The Postmodern Hipster

Hill, Wes

doi:10.1007/978-3-319-68578-6_3

Wes Hill²

443 Accesses

Abstract

In this section, hipsterism is examined through the lens of postmodern theory, which provides an historical context for the hipster in terms of subcultural politics, irony, camp, conceptual practice, pastiche and the sociology of taste as class distinction.

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Notes

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2.
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7.
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10.
Ibid.
11.
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12.
Ibid.
13.
Ibid., 725.
14.
Broyard’s ancestors on both sides were defined as black, but his father, a light-skinned black man married to a light-skinned black woman, during one period passed as white in order to join a union to get work in Brooklyn. Anatole Broyard passed as white for his entire adult life. Henry Louis Gates, The Henry Louis Gates, Jr. Reader (London: Hachette, 2012), 345.
15.
Broyard , “Portrait of a Hipster,” 721.
16.
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17.
Ibid., 58.
18.
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19.
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Ibid.
21.
Broyard , “Portrait of the Inauthentic Negro,” 59.
22.
Ibid.
23.
Ibid., 61.
24.
Ibid.
25.
Ibid., 63.
26.
Ibid., 64.
27.
Ibid.
28.
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29.
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30.
Ibid., 285.
31.
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32.
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33.
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Ibid.
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Ibid.
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Rosalind Krauss, The Optical Unconscious (Cambridge: MIT Press, 1994), 283.
40.
Ibid., 282.
41.
Rene Girard, Deceit, Desire and the Novel. Trans. Yvonne Freccero. Baltimore: Johns Hopkins University Press, (1965), 122.
42.
Krauss , The Optical Unconscious, 283.
43.
Pierre Bourdieu , Distinction: A Social Critique of the Judgement of Taste, trans. R. Nice (London: Routledge and Kegan Paul, 1984), 6.
44.
Pierre Bourdieu , Jean-Claude Passeron, Reproduction in Education, Society and Culture (London: Sage, 1977), 95.
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Ibid., xi.
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51.
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52.
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Jean Baudrillard, “Fatal Strategies,” Jean Baudrillard: Selected Writings, ed. Mark Poster (Palo Alto: Stanford University Press. 1990[1987]), 202.
57.
Jean Baudrillard, “Symbolic Exchange and Deaths,” Jean Baudrillard: Selected Writings, ed. Mark Poster (Palo Alto: Stanford University Press. 1990[1987]), 202.
58.
Jacques Rancière, The Emancipated Spectator (New York: Verso, 2009), 44.
59.
Ibid.
60.
Ibid., 45–6.
61.
Ibid., 46.
62.
Ibid., 45.
63.
Jean Baudrillard, “The Masses: the Implosion of the Social in the Media,” Jean Baudrillard: Selected Writings, ed. Mark Poster (Palo Alto: Stanford University Press. 1990[1987]), 216.
64.
Ibid.
65.
Jacques Rancière, Hatred of Democracy, trans. Steve Corcoran (New York: verso, 2006), 23.
66.
Ibid.
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68.
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69.
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70.
Charles Baudelaire, Charles Baudelaire: Selected Writings on Art and Literature, trans. P.E. Charvet (London: Viking, 1972), 312.
71.
Ibid.
72.
Ibid., 319.
73.
Walter Benjamin, The Arcades Project, ed. Rolf Tiedemann. Trans. Howard Eiland and Kevin McLaughlin (Cambridge, MA: Harvard University Press, 1999), 106.
74.
Benjamin , The Arcades Project, 938.
75.
Benjamin quoted in Buck-Morss, “The Flaneur, the Sandwichman and the Whore: The Politics of Loitering”107.
76.
Susan Buck-Morss, “The Flaneur, the Sandwichman and the Whore: The Politics of Loitering” New German Critique, No. 39 (1986), 105.
77.
Dayna Tortorici, What Was the Hipster? A Sociological Investigation (n +1 Foundation, 2010), 124–5.
78.
Susan Sontag, Against Interpretation and other essays (London: Picador, 2001), 290.
79.
Rainer Crone, Andy Warhol (New York: Thames & Hudson, 1970), 211.
80.
Sontag , “Notes on Camp,” 292.
81.
Ibid., 293.
82.
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83.
Ibid., 150.
84.
Sontag , Against Interpretation and Other Essays, 10.
85.
Ibid., 11.
86.
Ibid., 14.
87.
Ibid., 12.
88.
Thierry de Duve, Pictorial Nominalism: On Marcel Duchamp’s Passage from Painting to the Readymade, trans Dana Polan (Minneapolis: University of Minnesota Press, 1991), 88.
89.
Ibid.
90.
Ibid., 128–9.
91.
Ibid., 159.
92.
Marcel Duchamp quoted in Robert Motherwell, The Dada Painters and Poets (New York. 1951), 311.
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Marcel Duchamp, The Writings of Marcel Duchamp, ed. Michael Sanouillet and Elmer Peterson (New York: Da Capo Press, 1989), 30.
95.
Richard Hamilton, Collected Words: 1953–1982 (London and New York: Thames & Hudson, 1983), 78.
96.
Thierry de Duve, Kant after Duchamp (Cambridge: MIT, 1996), 53.
97.
Thierry de Duve, “‘This is Art’: Anatomy of a Sentence,” Artforum (April, 2014): 126.
98.
Ibid.
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De Duve, Kant after Duchamp, 53.
100.
Immanuel Kant, Critique of Judgment, trans. Werner Pluhar (Indianapolis: Hackett Publishing, 1987), 204.
101.
Thierry de Duve, “The Glocal and the Singuniversal Reflections on Art and Culture in the Global World,” Third Text 21.6 (2007):683.
102.
Jacques Rancière, The Emancipated Spectator, trans. Gregory Elliott (London: Verso, 2009), 56.
103.
Jean Baudrillard, Art and Artefact (Brisbane: Institute of Modern Art, 1997), 15.
104.
Ibid.
105.
Ibid., 18.
106.
R. Jay Magill Jnr., Chic Ironic Bitterness (Ann Arbor: University of Michigan Press, 2007), xi.
107.
Ibid.
108.
Ibid.
109.
R. Jay Magill Jnr., Chic Ironic Bitterness, xi.
110.
Ibid., xii.
111.
Mark Greif, What Was the Hipster? A Sociological Investigation (n +1 Foundation, 2010), 11.
112.
Jean Baudrillard, Art and Artefact, 21.
113.
David Foster Wallace, “E Unibus Pluram: Television and U.S. Fiction,” Review of Contemporary Fiction, 13:2 (1993): 151.
114.
David Foster Wallace quoted by Lee Konstantinou, “We had to get beyond irony: How David Foster Wallace, Dave Eggers and a new generation of believers changed fiction,” Salon March 28, 2016: http://www.salon.com/2016/03/27/we_had_to_get_beyond_irony_how_david_foster_wallace_dave_eggers_and_a_new_generation_of_believers_changed_fiction/ (accessed 1/3/17).
115.
R. Jay Magill Jnr., Chic Ironic Bitterness, 40.
116.
Fredric Jameson, Postmodernism, or, the Cultural Logic of Late Capitalism (Durham: Duke University Press, 1991), 125.
117.
Jameson , Postmodernism, 296.
118.
Fredric Jameson, “The Politics of Theory: Ideological Positions in the Postmodern Debate,” The Ideologies of Theory Essays, Volume 2 (London, Routledge, 1988): 105.
119.
Jameson , Postmodernism, 17.
120.
Fredric Jameson, “Postmodernism and Consumer Society” in The Anti-Aesthetic: Essays on Postmodern Culture, ed. By Hal Foster (Seattle: Bay Press, 1983), 119.
121.
Thomas Lawson, “Forum: Generation in Vitro,” Artforum 23 (September 1984): 99.
122.
Hal Foster , The Anti-Aesthetic: Essays on Postmodern Culture, xii.
123.
Foster , Recodings, 16.
124.
Foster , Recodings, 28.
125.
Ibid.
126.
Foster , Recodings, 16.
127.
Hal Foster , The Anti-Aesthetic: Essays on Postmodern Culture, xii.
128.
Foster , Recodings, 29, 31.
129.
Ibid.
130.
Foster , Recodings, 164.
131.
Sianne Ngai, O ur Aesthetic Categories (Cambridge: Harvard University Press, 2012), 32.

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School of Arts and Social Sciences, Southern Cross University, Lismore, New South Wales, Australia
Wes Hill

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Hill, W. (2017). The Postmodern Hipster. In: Art after the Hipster. Palgrave Macmillan, Cham. https://doi.org/10.1007/978-3-319-68578-6_3

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DOI: https://doi.org/10.1007/978-3-319-68578-6_3
Published: 20 October 2017
Publisher Name: Palgrave Macmillan, Cham
Print ISBN: 978-3-319-68577-9
Online ISBN: 978-3-319-68578-6
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