Abstract
The analysis of self-organization and chaoticity of musical sounds and instruments needs powerful tools to analyze sounds in terms of their fine structures. As the slavery principle, where one subsystem forces others to vibrate with its eigenfrequencies of the other holds for the quasi-steady state of the sound to most extend, the initial transient is clearly the struggling between the two subsystems until the slaving has been achieved.
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Bader, R. (2013). Embedding Representations. In: Nonlinearities and Synchronization in Musical Acoustics and Music Psychology. Current Research in Systematic Musicology, vol 2. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-642-36098-5_3
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DOI: https://doi.org/10.1007/978-3-642-36098-5_3
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