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Music in the Academy: Process, Product, and the Cultivation of Humanity

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Exploring, Experiencing, and Envisioning Integration in US Arts Education

Part of the book series: The Arts in Higher Education ((AHE))

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Abstract

In the academy, as in contemporary society, music’s role extends beyond recreation and entertainment. The act of creating, whether by composer or performer, moves inner knowledge outward and proffers a communicative transaction which can be the start of community. While tensions exist between educational models of liberal and professional study, music provides a potential model for integration, balancing action and reflection, the abstract and the concrete. Drawing on Nussbaum’s vision of liberal learning in the post-modern age (Cultivating Humanity, 1997), music is considered as a distinctive expressive form capable of mediation between the spiritual and the material; between the cultivated and the vernacular; and between the self and the other.

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Notes

  1. 1.

    Sallie McFague , The Body of God; An Ecological Theology (Minneapolis: Fortress Press, 1993), 49.

  2. 2.

    Ibid., 49–50.

  3. 3.

    Ibid., 52.

  4. 4.

    Susanne K. Langer, Problems of Art (New York: Charles Scribner’s Sons, 1957), 25–26. See also: Susanne K. Langer, Feeling and Form (New York: Charles Scribner’s Sons, 1953), 369ff.

  5. 5.

    R. Eugene Rice, “Making a Place for the New American Scholar” (Preliminary Draft prepared for discussion, AAHE Conference on Faculty Roles & Rewards, Atlanta GA, January 1996), photocopy, 15.

  6. 6.

    Aristotle , The Politics, trans H. Rackham (Cambridge, MA: Harvard University Press, 1944), vol 21, 8.1337–1340.

  7. 7.

    Libby Larsen, “Music, Musicians, and the Art of Listening : Seven Truths about Music in the 21st Century,” Pan Pipes (Spring 2001): 8.

  8. 8.

    “Of Rage and Remembrance (1991) Program note,” John Corigliano’s official website, 2008–2014, accessed June 20, 2016, http://www.johncorigliano.com/index.php?p=item2&item=81.

  9. 9.

    “Interview with John Adams ,” originally posted on New York Philharmonic website September 2002, on John Adams’s official website 2016, accessed June 27, 2016, www.earbox.com/on-the-transmigration-of-souls.

  10. 10.

    Ibid.

  11. 11.

    Irwin Silber, ed., Introduction to Songs of the Civil War (New York: Dover, 1995; repr., New York: Columbia University Press), 3–4. Many other collections of Civil War era popular music are also easily accessible for student performers and listeners, including Richard Crawford’s The Civil War Songbook (New York: Dover, 1977), which includes complete facsimiles of 37 sheet musics.

  12. 12.

    Silber, “Preface to the Dover Edition.”

  13. 13.

    See Barry Schwartz, “Memory as a Cultural System: Abraham Lincoln in World War I,” International Journal of Sociology and Social Policy 17.6 (1997): 22–58.

  14. 14.

    Charles Ives , Memos, ed. John Kirkpatrick (New York: W. W. Norton, 1972), 92–93.

  15. 15.

    Martha Bayles , “Closing the Curtain on ‘Perverse Modernism,’” The Chronicle of Higher Education, October 26, 2001: B14.

  16. 16.

    Alex Ross, “Requiems,” The New Yorker, October 8, 2001, accessed June 27, 2016, http://www.newyorker.com/magazine/2001/10/08/requiems.

  17. 17.

    Martha C. Nussbaum , Cultivating Humanity: A Classical Defense of Reform in Liberal Education (Cambridge MA: Harvard University Press, 1997), 86.

  18. 18.

    Michael Cooper, “Protests Greet Metropolitan Opera’s Premiere of ‘Klinghofer’” New York Times, October 20, 2014, accessed July 1, 2016, http://www.nytimes.com/2014/10/21/arts/music/metropolitan-opera-forges-ahead-on-klinghoffer-in-spite-of-protests.html?_r=0.

  19. 19.

    Alex Ross , “The Sound of Hate; When Does Music Become Torture?” The New Yorker, July 4, 2016, 65–69.

  20. 20.

    John Cage , “2 Pages, 122 Words on Music and Dance,” in Silence (Middletown CT: Wesleyan University Press, 1961), 96–97.

  21. 21.

    “Soundwalk 9:09, To the Listener: a note from John Luther Adams,” accessed July 5, 2016, http://www.metmuseum.org/events/programs/met-live-arts/soundwalk.

  22. 22.

    Alan Scher Zagier, “Small-town Symphony Thrives in Missouri Musical Mecca,” Southeast Missourian, May 21, 2006, accessed June 30, 2016, http://www.semissourian.com/story/1153552.html.

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Ferguson, L.C. (2018). Music in the Academy: Process, Product, and the Cultivation of Humanity. In: Hensel, N. (eds) Exploring, Experiencing, and Envisioning Integration in US Arts Education. The Arts in Higher Education. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-71051-8_12

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  • DOI: https://doi.org/10.1007/978-3-319-71051-8_12

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