Skip to main content
SpringerLink
Log in

Wissenschaftsgeschichte

  • Chapter
  • First Online:
Handbuch Sound

  • 5869 Accesses

This is a preview of subscription content, log in via an institution to check access.

Access this chapter

Log in via an institution
Chapter
USD 29.95
Price excludes VAT (USA)
  • Available as PDF
  • Read on any device
  • Instant download
  • Own it forever
eBook
USD 89.99
Price excludes VAT (USA)
  • Available as EPUB and PDF
  • Read on any device
  • Instant download
  • Own it forever
Hardcover Book
USD 99.99
Price excludes VAT (USA)
  • Durable hardcover edition
  • Dispatched in 3 to 5 business days
  • Free shipping worldwide - see info

Tax calculation will be finalised at checkout

Purchases are for personal use only

Institutional subscriptions

Literatur

  • Bijsterveld, Karin: Mechanical Sound. Technology, Culture, and Public Problems of Noise in the Twentieth Century. Cambridge, MA 2008.

    Google Scholar 

  • Bijsterveld, Karin/Cleophas, Eefje/Krebs, Stefan/Mom, Gijs: Sound and Safe. A History of Listening Behind the Wheel. Oxford 2014.

    Google Scholar 

  • Braun, Hans-Joachim (Hg.): ›I Sing the Body Electric‹. Music and Technology in the 20th Century. Hofheim 2000.

    Google Scholar 

  • Bruyninckx, Joeri: Sound sterile. Making scientific field recordings in ornithology. In: Trevor Pinch/Karin Bijsterveld (Hg.): The Oxford Handbook of Sound Studies. Oxford/New York 2012, 127–150.

    Google Scholar 

  • Camprubí, Lino/Hui, Alexandra: Testing the underwater ear. Hearing, standardizing, and classifying marine sounds during the Cold War. In: Viktoria Tkaczyk/Mara Mills/Alexandra Hui (Hg.): Testing Hearing. Music and Science. Chicago 2018 [im Ersch.].

    Google Scholar 

  • Clark, Suzannah/Rehding, Alexander (Hg.): Music Theory and Natural Order from the Renaissance to the Early Twentieth Century. Cambridge 2006.

    Google Scholar 

  • Corbin, Alain: Les cloches de la terre. Paysage sonore et culture sensible dans les campagne au XIXe siècle. Paris 1994.

    Google Scholar 

  • Crary, Jonathan: Techniques of the Observer. On Vision and Modernity in the Nineteenth Century. Cambridge, MA 1990.

    Google Scholar 

  • Daston, Lorraine/Galison, Peter: Objektivität. Frankfurt a. M. 2007 (engl. 2007).

    Google Scholar 

  • Dolan, Emily I./Tresch, John: A sublime invasion. Meyerbeer, Balzac, and the opera machine. In: The Opera Quarterly 27/1 (2011), 4–31.

    Google Scholar 

  • Erlmann, Veit: Reason and Resonance. A History of Modern Aurality. New York 2010.

    Google Scholar 

  • Feaster, Patrick: »Rise and obey the command«. Performative fidelity and the exercise of phonographic power. In: Journal of Popular Music Studies 24/3 (2012), 357–395.

    Google Scholar 

  • Goodman, Steve: Sonic Warfare. Sound, Affect, and the Ecology of Fear. Cambridge, MA 2010.

    Google Scholar 

  • Helmholtz, Hermann von: Die Lehre von den Tonempfindungen als physiologische Grundlage für die Theorie der Musik. Braunschweig 1863.

    Google Scholar 

  • Helmreich, Stefan: Sounding the Limits of Life. Essays in the Anthropology of Biology and Beyond. Princeton 2016.

    Google Scholar 

  • Hong, Sungook: Wireless. From Marconi’s Black-Box to the Audion. Cambridge, MA 2001.

    Google Scholar 

  • Hui, Alexandra: The Psychophysical Ear. Musical Experiments, Experimental Sounds, 1840–1910. Cambridge, MA 2012.

    Google Scholar 

  • Hui, Alexandra: Muzak-While-You-Work. Programming music for industry, 1919–1948. In: Historische Anthropologie 22/3 (2014), 364–383.

    Google Scholar 

  • Hui, Alexandra: Walter Bingham und die Universalisierung des individuellen Hörers. In: Netzwerk »Hör-Wissen im Wandel« (Hg.): Wissensgeschichte des Hörens in der Moderne. Berlin/Boston 2017, 41–64.

    Google Scholar 

  • Hui, Alexandra/Kursell, Julia/Jackson, Myles W. (Hg.): Music, Sound, and the Laboratory, 1750–1980 (= Osiris 28/1). Chicago 2013.

    Google Scholar 

  • Jackson, Myles W.: Harmonious Triads. Physicists, Musicians, and Instrument Makers in Nineteenth-Century Germany. Cambridge, MA 2006.

    Google Scholar 

  • Kuhn, Thomas: The Structure of Scientific Revolutions. Chicago 1962.

    Google Scholar 

  • Kursell, Julia: Experiments on tone color in music and acoustics. In: Alexandra Hui/Julia Kursell/Myles W. Jackson (Hg.): Music, Sound, and the Laboratory, 1750–1980 (= Osiris 28/1). Chicago 2013, 191–211.

    Google Scholar 

  • Mills, Mara: Hearing things. Telephones and auditory theory. In: Siegfried Zielinski/David Link (Hg.): Variantology 2. On Deep Time Relations of Arts, Sciences, and Technologies. Köln 2006, 229–256.

    Google Scholar 

  • Mills, Mara: Deafening. Noise and the engineering of communication in the telephone system. In: Grey Room, H. 43 (2011), 118–143.

    Google Scholar 

  • Mody, Cyrus C. M.: The sounds of science. Listening to laboratory practice. In: Science, Technology, and Human Values 30/2 (2005), 175–198.

    Google Scholar 

  • Mody, Cyrus C. M./Nelson, Andrew J.: »A towering virtue of necessity«. Interdisciplinarity and the rise of computer music at Vietnam-era Stanford. In: Alexandra Hui/Julia Kursell/Myles W. Jackson (Hg.): Music, Sound, and the Laboratory, 1750–1980 (= Osiris 28/1). Chicago 2013, 254–277.

    Google Scholar 

  • Netzwerk »Hör-Wissen im Wandel« (Hg.): Wissensgeschichte des Hörens in der Moderne. Berlin/Boston 2017.

    Google Scholar 

  • Pardoen, Mylène/Roche, Daniel: Paris au XVIIIe siècle. In: Le projet Bretex (2015 ff.), https://sites.google.com/site/louisbretez/ (30.1.2018).

  • Pesic, Peter: Music and the Making of Modern Science. Cambridge, MA 2014.

    Google Scholar 

  • Pinch, Trevor/Bijsterveld, Karin (Hg.): The Oxford Handbook of Sound Studies. Oxford/New York 2012.

    Google Scholar 

  • Pinch, Trevor/Trocco, Frank: Analog Days. The Invention and Impact of the Moog Synthesizer. Cambridge, MA 2002.

    Google Scholar 

  • Porter, Theodore M.: Trust in Numbers. The Pursuit of Objectivity in Science and Public Life. Princeton 1995.

    Google Scholar 

  • Rehding, Alexander: Hugo Riemann and the Birth of Modern Musical Thought. Cambridge 2003.

    Google Scholar 

  • Shapin, Steven/Schaffer, Simon: Leviathan and the Air-Pump. Hobbes, Boyle, and the Experimental Life. Princeton 1985.

    Google Scholar 

  • Steege, Benjamin: Helmholtz and the Modern Listener. Cambridge 2012.

    Google Scholar 

  • Sterne, Jonathan: The Audible Past. Cultural Origins of Sound Reproduction. Durham, NC 2003.

    Google Scholar 

  • Sterne, Jonathan: MP3. The Meaning of a Format. Durham, NC 2012a.

    Google Scholar 

  • Sterne, Jonathan (Hg.): The Sound Studies Reader. London 2012b.

    Google Scholar 

  • Supper, Alexandra: The search for the ›killer application‹. Drawing the boundaries around the sonification of scientific data. In: Trevor Pinch/Karin Bijsterveld (Hg.): The Oxford Handbook of Sound Studies. Oxford/New York 2012, 249–270.

    Google Scholar 

  • Thompson, Emily: The Soundscape of Modernity. Architectural Acoustics and the Culture of Listening in America, 1900–1933. Cambridge, MA 2002.

    Google Scholar 

  • Thompson, Emily/Mahoy, Scott: The Roaring ’Twenties. An interactive exploration of the historical soundscape of New York City (2013 ff.). In: http://vectorsdev.usc.edu/NYCsound/777b.html (30.1.2018).

  • Titon, Jeff Todd: A sound commons for all living creatures. In: Smithsonian Folkways Magazine (2012), https://folkways.si.edu/magazine-fall-winter-2012-sound-commons-living-creatures/science-and-nature-world/music/article/smithsonian (30.1.2018).

  • Tresch, John: The prophet and the pendulum. Sensational science and audiovisual phantasmagoria around 1848. In: Grey Room, H. 43 (2011), 15–41.

    Google Scholar 

  • Volmar, Axel: Klang-Experimente. Die auditive Kultur der Naturwissenschaften 1761–1961. Frankfurt a. M. 2015.

    Google Scholar 

  • Volmar, Axel: Listening to the Cold War. The nuclear test ban negotiations, seismology, and psychoacoustics, 1958–1963. In: Alexandra Hui/Julia Kursell/Myles W. Jackson (Hg.): Music, Sound, and the Laboratory, 1750–1980 (= Osiris 28/1). Chicago 2013, 80–102.

    Google Scholar 

  • Wise, Norton: Making visible. In: Isis 97/1 (2006), 75–82.

    Google Scholar 

  • Wittje, Roland: The Age of Electroacoustics. Transforming Science and Sound. Cambridge, MA 2016.

    Google Scholar 

Download references

Author information

Author notes

  1. (aus dem Englischen übersetzt von Gerhard Herrgott)

Authors and Affiliations

  1. Starkville, USA

    Alexandra Hui

Authors
  1. Alexandra Hui
    View author publications

    You can also search for this author in PubMed Google Scholar

Corresponding author

Correspondence to Alexandra Hui .

Editor information

Editors and Affiliations

  1. Friedrich-Meinecke-Institut, FU Berlin Friedrich-Meinecke-Institut, Berlin, Germany

    Daniel Morat

  2. Berlin, Germany

    Hansjakob Ziemer

Rights and permissions

Reprints and permissions

Copyright information

© 2018 Springer-Verlag GmbH Deutschland, ein Teil von Springer Nature

About this chapter

Check for updates. Verify currency and authenticity via CrossMark

Cite this chapter

Hui, A. (2018). Wissenschaftsgeschichte. In: Morat, D., Ziemer, H. (eds) Handbuch Sound. J.B. Metzler, Stuttgart. https://doi.org/10.1007/978-3-476-05421-0_30

Download citation

  • DOI: https://doi.org/10.1007/978-3-476-05421-0_30

  • Published:

  • Publisher Name: J.B. Metzler, Stuttgart

  • Print ISBN: 978-3-476-02604-0

  • Online ISBN: 978-3-476-05421-0

  • eBook Packages: J.B. Metzler Humanities (German Language)

Publish with us

Policies and ethics

Search

Navigation