Abstract
Cutting stone by hand to the architect’s precise measurements is an ancient craft using one of the oldest materials known to humankind—traditionally it is a highly laborious undertaking. Curiously the efforts taken to continue constructing Gaudí’s magnum opus long after his death in 1926 included the introduction of 2½D robots to the project in 1989, preceding the introduction of computer-aided design a little later. Meeting the challenges of speeding-up the preparation of dressed stone took precedence over modernising to include digitally assisted stereotomy (the geometrical art of efficient stone-cutting) in the design studio. This paper highlights the extraordinary leaps that have been made in the intervening quarter century. From humble but early adoption of relatively primitive equipment this has led to 7-axis robot stone preparation in use now for over a decade at the time of writing. The particulars of this adoption and adaptation emphasise the advantages that designers have when they embrace emerging technology as closely as possible at the first opportunity by setting aside over anxiety about risk.
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Acknowledgments
The design team for the Passion Façade narthex consisted of Jordi Bonet and Xisco Llabrés in Barcelona, and Mark Burry and Jane Burry in Melbourne. Much of the design research reported here was significantly funded by the Australian Research Council. This additional support has been within the framework of a longstanding commitment by the Sagrada Família Basilica Foundation to commission university design research teams to assist investigations on site into innovative design, design representation, and digital fabrication.
Credits for stone production: Sagrada Família Basilica should be noted as follows:
Stonemasons Marbres Juyol: Sr. Alfons Juyol i Arenas, (L’Hospitalet de Llobregat—Barcelona) produced the granite columns for the central nave, transepts and apse, as well as basalt columns and other major interior stone elements (principal altar).
Stonemasons Talleres de Manuel Mallo: Sr. Manuel Mallo (Rábade—Lugo) produced the rose window for the Passion Façade, and other significant interior parts (sandstone columns in the lateral nave).
Stonemasons PCM Granitos Moldurados: Sr. Octavio Vazquez (Rábade—Lugo) produced the crest to the Passion Façade narthex and other major elements for the building exterior.
Stonemasons Granits Barbany: Sr. Jordi Barbany i Triadú (Llinars del Vallès—Barcelona) produced the columns for the Passion Façade and major external elements for the emerging towers in the centre of the building.
Author information
Authors and Affiliations
Corresponding author
Editor information
Editors and Affiliations
Rights and permissions
Copyright information
© 2016 Springer International Publishing Switzerland
About this chapter
Cite this chapter
Burry, M. (2016). Robots at the Sagrada Família Basilica: A Brief History of Robotised Stone-Cutting. In: Reinhardt, D., Saunders, R., Burry, J. (eds) Robotic Fabrication in Architecture, Art and Design 2016. Springer, Cham. https://doi.org/10.1007/978-3-319-26378-6_1
Download citation
DOI: https://doi.org/10.1007/978-3-319-26378-6_1
Published:
Publisher Name: Springer, Cham
Print ISBN: 978-3-319-26376-2
Online ISBN: 978-3-319-26378-6
eBook Packages: EngineeringEngineering (R0)