Summary
This chapter introduces the difficult subject of musical ontology. Such a discussion is substantial for a reconciliation of traditional musicology and innovative perspectives in cognitive and computational musicology.
Musik ist ohne Begriffe.
Hans Heinrich Eggebrecht [101, p.192]
Access this chapter
Tax calculation will be finalised at checkout
Purchases are for personal use only
Preview
Unable to display preview. Download preview PDF.
Author information
Authors and Affiliations
Rights and permissions
Copyright information
© 2002 Springer Basel AG
About this chapter
Cite this chapter
Mazzola, G. (2002). Musical Ontology. In: The Topos of Music. Birkhäuser, Basel. https://doi.org/10.1007/978-3-0348-8141-8_3
Download citation
DOI: https://doi.org/10.1007/978-3-0348-8141-8_3
Publisher Name: Birkhäuser, Basel
Print ISBN: 978-3-0348-9454-8
Online ISBN: 978-3-0348-8141-8
eBook Packages: Springer Book Archive