Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Literatur
Abbott, Lynn/Seroff, Doug: Ragged But Right. Black Traveling Shows, Coon Songs, and the Dark Pathway to Blues and Jazz. Jackson, MS 2007.
Birdsall, Carolyn: Nazi Soundscapes. Sound, Technology and Urban Space in Germany, 1933–1945. Amsterdam 2012.
Broecking, Christian: Respekt! Die Geschichte der Fire Music. Berlin 2011.
Currid, Brian: A National Acoustics. Music and Mass Publicity in Weimar and Nazi Germany. Minnesota 2005.
Dawson, Michael C.: »Dis beat disrupts«. Rap, ideology, and black political attitudes. In: Michèle Lamont (Hg.): The Cultural Territories of Race. Black and White Boundaries. Chicago 1999, 318–342.
Delacampagne, Christian: Die Geschichte des Rassismus. Düsseldorf 2005 (frz. 2000).
Dormon, James M.: Shaping the popular image of post-reconstruction American Blacks. The ›Coon Song‹ phenomenon of the gilded age. In: American Quarterly 40/4 (1988), 450–471.
Dornbusch, Christian/Killguss, Hans-Peter: Unheilige Allianzen. Black Metal zwischen Satanismus, Heidentum und Neonazismus. Münster 2005.
Dornbusch, Christian/Raabe, Jan (Hg.): RechtsRock – Bestandsaufnahme und Gegenstrategien. Hamburg/Münster 2002.
Drechsler, Nanny: Die Funktion der Musik im deutschen Rundfunk 1933–1945. Pfaffenweiler 1988.
Du Bois, W. E. B.: Dusk of Dawn [1940]. New York 1984.
Du Bois, W. E. B.: The Souls of Black Folk [1903]. New York 1989.
du Closel, Amaury: Erstickte Stimmen. »Entartete Musik« im Dritten Reich. Wien/Köln 2010 (frz. 2005).
Frith, Simon: Performing Rites. On the Value of Popular Music. Cambridge, MA 1998.
Hall, Stuart: Rassismus als ideologischer Diskurs. In: Das Argument 31, Nr. 178 (1989), 913–921.
Knight, Michael Muhammad: The Five Percenters. Islam, Hip Hop, and the Gods of New York. Oxford 2007.
Krüger, Constanze: Rechte Bands. Geschichte, Gegenstrategien, Wirkung. Saarbrücken 2007.
Lamont, Michèle (Hg.): The Cultural Territories of Race. Black and White Boundaries. Chicago 1999.
Messner, Beth A./Becker, Paul J./Jipson, Art/Byers, Bryan: The hardest hate. A sociological analysis of country hate music. In: Popular Music and Society 30/4 (2007), 513–531.
Petit, Elise/Giner, Bruno: Entartete Musik. Musiques interdites sous le IIIe Reich. Paris 2015.
Potter, Pamela M.: Most German of the Arts. Musicology and Society from the Weimar Republic to the End of Hitler’s Reich. New Haven, CT 1998.
Reynolds, Simon: Rip It Up and Start Again. Postpunk 1978–1984. London 2006.
Sotiropoulos, Karen: Staging Race. Black Performers in Turn of the Century America. Cambridge, MA 2006.
Smith, Mark M.: How Race is Made. Slavery, Segregation, and the Senses. Chapel Hill, NC 2006.
Sounding Out! In: http://www.soundstudiesblog.com, 2009 ff. (30.1.2018).
Stadler, Gustavus: Never heard such a thing. Lynching and phonographic modernity. In: Social Text 28/1, Nr. 102 (Frühjahr 2010), 87–105.
Stoever, Jennifer Lynn: The Sonic Color Line. Race and the Cultural Politics of Listening. New York 2016.
Verlan, Sascha/Loh, Hannes: 35 Jahre HipHop in Deutschland. Höfen 2015.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2018 Springer-Verlag GmbH Deutschland, ein Teil von Springer Nature
About this chapter
Cite this chapter
Schoon, A. (2018). Rassismus. In: Morat, D., Ziemer, H. (eds) Handbuch Sound. J.B. Metzler, Stuttgart. https://doi.org/10.1007/978-3-476-05421-0_77
Download citation
DOI: https://doi.org/10.1007/978-3-476-05421-0_77
Published:
Publisher Name: J.B. Metzler, Stuttgart
Print ISBN: 978-3-476-02604-0
Online ISBN: 978-3-476-05421-0
eBook Packages: J.B. Metzler Humanities (German Language)