): Creative Complexes: A Theoretical Framework for Collaborative Creativity. In: Jöstingmeier, B./Boeddrich, H.-J. (eds.) (2007): Cross-Cultural Innovation: New Thoughts, Empirical Research, Practical Reports. München: Oldenbourg Wissenschaftsverlag, pp. 149-165.
Sonnenburg, S. (2004): Creativity in Communication: A Theoretical Framework for Collaborative Product Creation. In: Creativity and Innovation Management 13 (4), pp. 254-262.
Stein, M.I. (1975): Stimulating Creativity Volume 2: Group Procedures. New York: Academic Press.
Sternberg, R.J./Kaufman, J.C./Pretz, J.E. (2002): The Creativity Conundrum: A Propulsion Model of Kinds of Creative Contribution. New York: Psychology Press.
Sternberg, R.J./Lubart, T.I. (1991): An Investment Theory of Creativity and Its Development. Human Development 34 (1), pp. 1-31.
Torrance, E.P. (1972): Group Dynamics and Creative Functioning. In Taylor, C.W. (ed.) (1972): Climate for Creativity: Report of the Seventh National Research Conference on Creativity. New York: Pergamon, pp. 75-96.
Van Gundy A.B. (1984): Managing Group Creativity: A Modular Approach to Problem Solving. New York: Amacom.
West M.A. (1997): Developing Creativity in Organizations. Leicester: BPS Books.
Woodman, R.W./Sawyer, J.E./Griffin, R.W. (1993): Toward a Theory of Organizational Creativity. In: Academy of Management Review 18 (2), pp. 293- 321.
Author information
Authors and Affiliations
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2013 Springer Fachmedien Wiesbaden
About this chapter
Cite this chapter
Sonnenburg, S. (2013). Beatles & Co: Creativity as an Emergent Phenomenon. In: Müller, A., Becker, L. (eds) Narrative and Innovation. Management – Culture – Interpretation. Springer VS, Wiesbaden. https://doi.org/10.1007/978-3-658-01375-2_13
Download citation
DOI: https://doi.org/10.1007/978-3-658-01375-2_13
Published:
Publisher Name: Springer VS, Wiesbaden
Print ISBN: 978-3-658-01374-5
Online ISBN: 978-3-658-01375-2
eBook Packages: Humanities, Social Sciences and LawSocial Sciences (R0)