Abstract
Digital preservation consists of the processes aimed at ensuring the contin-ued accessibility of digital materials. ... To achieve this requires digital objects to be understood and managed at four levels: as physical phenomena; as logical encodings; as conceptual objects that have meaning to humans; and as sets of essential elements that must be preserved in order to offer fu-ture users the essence of [each] object.
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References
Adapted from Rosenthal 2005. Requirements for Digital Preservation Systems.
Hess 2001, The Jack Mullin/Bill Palmer Tape Restoration Project, illustrates restoration.
Pratt 2006, Personal Health Information Management.
Hart 2006, Digitizing hastens at microfilm vault, describes a family tree of unusual size and importance to the participants—the genealogical files of the Church of Jesus Christ of Latter Day Saints. Digitization is occurring primarily to provide ready access, rather than for preservation. However, some of the images are on acetate film, which is being rewritten to polyester film.
Schlatter 1994, The Business Object Management System. Kahn 1995, A Framework for Distributed Digital Object Services, http:// www.cnri.reston.va.us/home/cstr/arch/k-w.html. Maly 1999, Smart Objects, Dumb Archives. Pulkowski 2000, Intelligent Wrapping for Information Sources. Payette 2000, Policy-Enforcing, Policy-Carrying Digital Objects.
Ryle 1949, The Concept of Mind, Chapter II.
Ibid., Chapter IX.
Gladney 2000, Digital Intellectual Property: Controversial and International Aspects.
Cullen 2000, Authenticity in a Digital Environment, http://www.clir.org/pubs/reports/pub92/cullen.html.
Wilson 2003, Access Across Time: How the NAA Preserves Digital Records, http://www.erpanet.org/events/2003/rome/presentations/Wilson.ppt.
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© 2007 Springer-Verlag Berlin Heidelberg
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(2007). State of the Art. In: Preserving Digital Information. Springer, Berlin, Heidelberg. https://doi.org/10.1007/978-3-540-37887-7_1
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DOI: https://doi.org/10.1007/978-3-540-37887-7_1
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